Thursday, April 9, 2026

RIP Mario Adorf

 


Legendary Swiss born actor died at his Paris, France home on April 8th at the age of 95. Born in Zurich on September 8, 1930 to a German mother and an Italian father, Adorf grew up in the hilly rural Eifel region in western Germany. He studied criminology but dropped out to start acting for the theatre before moving on to film. From 1954 to 2023, he appeared in both leading and supporting roles in over 200 film and television productions, ranging from spaghetti westerns to the 1979 Oscar-winning film “The Tin Drum”. His roles in more recent years included a three-part German TV movie about Winnetou to a mafia film in 2019. Adorf appeared in 9 Euro-westerns: “The Taste of Violence” 1960 as Chamaco, “Apache Gold” as Frederick Santer and “The Last Ride to Santa Cruz” as Pedro Ortiz, both in 1963, “Massacre at Marble City” as Matt Ellis in 1964, “Sunscorched” as Abel Dragna in 1965, “And for a Roof a Sky Full of Stars” as Henry/Harry Jim, and “Drop Them or I'll Shoot” as Francisco Rafael ‘El Diablo’ Fatorro both in 1968, “Deadlock” as Charles ‘The Rat’ Drumm in 1970 and the TV mini-series “Winnetou the Myth Lives” 2016 reprising his role as Frederick Louis Santer.

Little Known Spaghetti Western actors ~ Ricardo Díaz

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Ricardo Diaz is/was a Spanish character actor. He appeared in twenty-seven films between 1959 and 1983. Yet there is no biographical information about him that I can find other then a filmography.  

Ricardo appeared in two Spaghetti westerns; “Frontera al sur” (Kitosch, the Man Who Came from the North) in 1966 as Corporal Brewster and as Joe Ferrell, 'El Comanchero' in 1970’s “Condenados a vivir” (Cut-Throats Nine).

DIAZ, Ricardo (Ricardo Díaz) [Spanish] – film actor.

Kitosch, the Man Who Came from the North – 1966 (Corporal Brewster)

Cut-Throats Nine – 1970 (Joe Ferrell, 'El Comanchero')

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Peter Collinson

Peter Collinson was a British film director known for his flair for action and suspense in 1960s and 1970s cinema, most notably helming the iconic heist caper “The Italian Job” (1969). Born into a theatrical family on April 1, 1936, in Cleethorpes, Lincolnshire, England, the son of an actress mother and a musician father. His parents separated when he was two years old. Following their separation, Collinson lived briefly with his grandmother before being sent to the Actors' Orphanage. He began his career directing for the stage and television before making his feature film debut with “The Penthouse” in 1967. His subsequent films included “Up the Junction”, “The Long Day's Dying”, “You Can't Win 'Em All”, “Fright”, “Straight on Till Morning”, “The Man Called Noon”, “Innocent Bystanders”, “Ten Little Indians”, and “The Spiral Staircase”, with some earning awards at festivals such as Berlin and San Sebastian.

Collinson's work often emphasized dynamic sequences and genre elements, as evidenced by the memorable car chases and cliffhanger conclusion in “The Italian Job”, which have contributed to the film's enduring popularity. His final film, “The Earthling”, was released posthumously in 1981. He died of cancer at his home in Los Angeles on December 16, 1980, at the age of 44, survived by his wife Hazel and their two children. [

Peter Collinson directed one Spaghetti western, “Lo chiamavano mezzogiorno” (The Man Called Noon) in 1973.

COLLINSON, Peter (Peter Kenneth Collinson) [4/1/1936, Lincolnshire, England, U.K. – 12/16/1980, Los Angeles, California, U.S.A. (lung cancer)] – producer, director, assistant director, writer, son of actress Lola Willard (Lola Eileen Willard) [1912–1997], married to actress, singer Lisa Shane (Hazel Collinson) [1937-    ] (1970-1980) father of Tara Collinsosn [1967-    ], Shane Collinson 1970-    ].

The Iron Outlaws – 1969 [film was never made.]

Tomorrow's Dawn - 1971 [ film was never made]

Jack the Ripper Goes West – 1973 [film was never made.]

The Man Called Noon – 1973


Spaghetti Western Screenwriter ~ Gunther Brandl

Günther Brandl is the oldest of Alois and Gisela Brandl’s children. He’s a producer, director, writer, cinematographer, film editor actor and founded Brandl Pictures. His brother is director, writer, cinematographer, film actor, Helmut Brandl born in Arnstorf in 1982 and his sister is director, writer, film actress Monika Brandl born in Arnstorf in 1984. Günther appeared in 48 films among which is four westerns: “Er kannte kein Erbarmen” in 2001 as Valdez, Sheriff Whitmore, Frank Anderson, Mr. Tunstall, saloon patron) also as co-director, co-writer, co-cinematographer, “Der stumme Schrei des Todes” in 2005 as Moses Cane/Colonel Sam Emerson also director, writer, co-cinematographer, “Und sie kehrten niemals wieder” in 2013 as Nameless also co-director, writer and “Im Tal von Achor” in 2022 as Reverend John Tanner also director, writer.

