Friday, June 5, 2026

Little Known Spaghetti Western Actors ~ A. Djukic

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Andrija Djukic was a Serbian television and film director and academic known for his prolific contributions to Yugoslav and Serbian television, most notably directing numerous episodes of the iconic series ‘'Bolji život’', as well as for his influential career as a professor of television directing at the Faculty of Dramatic Arts in Belgrade.

Born on July 26, 1948, in Belgrade, Yugoslavia, into a family of artists as the son of renowned director Radivoje "Lola" Djukic and actress Vera Ilic-Djukic, he pursued his education in film directing at FAMU in Prague and literature at the Faculty of Philosophy in Belgrade before graduating from the Faculty of Dramatic Arts in 1973. He began his professional career in television and theater, eventually directing over 900 television programs across documentary, educational, entertainment, and fiction genres, along with several theater productions and the feature film ''Klaustrofobična komedija''. His directing credits include significant episodes of ''Bolji život'' (1987–1988), ''Naša mala redakcija'' (2002–2003), and other notable series such as ''Agencija Kikom'' and ''Zlatousti''.

Djukic joined the Faculty of Dramatic Arts in 1974 and became a full professor of television directing in 1996, serving in various administrative roles including Vice-Dean, Head of the Directing Department, and Pro-Rector of the University of Arts in Belgrade until his retirement in 2016. He also authored the book Televizija – istorija žanrova televizije in 2007 and founded and edited the first Serbian journal dedicated to television, Televizija, in 2008. He passed away in Belgrade on July 26, 2017, his 69th birthday.

Andrija Djukic credited as A Djukic he appeared in one Euro-western, “Zlatna pracka” (The Golden Sling) as Dete III in1967.

DJUKIC, A. (Andrija Djukic) [7/26/1948, Belgrade, Serbia, Yugoslavia – 7/26/2017, Belgrade, Serbia] – director, assistant director, writer, film editor, film actor, son of director, author, writer, actor Radivoje 'Lola' Djukic [1923-1995], actress Vera Ilic-Djukic [1928-1968].

The Golden Sling – 1967 (Dete III)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Aldo Florio

Aldo Florio was an Italian film director, screenwriter, and assistant director known for his work in Italian genre cinema, particularly spaghetti westerns, crime, and action films during the 1960s, 1970s, and 1980s.

Born on January 3, 1925, in Sora, Italy, Florio entered the film industry in the early 1950s as an assistant director and second unit director, contributing to a wide range of productions through the late 1980s. He later shifted focus to directing and screenwriting, debuting in these roles with films such as “Five for Revenge” (1966) and “L'uomo del colpo Perfetto” (1967), followed by notable works including “Tutto sul rosso” (1968), “Dead Men Ride” (1971), and “Una vita venduta” (1976). His screenwriting credits extended into the 1980s with projects like “2020 Texas Gladiators” (1983) and “Endgame - Bronx lotta finale” (1983).

Florio's career spanned several decades within the prolific Italian B-movie and exploitation film sectors, where he collaborated on low-budget productions that characterized mid-century European genre filmmaking. He died in December 2016 in Rome, Italy at the age of 91.

Aldo Florio directed two Spaghetti westerns: “Los cinco de la venganza” (5 Giants from Texas) in 1966 and “Anda muchacho, spara!” (Dead Men Ride) in 1971

FLORIO, Aldo [1/3/1925, Sora, Lazio, Italy - 12/20/2016, Rome, Lazio, Italy] – director, screenwriter.

5 Giants from Texas – 1966

Tutto sul rosso – 1967 [film was never made]

The Sun Underground – 1970 [film was never made.]

Dead Men Ride – 1971


Spaghetti Western Screenwriter ~ Vincenzo Cerami

Vincenzo Cerami was an Italian novelist, screenwriter, and poet known for his satirical explorations of Italian society and his influential contributions to cinema, particularly through his long collaboration with Roberto Benigni on the Oscar-winning film “Life Is Beautiful” (1997). Born on November 2, 1940 in Rome, he developed an early interest in literature with encouragement from Pier Paolo Pasolini, who supported his writing and later worked as an assistant on films including “Comizi d’amore” (1965) and “Uccellacci e Uccellini” (1966). Cerami's debut novel, Un borghese piccolo piccolo (1976), a dark satire about a petty bureaucrat's descent into vengeance, gained critical praise—Italo Calvino arranged its publication and wrote the introduction—and was adapted into a successful 1977 film directed by Mario Monicelli starring Alberto Sordi.

