Monday, October 19, 2026

Little Known Spaghetti Western Actors ~ Mike Ekiss

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Michael ‘Mike’ Ekiss is of unknow origin. The IMDb give his credit for one film and that was his only Spaghetti western, “Los pistoleros de Casa Grande” (Gunfighters of Casa Grande) in 1963.

EKISS, Mike (Michael Ekiss) – film actor.

Gunfighters of Casa Grande – 1963 (deputy)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Alfred Machin

Alfred Machin was a French film director, producer, and cinematographer known for his pioneering contributions to early cinema, including documentary filmmaking in Africa, innovative technical experiments, and progressive narrative works such as the pacifist film Maudite soit la guerre.

Born on April 20, 1877, in Blendecques, Pas-de-Calais, Machin began his career as a cameraman for Pathé Frères at the start of the 20th century. He shot documentary shorts in Central Africa from 1907 to 1909, capturing wild animals and indigenous communities, and later incorporated exotic animals into his work after bringing some back to France. In 1908 he traveled to the Netherlands, where he directed short documentaries and fiction films for Pathé's Dutch subsidiary, often featuring traditional Dutch imagery for export markets. By 1913 he had relocated to Belgium as general manager of Belge-Cinéma-Film, Pathé's local branch, directing the country's first feature film Le Diamant noir and his best-known work, the anti-war drama “Maudite soit la guerre” (1914), which employed early color techniques and aerial filming.

Machin served in the French army during World War I, helping establish the Photographic Service of the French Army and filming front-line footage for Pathé. After the war he founded a production studio in Nice with a private zoo, directing animal-themed comedies and other films until his death on June 16, 192,9 at the age of 52, from injuries caused by a panther during a shoot. His career reflects a rare progressive vision among early French filmmakers, blending technical innovation with humanitarian themes.

Alfred Machin directed on silent Euro-western, “Le cow-boy John cherche un engagement au music-hall” in 1913.

MACHIN, Alfred (Eugène Alfred Jean Baptiste Machin) [4/20/1877, Blendecques, Pas-de-Calais, Nord, France – 6/16/1929, Nices, Alpes-Maritimes, France (embolism)] – reporter, photographer, producer, director, writer, cameraman, married to actress Germaine Lecuyer (Germaine Madeleine Lécuyer) [1886–1947] (1913-1929) father of Freddy Machin [1913-1974], Ginette Machin [1918-1951], actor Claude Machin [1921-1978], founded Hollandiche Film [1911], Belge Film.

Le cow-boy John cherche un engagement au music-hall – 1913


Spaghetti Western Screenwriter ~ Claudio Failoni

Claudio Failoni was an Italian screenwriter who was an assistant director on two films from 1969 and 1970 and co-wrote one screenplays for one film and that was also his only Spaghetti western, “Quel caldo maledetto giorno di fuoco” (Gatling Gun) with Paolo Bianchini, Franco Calderoni and José Luis Merino in 1968.

I can find biographical information on him.

FAILONI, Claudio [Italian] – assistant director, writer.

Gatling Gun – 1968 (co)

 

Spaghetti Western Cinematographer ~ Joe Rosenthal

Joseph John Rosenthal was an American photographer renowned for capturing the iconic image of six United States Marines raising the American flag atop Mount Suribachi during the Battle of Iwo Jima on February 23, 1945.

Born in Washington, D.C., to Russian immigrant parents and hindered by poor eyesight that barred him from military service, Rosenthal joined the Associated Press in 1941 and documented combat operations across the Pacific theater. His photograph, taken spontaneously during the second flag-raising on the volcanic island, earned the 1945 Pulitzer Prize for Photography and became a symbol of American resolve in World War II, later inspiring the United States Marine Corps War Memorial in Arlington, Virginia.

The image's reproduction on a war bond poster contributed to raising approximately $26 billion for the U.S. war effort, underscoring its propaganda and morale-boosting impact amid the protracted conflict.4 Despite initial Marine Corps investigations prompted by accusations of staging—stemming from a separate posed replacement flag-raising Rosenthal photographed shortly after—the photograph was verified as authentic through eyewitness accounts and film footage, with Rosenthal maintaining its unposed nature until his death. Following the war, Rosenthal continued a decades-long career in photojournalism, though none of his subsequent works matched the singular fame of the Iwo Jima shot, which he described as largely accidental.

Joe died in Novato, California on August 20, 2006, at the age of 94.

Joe Rosenthal was a cinematographer on two Euro-westerns: “Hiawatha, the Messiah of the Ojibway” (Hiawatha) and “On the Bear River Horse Ranch” both in 1903.

ROSENTHAL, Joe (Joseph John Rosenthal) [10/9/1911, Washington D.C. U.S.A – 8/20/2006, Novato, California, U.S.A.] – director, cinematographer, married to Dorothy Lee Walch [1922-2012] (1946-19??), father of cinematographer Joe Rosenthal Jr. (Joseph Rosenthal Jr.) [1947-2006], Anne Lee Rosenthal [1949-    ].