Gunther Brandl wrote the screenplays for four Euro-westerns, three of which he also directed; “Er kannte kein Erbarmen” in 2001 with Helmut Brandl, “Der stumme Schrei des Todes” in 2005, “Und sie kehrten niemals wieder” in 2013 with Helmut Brandl, Monika Brandl and “Im Tal von Achor – 2022. Th

BRANDL, Günther [6/17/1980, Arnstorf, Niederbayern, Germany -     ] – producer, director, writer, cinematographer, film editor actor, brother of actor Helmut Brandl, actress Monika Brandl, founded Brandl Pictures

Er kannte kein Erbarmen – 2001 (co)

Der stumme Schrei des Todes – 2005

Und sie kehrten niemals wieder – 2013 (co)

Im Tal von Achor – 2022


Spaghetti Western Cinematographer ~ Pasquale Fanetti

Pasquale Fanetti was born in Rome, Italy in 1937. He was primarily a cameraman and cinematographer although he also worked in the film industry as a director (eighteen films), writer (eight films) and producer (four films). Fanetti was a cinematographer on fifty-five films between 1971 and 1997 and as a cameraman on eighteen films from 1961-1987. Fanetti had been working as a camera assistant and operator since the early 1960s; from 1970 he was chief cameraman in several productions. At the dawn of the 1980s, he turned to the erotic film business and drove the camera in soft and hard films. As a director, he was responsible exclusively for hardcore films, often under the pseudonym Frank de Niro. Other noms-de-film Fanettis include “Emanuele Glisenti” and “Pascal Fany”.

Pasquale Fanetti was a co-cinematographer on one Spaghetti western “Allegri becchini... arriva Trinità” (They Called Him... Trinity: Himself – His Colt – His Revenge) in 1971 with Giorgio Montagnani

FANETTI, Pasquale (aka Frank De Niro, Pasqualino Fanetti, Robert Fani, Emanuele Glisenti, Frank de Niro) [1937, Rome, Lazio, Italy -    ] – producer, director, writer, cinematographer, cameraman.

They Called Him... Trinity: Himself – His Colt – His Revenge – 1971 (co)

WARTIME SPAGHETTI: ČÁST PRVNÍ (PART ONE): PANCHO’S WEDDING

1946, Czechoslovakia

Aka… Pancho se žení / ‘Pancho is Getting Married’ (Cz)

Ex… Pancho’s Wedding

T: 88m (Cz)

Pc: Ceskoslovenská Filmová Spolecnost S.R.O. (Pra)

Dist: Státní Pujcovna Filmu [Edvard Beneš] (09/27/46, Cz), Filmexport (09/18/13, Cz, DVD), YouTube (10/2013, 04/2020 and 06/2020, respectively).

D & Sc: Rudolf Hrušínský & František Salzer; Ph: Ferdinand Pečenka; Ed: Jirí Sobotka; M: Jiří Srnka

C: Rudolf Hrušínský (Pancho), Vlasta Matulová (Rosita), Josef Kemr (Pedro),Frantisek Klika (Old Deputy Mayor), Rudolf Deyl (Hotel clerk), Jindřich Plachta (Francisco Fernando Rodriguez, Rosita's father), Jindra Hermanová (Spanish Woman), František Kovářík, Jarmila Májová, Eva Klenová, Saša Rašilov, Miloš Nedbal, Bohumil Bezouska, Vítězslav Boček, Alois Dvorský, Vladimír Michael Hlavatý, Stanislav Vyskocil, Jindrich Fiala, Rudolf Hrusínský, Robert Vrchota, Vjaceslav Irmanov, R.A. Strejka, Antonín Jirsa, Anna Steimarová, Zdenek Kampf, Jan W. Speerger, Zdenek Kampf, Antonín Solc, Jaroslav Seník, Ella Šárková, František Kreuzmann, Jarmila Kurandová, Jarmila Kurandová, Bohumil Machník, Bolek Prchal, Vlasta Matulová, F.X. Mlejnek & Josef Pehr

Syn: Mexico. 1910’s. Silly Pedro is supposed to marry beautiful Rosita, whom the adventurer Pancho, has also fallen in love with. During his journey to her, Pancho ends up in prison, where a cunning desperado [Pedro?] deceives him and then tries to win Rosita for himself. [both synopses are not that clear]

Comm: [Filmed in 1944] Comedy. PANCHO’S WEDDING was filmed in late 1944, but it was not released until 1946. Most likely the war had something to do with that.