Cerami formed a prolific partnership with Benigni beginning in the late 1980s, co-writing several popular comedies including “Il piccolo diavolo” (1988), “Johnny Stecchino” (1991), and “Il mostro” (1994), before achieving international success with “Life Is Beautiful”, which combined humor and tragedy to depict a father's protective ingenuity in a concentration camp and won three Academy Awards. He also collaborated with other prominent Italian directors such as Gianni Amelio on “Porte aperte” (1990) and Marco Bellocchio on “Salto nel vuoto” (1980). In addition to his screenwriting credits spanning more than forty films, Cerami published other novels, poetry collections—including Addio Lenin (1981) and his final work Alla luce del sole (2013)—and librettos for theatrical pieces.

Cerami died in Rome on July 17, 2013, after a long illness, leaving a legacy that bridged sharp social commentary in literature with widely acclaimed work in Italian cinema. He was 73.

Vincenzo Cerami co-wrote screenplays for five Spaghetti westerns: “El desperado” (The Dirty Outlaws” with Ugo Guerra and Franco Rossetti in 1967, “Lo straniero di silenzio” (The Silent Stranger) with Giancarlo Ferrando, Lloyd Battista and Tony Anthony, “Il pistolero dell’Ave Maria” (The Forgotten Pistolero) with Piero Anchisi, Ferdinando Baldi, Federico De Urrutia and Mario di Nardo and “L'odio è il mio Dio” (Hate is My God) both in 1969 and “Il pistolero cieco” (Blinfman) with Piero Anchisi, Tony Anthony (Tony Petitto), Lloyd Battista and Ferdinando Baldi.

CERAMI, Vincenzo [11/2/1940, Rome, Lazio, Italy – 7/17/2013, Rome, Lazio, Italy] – assistant director, writer, songwriter, actor, married to actress Mimsy Farmer [1945-    ] (1970-1986), father of actress Aisha Cerami [1970-    ], married to Graziella Chiarcossi [1943-    ] (1980-2013), father of director Matteo Cerami [1981-    ].

The Dirty Outlaws – 1967 (co)
The Silent Stranger – 1968 (co)

The Forgotten Pistolero – 1969 (co)

Hate is My God – 1969 (co)

Blindman – 1971 (co)


Spaghetti Western Cinematographer ~ Roger Hubert

Roger Hubert was a French cinematographer known for his influential work in French cinema during the 1930s, 1940s, and 1950s, particularly his collaborations with prominent directors such as Abel Gance, Jacques Feyder, and Marcel Carné.

Born on March 30, 1903, in Montreuil, France, Hubert trained at the Institut Marey under Jean Epstein and began his career in film in 1923, initially in various camera roles before establishing himself as a leading director of photography. His notable works include cinematography on landmark films such as ''Les Enfants du Paradis'' (1945) and ''Thérèse Raquin'' (1953), which exemplify his skill in capturing dramatic and poetic visuals central to French poetic realism and historical epics.

Hubert's career spanned several decades, contributing to a wide array of productions until his death on November 28, 1964, in Paris, France at the age of 61, leaving a lasting impact on the visual style of classic French filmmaking.

Roger Hubert was a cinematographer on one Euro-western, “Dynamite Jack, la terreur de l'Arizona” (Dynamite Jack).

HUBERT, Roger (aka Hubert) (Roger Eugene Ferdinand Hubert) [3/30/1903, Montreuil, Seine, France – 11/28/1964, Paris, Île-de-France, France] – cinematographer, cameraman.

