Tuesday, November 18, 2025

RIP Dawn Little Sky

 


Native American actress died in Rapid City, South Dakota on October 24th. She was 95. Born on April 17, 1930, in Fort Yates, North Dakota, Dawn lived on the Standing Rock Reservation as a youngster, then attended Haskell Indian Nations University in Lawrence, Kansas. While in college she met rodeo performer and future stuntman and actor Eddie Little Sky (Eddie Little) [1926-1997], while on the rodeo trail. They ended up in California, where she worked as an actress at Frontierland in Disneyland and as an artist for Walt Disney Studios, where she colored cels for animation projects. She appeared, along with Eddie on several TV westerns including ‘Gunsmoke’,‘Rawhide’, Have Gun-Will Travel’ and ‘Daniel Boone’. Film appearances included “Duel at Daiblo” “Cimarron” and “The Appel Dumpling Gang”. Dawn appeared in two Eueo-westerns: “Billy Two Hats” (1973) as Copeland’s squaw and as Annie in 2016’s “Neither Wolf Nor Dog”. She is survived by three children and many grandchildren, great-grandchildren and great-great-grandchildren.

Little Known Spaghetti Western actors ~ Juan de la Lola

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Juan de la Lola is/was a Spanish character actor, most likely a local villager or actor hired for his only film appearance and only Spaghetti western in 1997’s “La vuelta de El Coyote” (Return of El Coyote).

de la LOLA, Juan (aka el Juanito) [Spanish] – film actor.

Return of El Coyote – 1997

60 Years Ago, Clint Eastwood Starred in One of the Greatest Movies Ever Made — Western or Otherwise

Movieweb

By Adam Symchuk

November 10, 2025

The action genre continues to evolve, whether through the continued growth of CGI and AI, or those daring filmmakers who aim to deliver fisticuffs and shootouts with stuntpeople and practical effects in new and authentic ways. Looking back, many of the hit action films of yesteryear seem somewhat dated, but like any genre, some classics remain timeless and continue to pack a punch. Of course, it does not hurt when you have an icon like Clint Eastwood in the lead, whose cool and calm veneer has long made him the quintessential action hero. Building on the success of Rawhide (1959–1965), Eastwood's impact on action and Western genres was not immediately apparent. However, his subsequent success cannot be understated, starting with a series of movies that remain among his best.

The action genre continues to evolve, whether through the continued growth of CGI and AI, or those daring filmmakers who aim to deliver fisticuffs and shootouts with stuntpeople and practical effects in new and authentic ways. Looking back, many of the hit action films of yesteryear seem somewhat dated, but like any genre, some classics remain timeless and continue to pack a punch. Of course, it does not hurt when you have an icon like Clint Eastwood in the lead, whose cool and calm veneer has long made him the quintessential action hero. Building on the success of Rawhide (1959–1965), Eastwood's impact on action and Western genres was not immediately apparent. However, his subsequent success cannot be understated, starting with a series of movies that remain among his best.

All the movies in the "Man With No Name" or "Dollars" trilogy — A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966) — will always be in discussion for the best Westerns ever made, which often takes precedent over the truth that they are also among the best action films ever made. Originally released on December 18, 1965, the middle movie, For a Few Dollars More, may not get as much praise as the final entry in the trilogy. It is, nonetheless, deserving of praise, as 60 years after its release, it remains a work of cinematic beauty and intensity.

'For a Few Dollars More' Is a Quintessential Western Out of a Unique Time in Cinema

The second entry in the "The Man With No Name" trilogy, For a Few Dollars More, placed Clint Eastwood in a familiar role: that of a quiet, plotting, and mysterious gunslinger navigating a brutal world of outlaws. Alongside Eastwood are Lee Van Cleef as Colonel Douglas Mortimer and Gian Maria Volonté as the bandit El Indio. Here, Eastwood and Van Cleef are bounty hunters tracking El Indio, both working separately to try to claim the bounty on his head. With different motivations (Van Cleef being a man of the law), the two team up when El Indio retreats into the protection of his gang.