Hiawatha - 1903

On the Bear River Horse Ranch – 1903

Spaghetti Western Locations Then & Now – “A Train for Durango”

In this scene from “A Train for Durango” we see Lucas played by Enrico Maria Salerno in a town square. That town square was the old plaza located in Gérgal, Almería, Spain.

Here’s the same location as photographed in 2026.




European Westerns ~ Collana West

 








Stories of the West

Stories of the West, is a supplement to Orient Express #1-#3 and #28, published the color ristamp by Ken Parker (KP) created by Giancarlo Berardi and Ivo Milazzo. #4 (1985) acquired the title Stories of the West. Other than Ken Parker presented Welcome to Springville (WS) (texts Giancarlo Berardi, designed by Renzo Calegari and Ivo Milazzo) and Stories of the West (SW) (texts by Ambrosio, designed and copied by Paolo Eleuteri Serpieri) which appeared on Laciostory (Eura, 1977).

The comic book series was published in 1983 with issue #1 being released in January and ending with issue #31 in June of 1988. It was published by SBE in Milan, Italy under editor in chief Sergio Bonelli. Each issue contained between 48 and 52 black & white pages with color covers.

 

Titles

KEN PARKER

01 (00.01.83) - “Lungo fucile” (KP) (Long Rifle)

02 (00.07.84) - “Mine Town” (KP) (Mining Town)

03 (00.01.85) - “I gentiluomini” (KP) (The Gentlemen)

 

STORIES OF THE WEST

01 (04) (00.00.85) - “Omicidio a Washington” (KP) (Murder in Washington)

02 (05) (00.00.85) - “Chemako” (KP) (Chemako)

03 (00.06.85) - “Gli avventurieri” (WS) (The Adventurers)

04 (00.07.85) - “Ombre e polvere” (WS) (Shadows and Dust)

05 (00.09.85) - “Gente di frontiera” (WS) (Frontier Folk)

06 (00.11.85) - “Sotto il cielo del Messico” (KP) (Under the Mexican Sky)

07 (00.11.85) - “Colpo grosso a San Francisco” (KP) (Big Heist in San Francisco)

08 (00.01.86) - “La ballata di Pat O’Shane” (KP) (Tha Ballad of Pat O’Shane)

09 (00.02.86) - “Battere il colpo” (SW) (Pulling the Job)

10 (00.03.86) - “La città calda” (KP) (The Holy City)

 

11 (00.04.86) - “Le regole del gioco” (SW) (Rules of the Game)

12 (00.05.86) - “Uomini, bestie ed eroi” (KP) (Men, Beasts and Heroes)

13 (00.06.86) - “Sioux” (Storie del West) (Sioux)

14 (00.07.86) - “La lunga pista rossa” (KP) (The Long Red Trail)

15 (00.08.86) - “Donne di frontiera” (SW) (Frontier Women)

16 (00.10.86) - “Un uomo inutile” (KP) (A Useless Man)

17 (00.10.86) - “I cacciatori” (SW) (The Hunters)

18 (00.12.86) - “Storia d’armi e d’imbrogli” (KP) (A Tale of Guns and Swindle)

19 (00.01.87) - “Visi rossi” (SW) (Redskins)

 

20 (00.04.87) - “Lily e il cacciatore” (KP) (Lily and the Hunter)

21 (00.05.87) - “C’era una volta...” (KP) (Once Upon a Time…0

22 (00.06.87) - “Casa dolce casa” (KP) (Home Sweet Home)

23 (00.07.87) - “Milady” (KP) (Milady)

24 (00.08.87) - “Diritto e rovescio” (KP) (Right and Wrong)

25 (00.09.87) - “Odio antico” (KP) (Old Hatred)

26 (00.10.87) - “Apache” (KP) (Apache)

27 (00.11.87) - “A due passi dal paradiso” (KP) (A Stone’s Throw from Paradise)

28 (00.02.88) - “I pionieri” (KP) (The Pioneers)

29 (00.03.88) - “Boston” (KP) (Boston)

30 (00.05.88) - “Sciopero” (KP) (Strike)

31 (00.06.88) - “Un alito di ghiaccio” (KP) (A Breath of Ice)

Special Birthdays

Wilkie Cooper (cinematographer) would have been 115 today but died in 2001.









Wayne Parham (singer, actor) would have been 90 today but died in 2007.



Sunday, October 18, 2026

RIP Sanjulian

 


Spaniard Manuel Pérez-Sanjulian Clemente, known professionally as Sanjulián, passed away at 85 on October 14 in Sitges, Spain. For generations of readers, Sanjulián’s paintings helped define the look of horror and fantasy on the comic-book newsstand. His work for Warren Publishing’s Vampirella, Creepy, and Eerie brought a striking painterly sophistication to stories filled with monsters, vampires, and the macabre. His talent extended far beyond horror magazines. Sanjulián illustrated fantasy novels, including Conan the Barbarian stories, and created film-related artwork connected to major franchises such as Star Wars and The Lord of the Rings. His paintings earned admiration from filmmakers including George Lucas and Peter Jackson. Sanjulian worked in the art department on the 2016 Spaghetti western “Stop Over in Hell”.

From the WAI! vault