     The first Czech western was always thought to have been LEMONADE JOE (1964), but with the rediscovery of PANCHO’S WEDDING that isn’t so. Made a good-twenty years before Oldrich Lipsky’s masterful parody, Rudolf Hrušínský’s film has more in common with Eduardo Garcia’s Maroto’s Spanish comedy DIRTY GOLD (1941). Both were made during the second world war and set in Mexico. All three films contain high levels of exaggeration and touches of parody. LEMONADE JOE was more of a gentle sendup of American westerns and PANCHO’S WEDDING is not.

     The producers deserve kudos for setting both films (PANCHO’S WEDDING and DIRTY GOLD) in old Mexico, when others hadn’t. Most likely Wallace Beery’s performance in “Viva Villa!” (1934, US, 03/35, Sp and 10/35, Cz) had been the inspiration for both films getting made. One can see Hrušínský mugging at parties’ years after seeing Beery, and before making his film.

     Plot wise PANCHO’S WEDDING involved forced marriage, [¿] a series of mix-ups [?], and colorful bandits. To keep the costs down, it was heavily reliant on being shot in studios (said to be half the film’s length). At times PANCHO’S WEDDING, which has bits and pieces on display on YouTube (04/2020), looks hastily shot, but still has its charm for being there first.  Local audiences may have laffed, but critics weren’t amused.

     The reception for PANCHO’S WEDDING weighed heavily on its creators: It was actor Rudolf Hrušínský second, and last attempt at directing. His first was the romdramcom ‘Spring Song’ aka “Jarní písen” (11/17/44). He went back to acting and appeared in over 200 films. Co-scripter, also an actor, František Salzer was a theater director, and this was his only film writing credit. Still, it’s worth picking up the Filmexport DVD.

 

By Michael Ferguson

COWBOY APPRENTICE

1913, France / Italy [?]

Aka… Apprenti Cow-boy / ‘Cowboy Apprentice’ (Fr)

Ex… Cowboy-Lehrling / ‘Cowboy Apprentice’ (Ger)

Pc: Compagnie Générale des Établissements Pathé Frères [Charles Pathé] (Par)

Dist: Société Pathé Frères [Charles Pathé] (1913, Fr)

Visa: 13.3 (Ber, Ger)

P: Charles Pathé & Émile Pathé, Jacques Pathé & Théophile Pathé

C: [unk]

     Comm: COWBOY APPRENTICE was mentioned in “Cinema + Echo du Cinema” magazine (03/21/13, Fr) [review?]. It was Pathé’s 5724 production. It is also listed at earlycinema.dch.phil-fak.uni-koeln.de under the title “Cowboy-Lehrling”. They have it as an unidentified ‘Comica Film’ (It) title. Pathé had a company called ‘Pathé Comica’ which may have been their Italian firm, and they only made a half dozen films. 

     COWBOY APPRENTICE was most likely forgotten and lost during the Great War.

 

By Michael Ferguson

Special Birthdays

Massimo Sarchielli (actor) would have been 95 today but died in 2010.



Wednesday, April 8, 2026

RIP Ursula Heyer

 


German actress and voice dubber Ursula Heyer died in Berlin, Germany on March 25th. She was 86. Ursula was known for her dubbing work in international films, including providing German voices for Stanley Kubrick's “A Clockwork Orange” (1971), “Who Framed Roger Rabbit” (1988), and Nicholas Hytner's “The Crucible” (1996). Born on February 15, 1940, in Berlin, Germany, Heyer maintained a long career primarily in German television and theater, with appearances in series such as “A Case for Two” (1981) and “Café Wernicke” (1979). She was married to the actor Rainer Brandt until his death in 2024. Her work spans decades, bridging German-language productions with dubbing for English-language features. Heyer dubbed the German voice of multiple actresses in twelve Euro-westerns: “ Apache Gold” 1963 German voice of Dunja Rajter, “Frontier Hellcat” in 1964 again as the German voice of Dunja Rajter, “The Sheriff was a Lady” in 1964 as the German voice of Beba Loncar, “A Fistful of Dollars” in  1965 as the German voice of Marianne Koch, “A Few Dollars for Django” in 1966 as the German voice of Gloria Osuna, “Three Graves for a Winchester” in 1966 as the German voice of Milla Sannoner, “Django Kills Silently” in 1967 as the German voice of Giovanna Lenzi, “Django Kill” in 1967 as the German voice of Patrizia Valturri, “Killer Caliber .32” in 1967 as the [German voice of Agnès Spaak, “If You Meet Sartana Pray for Your Death” in 1968 as the German of Heidi Fischer, “Sonora” in 1968 as the German voice of Donatella Turri and “Have a Good Funeral” in 1970 as the German voice of Helga Liné.