The film was directed by Sergio Leone, one of the primary progenitors of the "Spaghetti Western." The Western sub-genre is named after its country of origin, Italy. These productions were filmed almost entirely in Europe, featuring a diverse cast from various countries; it was not uncommon for actors to work together who did not share the same language. The movies were not shot with live sound and received English dubs in post-production; besides Westerns, a slew of action, exploitation, and horror movies were also made in the same way.

Clint Eastwood and Lee Van Cleef spoke English, but the rest of the cast spoke primarily Italian or Spanish. While this sort of production is now unheard of, it is a testament to the work of Sergio Leone and Eastwood's acting chops, which make every element come together perfectly despite language barriers and an international cast.

'A Few Dollars More' Remains One of the Best Action Movies of All Time

It's One of the Best Westerns Ever Made

Clint Eastwood's sharp figure is perfectly framed within the harsh desert landscape of El Paso (not to be confused with the real Texas City, as the film was shot entirely in Spain). This image of Eastwood has become iconic, presenting a cinematic masculinity that would come to define a whole generation of actors (sometimes for the best, sometimes for the worse). It remains a cultural reference point that goes beyond just those who have seen the film. Eastwood would also be paired with Van Cleef, an icon in his own right, who was the perfect quiet menace, a man who could play a bandit and a strict authoritarian figure. The two are the very definition of cool in the world of action and Westerns.

Sergio Leone’s direction was revolutionary for the time, providing a grand operatic visual style that captured both the beauty and brutality of the Western frontier, where moral ambiguity favored those willing to make the boldest choices. Leone’s work flowed at a deliberate pace, taking moments to highlight the landscape or the expressions of his actors. Serene moments were punctuated by sharp, sensational violence. In For a Few Dollars More, notably, the build-up to the duel between Colonel Douglas Mortimer and the bandit El Indio is marked by deep psychological intensity and moral righteousness, punctuated by a devastating final shot. Where modern action directors often focus on abundance and spectacle, Leone’s Spaghetti Westerns were about building tension toward an explosive moment of release.

Music is so integral to the success of the “Man With No Name” trilogy that it cannot go unmentioned. Ennio Morricone, a consistent collaborator of Leone and one of the most influential composers of all time, delivered an iconic score. While the most famous Western track may come from The Good, the Bad and the Ugly in “Inseguimento (Chase),” the score of For a Few Dollars More is pure atmospheric perfection.

Along with the other entries in the iconic Western trilogy, For a Few Dollars More is best experienced firsthand to appreciate its brilliance and brutality, which have cemented it as one of the most enduring action Westerns ever made.

Where To Watch 'For a Few Dollars More'

When it comes to the "Dollars" or "Man With No Name" trilogy (both are used and acceptable among the fandom), much of the time, an emphasis is placed on The Good, The Bad and The Ugly as an essential watch, for good reason. Yet, fans should note that the movies don't need to be viewed in order. Essentially, those who have seen The Good, the Bad, and the Ugly previously can watch For a Few Dollars More as a standalone. At the same time, to fully appreciate the scope and adoration of Sergio Leone's Western trilogy, it is ideal to watch all three films in order.

The action genre continues to evolve, whether through the continued growth of CGI and AI, or those daring filmmakers who aim to deliver fisticuffs and shootouts with stuntpeople and practical effects in new and authentic ways. Looking back, many of the hit action films of yesteryear seem somewhat dated, but like any genre, some classics remain timeless and continue to pack a punch. Of course, it does not hurt when you have an icon like Clint Eastwood in the lead, whose cool and calm veneer has long made him the quintessential action hero. Building on the success of Rawhide (1959–1965), Eastwood's impact on action and Western genres was not immediately apparent. However, his subsequent success cannot be understated, starting with a series of movies that remain among his best.


 All the movies in the "Man With No Name" or "Dollars" trilogy — A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966) — will always be in discussion for the best Westerns ever made, which often takes precedent over the truth that they are also among the best action films ever made. Originally released on December 18, 1965, the middle movie, For a Few Dollars More, may not get as much praise as the final entry in the trilogy. It is, nonetheless, deserving of praise, as 60 years after its release, it remains a work of cinematic beauty and intensity.