Dynamite Jack – 1960

Two new German DVD releases “Der Coyote reitet wieder”, “JOHNNY R. - Seine Melodie war Blei”

 








Der Coyote reitet wieder

(The Coyote)

(1955)

 

Director: Joaquín Luis Romero Marchent

Starring: Abel Salazar, Gloria Marin, Santiago Rivero

 

Country: Germany

Label: Western Classics / Cargo Records

This is the 1960 re-release composite version (joined action-rich parts of both Coyote films - Coyote, El and Justicia del Coyote, La)

Discs: 1

PAL

Aspect ratio: 1.33:1

Language: DD 2.0 mono German

Running time: 90 minutes

Extras: both original films in their German theatrical versions (Der Coyote 74mins, Die Rache des Coyoten 76mins); picture gallery

ASIN: ‎B0GFDTFX8N

Available: June 5, 2026









“JOHNNY R. - Seine Melodie war Blei”

(The Prophet, the Gold and the Transylvanians)

(1977)

 

Director: Dan Pita

Starring:

Starring: Ilarion Ciobanu, Mircea Diaconu, Ovidiu Iuliu Moldovan

Country: Germany

Label: Western Perlen

Discs: 1

Language: German

Running time: 90 minutes

Language: German

Extras: Reversible cover

ASIN: ‎B0GQBQRDJH

Available: June 5, 2026


Her ‘Irish’ face won a screen role [archive newspaper article]

 

Weekly Argus

By Anna Hughes

September 21, 1972

 

     Italian director Sergio Leone chose a Newport actress to play a role opposite James Coburn in his latest film A Fistful of Dynamite because she looked so “Irish”

     He just couldn’t find an Irish girl who could put across the same quality.

     But the actress he chose, Vivienne Chandler, was, in his own words, “the personification of the universal idea of Irish beauty.”

     Most of the film was on location in Mexico (?) but for one flashback sequence the scene moved to Ireland.

     In Dublin and later Rome Leone auditioned many girls but none of them had the essential Irish quality he wanted.

     Accents didn’t matter. The sequence was in slow motion – the part he was auditioning a non-speaking one.

     So he came to London and found Vivienne Chandler – an attractive auburn-haired girl with green eyes. She fitted the bill perfectly

     Yet she had gone to the audition quite by chance as she explained when I spoke to her by phone at her home in London’s Kentish Town.

      “They had wanted another girl to audition, but she couldn’t make it so I went along instead and got the part.” She said. “It’s strange. “I always thought Irish girls were dark haired.”

     She spent several weeks with the film crew in Dublin, shooting a slow-motion sequence lasting about ten minutes in the completed film.

     She played the role of James Coburn’s girlfriend.

     “It was very enjoyable making the film. I suppose it’s the biggest film part I’ve had so far, and Sergio Leone is certainly the most important director I’ve worked with. The complete film was very long – about four and a half hours – but they’ve cut it quite a bit.

GOOD CASTING

    She went to the Press showing in London last Tuesday and said she was “very satisfied” with the way it had turned out.

     The director is a great man for detail, and I thought the casting was good,” she said.

     Vivienne was born in Singapore, Malaya and British Guiana. I like South America best. It’s the place I remember most vividly, she said. “I love travelling. You can experience all sorts of things. I’d like to go to India one day if I get the chance.”

     Her nomadic spirit may well be inherited for her family are direct descendants of Captain Morgan, the pirate.

     Her full name in fact is Vivienne Morgan Chandler.

     “Morgan is the family name,” she explained.

     She had a fairly traditional grounding as an actress spending a short time at RADA then a season in rep with the Oxford Playhouse.

     She had not always wanted to be to go on the stage she told me. “I just happened. None of my family is involved the theatre.”

     At one stage she wanted to join a circus.

     Her career to date has included appearances in several television plays such as Rumour by Mike Hodges.

     She has had walk-on parts in some well-known films too, among them On a Clear Day You Can See Forever and various Hammer films like Twins of Evil and To Love a Vampire.

     To fill in gaps between jobs she has made television commercials.

     She is now 24 and says there is “another film in the air.”

     “I suppose I’ve been lucky so far: she reflected.

     One of her favourite pastimes is buying old clothes from the 1930s and 1940’s period in jumble sales and flea markets.

     “I hardly ever get my clothes from shops,” she said, “I much prefer the old ones.”

     She likes making clothes, cooking and reading.

