AFP
July 7, 2017
Remember the showdown in "The Good, the Bad and the
Ugly?" Well Ennio Morricone, one of the world's greatest living composers,
wants you to tear your eyes away from the film's gunslingers and listen
instead.
"In the cinema you cannot actively listen to the
music -- there's dialogue, noises, special effects, it all distracts the
audience," he told AFP as he prepared for the next stages of a world tour
celebrating 60 years in the business.
"Music has to be listened to and the concerts allow
the audience to listen to my music, and my music alone," the 88-year old
Italian said in an interview in his large Rome apartment.
Morricone's long-running collaboration with Spaghetti
Western film director Sergio Leone saw him pen prize-winning soundtracks for
everything from the "Dollars Trilogy" to "Once Upon a Time in
the West".
The former trumpet player has composed over 500 scores
for film and television -- including Roland Joffe's "The Mission" and
Quentin Tarantino's "The Hateful Eight" -- and over 100 classical
works.
He cites Karlheinz Stockhausen, Pierre Boulez, Luigi
Nonno and Aldo Clementi as composers who have influenced him -- along with
Goffredo Petrassi, who his dubs "my master" -- but also has a
fondness for Stravinsky and Bach.
- 'New film, new style' -
But he shakes his head at the idea of being compared to
prolific composers of the past like Mozart or Rossini and said he does not mind
knowing that he is most famous for the film soundtracks, deemed to be catchier.
"I was able to compose music freely, and in such
different forms, not only because I could rely on technology, but also because
it was essential that I change my style for every film. Every movie required
it," he said.
The composer, who played in jazz bands in the 1940s
before he started ghost writing for film and theatre, is considered a fine
conductor too -- though it is a title he rejects.
"I was asked to direct my music. The problem is that
I am not a real conductor, I do not direct the music of other composers,"
he said.
Morricone, who has worked with some of the most acclaimed
Hollywood and arthouse filmmakers -- from Roman Polanski to Bernardo Bertolucci
and Pedro Almodovar -- says his success lies in evoking thought patterns.
"I tried to create a way to write music with a lot
of pauses, made up of almost monosyllables, or three syllables put together,
and then a pause, a bit like a thought that comes and goes and repeats itself
in a different way," he said.
He says there is no secret recipe that he follows --
"absolutely not" -- other than being true to himself.
"I have always wanted to change, but at the end I
remain myself".
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