For a Few Dollars More is available to stream on MGM+, Kanopy, Philo, or Fubo. The other two films in the trilogy, A Fistful of Dollars and The Good, the Bad and the Ugly, are also available to stream on the same platforms.


Voices of the Spaghetti Western - “Bury Them Deep”

As we know most of the Euro-westerns were co-productions from Italy, Spain, Germany and France which incorporated British and American actors to gain a worldwide audience. The films were shot silent and then dubbed into the various languages where they were sold for distribution. That means Italian, Spanish, German, French and English voice actors were hired to dub the films. Even actors from the countries where the film was to be shown were often dubbed by voice actors for various reasons such as the actors were already busy making another film, they wanted to be paid additional salaries for dubbing their voices, the actor’s voice didn’t fit the character they were playing, accidents to the actors and in some cases even death before the film could be dubbed.

I’ll list a Euro-western and the (I) Italian, (S) Spanish, (G) German and (F) French, (E) English voices that I can find and once in a while a bio on a specific voice actor as in Europe these actors are as well-known as the actors they voiced.









Today we’ll cover “Bury Them Deep”

[(I) Italian, (S) Spanish, (G) German, (F) French, (E) English] 

Clive Norton – Craig Hill (G) Rainer Brandt

Chaleco – Ettore Manni (G) Michael Chevalier

Billy Gunn – Giovani Cianfriglia (G) Christian Bruckner

Colonel – Locuaino Doria (G) Wolfgang Luckschy

Consuelo – José Gréci (G) Ursula Heyer

Jim 'Double Whiskey' – Pino Patti (G) Gerd Duwner


Speical Birthdays

Francesca Benedetti (actor) would have been 90 today but died in 2025.








Victor Agramunt [voice actor] would have been 90 today but died in 2025.



Monday, November 17, 2025

Little Known Spaghetti Western actors ~ Lisardo de la Iglesias

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Lisardo de la Iglesias is was a Spanish character actor. Sometimes billed as Lisardo Iglesias. He appeared in only four films from 1969 to 1975 all were Spaghetti westerns: “Ringo y el precio del poder” (The Price of Power) in 1969, “Valdez is Coming” in 1971 as a rider, “Tutti per uno... botte per tutti” (The Three Musketeers of the West) in 1973 and “ Il bianco il giallo il nero” (The White, the Yellow, the Black) as a lunatic.

de la IGLESIAS, Lisardo [Spanish] – film actor

Price of Power – 1969

Valdez is Coming – 1970 (rider) [as Lisardo Iglesias]

The Three Musketeers of the West – 1973

The White, the Yellow, the Black – 1974 (Donovan henchman)

New British Blu-ray release – “The Taste of Violence”

 








The Taste of Violence

(1961)

 

Director: Robert Hossein

Starring: Robert Hossein, Giovanni Ralli, Mario Adorf, Madeleine Robinson

 

Country: England

Label: Radiance Films

Part of the box set "Wicket Games" with three films by Robert Hossein, 2016 2K restoration by Gaumont / CNC

Region AB

Resolution: 1080p

Aspect ratio: 2.35:1 1080p

Audio: French (original uncompressed mono)

Subtitles: English

Running time: 86 minutes

Extras (box): Audio commentary by Tim Lucas (2025, on all three films); Picking Strawberries - A newly created ‘making of’ featurette with historian Lucas Balbo, featuring archive interviews with Hossein and Jean Rollin (2025); Behind Marked Eyes: The Cinematic Stare of Robert Hossein - A newly created featurette by Howard S. Berger about Hossein and his work (2025); Interview with actor Marina Vlady (2014); The Evolution of the Femme Fatale in Classic French Cinema - A visual essay by critic Samm Deighan (2025); The Taste of Violence appreciation by filmmaker and Western authority Alex Cox (2025); Interview with author C. Courtney Joyner on The Taste of Violence and the Zapata Western subgenre (2025); Trailer

Reversible sleeves: original artwork & new artwork by Time Tomorrow

Limited edition booklet with writing by Walter Chaw and newly translated archival writing by Lucas Balbo

Limited Edition of 3000 copies; rigid box with full-height Scanavo cases and removable OBI strip leaving packaging free of certificates and markings

Runtime: 85:34min

Available: November 17, 2025

Spaghetti Western locations Then & Now – “Blindman”

In this scene from 1971’s “Blindman” our hero takes a res while holding on to the reins of his seeing-eye horse.

The scene was films in Cortijo el Puntalillo, Tabernas, Almería. Little has changed but part of the area appears to have been fenced off and we see a building in the background.



European Western Comic Books – Cocco Bill

 








Cocco Bill

Created in 1957 by Benito Jacovitti, Cocco Bill is a larger-than-life cowboy engaged in humorous and surreal adventures, a poignant parody of the Western genre. At his side is his faithful horse Trottalemme, a sentient co-protagonist in every sense of the word. The character made his debut on March 28, 1957, in the pages of Il Giorno dei ragazzi (Società Editrice Lombarda, 1957), a supplement to the newspaper Il Giorno, and was republished in the Album de il giorno series (Segisa, 1961). A few years later, he appeared in Corriere di piccoli in issues 19/31 and 48/35 (Corriere della Sera, 1967/1969) and Corriere dei ragazi (Corriere della Sera, 1972/1976). It was then the turn of Il Giornalino (San Paolo, 1978); and of Eureka (Corno, 1986). Cocco Bill also appears in issue no. 7 of the Humour Pocket series (Glénat, 1986), in issue no. 1 of the I Grandi comici del fumetto series (Bonelli, 1997) and in the pages of Achab (Barilletti, 1997).

Special Birthdays

Daniel Mendaille (actor) would have been 140 today but died in 1963.








Toni Sailer (actor) would have been 90 today but died in 2009.



Sunday, November 16, 2025

From the WAI! vault

 









Little Known Spaghetti Western actors ~ Pedro Torres Cumbreño

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

He’s performed stunts in over seventy films and television appearances.

He’s performed stunts in over seventy films and will appear in his first an acting role in the upcoming “Hora y veinte” (Hour and Twenty).

CUMBRENO, Pedro Torres (aka Pedro Cumbreño, Pedro Torres) (Pedro Torres Cumbreño) [199?, Spain -     ] – stunt coordinator, stuntman, director of Ronin’s Academy for Martial Arts

That Dirty Black Bag (TV) – 2021 [stunts]

Das Kanu des Manitu – 2024 [stunt coordinator]

Heads or Tails: Buffalo Bill in undated Belgium poster

 

In light of the new release "Heads or Tails" (2025), it should be noted that Buffalo Bill Cody travelled all over Europe: England, Belgium, France, Germany, Italy and Spain.

An undated poster for Antwerp, Belgium can be found at both omnia.europea and Royal Institute of Cultural Heritage (Bel) 

The dates of the performances for September 18-19 (Monday and Tuesday) only lineup for 1905.

Buffalobill.org site says he and his show were only in Belgium in 1891 and 1906 (neither dates line up).

By 1905-6 one would think that some type of newsreel-style footage of the show would have been shot if not have survived.

If the film is lost, it shouldn't be forgotten.

Both French and Italian filmmakers managed to make films in 1905-06.

 

Submitted by Michael Ferguson

Spaghetti Western Locations for “I Want Him Dead”.

We continue our search for filming locations of “I Want Him Dead”. Jack Blood comments to Mallock after observing the men eating and laughing and states they are most likely because of the presence of the two women. Mallek tells Blood to forget about the women and complete the assignment he was given. He tells Jack he can go to Durango or El Paso and have all he wants. Jack tells Mallek, as he lights a cigar, that he never liked uniforms

This scene was filmed at the interior of Cortijo El Romeral in San Jose Spain.


For a more detailed view of this site and other Spaghetti Western locations please visit my friend Yoshi Yasuda’s location site: http://y-yasuda.net/film-location.htm and Captain Douglas Film Locations http://www.western-locations-spain.com/


Special Birthdays

Osip Abduluv (actor) would have been 125 today but died in 1953.








Tino Scotti (actor) would have been 120 today but died in 1984.









Jane Tilden (actor) would have been 115 today but died in 2002.









Helmut Schreiber (actor) would have been 100 today but died in 1995.








Roberto Leoni [writer] would have been 85 today but died in 2024.



Saturday, November 15, 2025

From the WAI! vault

 













Little Known Spaghetti Western actors ~ Juan José De la Hora

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Juan José De la Hora is/was a Spanish character actor. Most likely a local villager he was hired to fill the ranks of the Union soldiers at the Langstone Bridge scene in 1966’s “Il buono, il brutto, il cattivo” (The Good, the Bad and the Ugly). This was his only film appearance but he was seen again as himself in the documentary “Desenterrando Sad Hill” (Sad Hill Unearthed) as one of the surviving members of the cast.

I can find no biographical information on him.

De la HORA, Juan José [Spanish] – film actor.

The Good, the Bad and the Ugly – 1966 (Union soldier)

Sad Hill Unearthed – 2017 [himself]

Fernando Di Leo, Quentin Tarantino's teacher

The director from San Ferdinando di Puglia, a reference from the author of "Pulp fiction", innovated noir and was one of the fathers of the pulp genre. With the ability to describe the world of the underworld, he also anticipated today's successful TV series

Rai News

By Gianluca Veneziani

11/10/2025

He was an innovator of noir cinema and one of the fathers of the pulp genre, recognized as a master even by Quentin Tarantino.

Fernando Di Leo was born in 1932 in San Ferdinando di Puglia where he lived until the age of 11. Even as a boy he showed a histrionic verve and an ability to create film sets in an artisanal way. "At the center in the village," says Giuseppe Memeo, artistic director of the Fernando Di Leo Short Film Festival, "he used to throw down chairs and tables from the bar with other naughty kids, images and sounds that were later found in some of his films. When asked who had caused that chaos, he used to answer, 'Ha stat u' vind', It was the wind...".

Di Leo continued his studies in Foggia where he graduated in law. Even if his passion was another. "Once he moved to Foggia," Memeo recalls, "he and Arbore became best friends. Arbore said that Fernando was the ringleader because he always decided what had to be done. Fernando developed this enormous passion for cinema there, so much so that he went to the cinema twice a day to see the films that were there. And Arbore, when they made an appointment, looked for him in the streets of Foggia shouting: Fernando, where have you gone? He had thrown himself into a cinema...".

After moving to Rome, Di Leo attended the Experimental Center of Cinematography. At first he collaborated on the screenplays of important films of the spaghetti western genre, writing the treatment of A Fistful of Dollars, For a Few Dollars More and Django but his name did not appear among the authors partly because of his young age, partly because of his innate modesty.

"We are talking about years," Memeo continues, "in which the apprenticeship was also done in this way. Many, even Dario Argento and Bernardo Bertolucci, have written for Sergio Leone without their names appearing. But then they requested that their name be included. Fernando, on the other hand, did not do it and, as a reason, he said that those films were all thanks to Sergio Leone".

His affirmation took place with the detective genre, in particular with the Milieu Trilogy composed of Milano calibro 9, La mala ordina and Il boss, and inspired by the novels of Giorgio Scerbanenco.

"He," points out Davide Pulici, founder of the magazine Nocturno Cinema, "has almost always told stories from the other side, that is, from the side of the criminals. He evidently had a connection and an inclination precisely to tell that type of world, the world of the underworld. For the type of noir he created, he can well be said to be a forerunner of a genre that then depopulated between films and TV series, think of Romanzo Criminale, Gomorrah, Suburra etc. In any case, it is wrong to call his films police: he does not tell stories from the point of view of the policemen. And the only time the police appear in the title of one of his films is associated with a negative image. It is no coincidence that the film is called The Rotten Policeman".

His films inspired Quentin Tarantino who, recognizing in Di Leo "a master", defined La mala ordina "a masterpiece of Italian noir". "Among the protagonists of that film," Pulici warns again, "there are Henry Silva and Woody Stroode, two killers, a white and a black, who come from America to kill a Milanese pimp. Also, in Pulp fiction Tarantino has included a pair of killers, a white and a black, played by John Travolta and Samuel L. Jackson. Well, it's easy to think that he took them from La mala ordina".

Di Leo also landed in the horror genre - with the film The Beast Kills in Cold Blood with Klaus Kinski - and the erotic one, from Burn Boy Burns to Being Twenty Years, with Gloria Guida. Many of his films caused a scandal and were subject to censorship, partly because of the splatter scenes, partly because they recounted taboo topics such as female sexuality, partly because they touched on institutions such as the Church and the Police, highlighting their limits and contradictions. Starting with his first direction, that of the episode A Place in Paradise in the film "The heroes of yesterday ... today... tomorrow".

"In this episode," says Rita Di Leo, Fernando's sister, "if they were not really ridiculed, at least priests and the Vatican were described in a comic key. Giulio Andreotti, who had the task of viewing the films (as undersecretary to the Prime Minister's Office, he was in charge of Italian film production), stopped their distribution and ordered their censorship. My brother's films were uncomfortable, also because his was, in some way, a "committed" cinema. It might seem like a popular cinema, for an average audience. But, if we look with attentive eyes, today we can say that he made avant-garde films as regards, for example, the themes of corruption, the mafia and so on".

In recent decades we have witnessed the rediscovery of Di Leo, thanks to a magazine, Nocturno Cinema, and a festival, the Fernando Di Leo Short Film Festival. "It was September-October 1996," says Pulici, "when we had the opportunity to meet Di Leo at his house, then almost forgotten in Italy. We did a historic interview with him for Nocturno Cinema, which then became a source for all those who later began to write Fernando".

"As for me," Memeo warns, "I decided to recover Di Leo's memory after Tarantino's statements celebrating him. I was lucky enough after a few years to build this festival and, at the fourth edition, I can finally say that now in San Ferdinando everyone knows who Fernando Di Leo is".


Who Are Those Singers & Musicians ~ The Snobs

 

The Snobs were an Italian pop music girl group on the Durium record label that were active for a short time during the 1960s. In the midst of the wave of the British invasion and beat and rhythm and blues music, the Snobs constituted, with their melodic repertoire, and albeit briefly, the Italian answer to similar groups from the United States of America such as Supremes, Ikettes, The Ronettes, Crystals or Marvelettes. 

They originally called themselves Sonia and Her Sisters then Le Amiche and finally Le Snobs.

The members of the quartet were three sisters and a friend from Desenzano del Garda, Brescia, Italy: Renata Giusti [1942- ], Ornella Giusti [1945- ], Annamaria Giusti [1950- ] and Gianna Raffa [1947- ]. All were minors (except one) at the time of their debut.

Le Snobs while they were performing during an evening at the Teatro Nuovo in Salsomaggiore, were discovered by Marcello Minerbi, one of the musicians of Marcellos Ferial, Minerbi was responsible for signing a contract with Durium Records. Their album (which had the western song ‘The Ballad of Johnny McRae’ as a B-side) sold fifty thousand copies. The song was also brought to the 1965 Cantagiro Festival.

After about three years of activity the group, after recording an LP entitled ‘Piper Style’, inspired by the fashion dictated by the famous Roman club Piper Club, was offered to undertake a theatrical performance in Macario's company but their father-advisor preferred to give up the opportunity by withdrawing his daughters from the world of entertainment.

The SNOBS [GIUSTI, Renata [1942, Desenzano del Garda, Brescia, Italy -     ], GIUSTI, Ornella [1945 Desenzano del Garda, Brescia, -    ], GIUSTI, Annamaria [1950, Desenzano del Garda, Brescia, Italy -     ], RAFFA, Gianna [1947, Desenzano del Garda, Brescia, Italy-    ] – musicians singers, rock band.

A Fistful of Songs – 1966 [sings: “Il silenzio”]

Special Birthdays

Gerd Duwner (voice actor) would have been 100 today but died in 1996.









Larry Ludman (writer) is 85 today.









Sam Waterston (actor) is 85 today.