     “I read mostly factual books and ones on metaphysics. That’s something I’m really interested in – metaphysics.”

     And she goes to the cinema whenever she gets the opportunity.

     Vivienne is obviously an actress with a future.

     Sergio Leone said, “She has the face of 1973.” A similar remark was made of Julie Christie a few years ago.

     


Special Birthdays

Giuseppe Vari (director) would have been 110 today but died in 1993.








Armando Bandini (actor) would have been 100 today but died in 2011.



Thursday, June 4, 2026

RIP Giacomo Piperno

 


Italian actor and voice dubber Giacomo Piperno died in Rome on May 31st. He was 90. Born in Rome on January 20, 1936, into a Jewish family, Piperno escaped deportation by fleeing to Switzerland with his family in the days of the roundup in the ghetto of Rome in October 1943. He made his debut in 1960 with a television role in ‘Lieutenant Sheridan: A Gardenia for Helena Carrel’ (1960), but it was with the film "Commandos" (1968) with Lee Van Cleef, that his career gained momentum. Since then, his versatility has led him to play dramatic, historical and comic roles on the big and small screen, ranging from "Sacco e Vanzetti" (1971), to "Rugantino" (1973), up to the episode ‘In banca’ of ‘Tu mi turbi’ (1982) directed by Roberto Benigni. For Benigni he has also always starred in "The Little Devil" (1988). Among other films he starred in "Il camorrista" (1986), "Splendor" (1988), "Open Doors" (1990), "Il portaborse" (1991), "Pasolini, un delitto italiano" (1995). On television he participated in numerous series and miniseries, including ‘Napoleon on St. Helena’ (1973) and ‘Catherine and Her Daughters" (2005-2007), where he played the husband of Iva Zanicchi's character. His talent also extended to dubbing between the sixties and eighties he lent his voice to performers such as Gene Hackman and Philippe Leroy, helping to make the characters on the Italian big screen memorable. Giacomo Piperno’s dubbed Italian voices for nine Spaghetti westerns: “A Coffin for the Sheriff” 1965 [Italian voice of Miguel De La Riva], “Pecos Cleans Up” 1967 [Italian voice of Carl Gaddi], “A Hole in the Forehead” [Italian voice of Gianni Brezza] and “One by One” [Italian voice of Peter Lee Lawrence] both in 1968, “Heads or Tails”  1969 [Italian voice of Franco Daddi], “Adiós, Sabata”1970 [Italian voice of Dean Reed], “Kill Django... Kill First” [Italian voice of Giacomo Rossi Stuart], “Shoot Joe, and Shoot Again” [Italian voice of Richard Harrison] and “Shoot the Living and Pray for the Dead” [Italian voice of Klaus Kinski] all in 1971.

Little Known Spaghetti Western Actors ~ Dušan Djordjevic

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]


Dusan 'Krcun' Djordjevic was a Serbian actor known for his supporting roles in Yugoslav films and television series during the 1960s and early 1970s.

Born in Valjevo, Serbia, Yugoslavia in1921, he developed a prolific career in Yugoslav media, appearing in over thirty productions primarily between 1960 and 1971, with notable contributions to feature films such as” Atomic War Bride” (1960) and extended television work including the series ‘Muzej vostanih figura’’ (1962–1963) and ‘Dezurna ulica’ (1967). His roles often included character parts such as officials, workers, and other everyday figures in both cinematic and episodic formats typical of Yugoslav television at the time.

Djordjevic was married to Lucrezia Sasso, with whom he had two children before their separation, and he died on March 17, 1971, in Belgrade, Serbia, Yugoslavia, at the age of 50. His work remains part of the rich archive of Yugoslav film and television from the postwar era.

Dušan Djordjevic appeared in on Euro-western, “Zlatna pracka” (The Golden Sling) as Putnik in 1967.

DJORDJEVIC, Dušan (aka D. Djordjevic, Dusan-Krcun Djordjevic, Krcun Djordjevic, D. Djordjevic-Krcun, Dusan Djordjevic-Krcun, Dusan Krcun-Djordjevic) (Dušan Krcun Đorđević) [1921, Valjevo, Serbia, Yugoslavia – 3/17/1971, Belgrade, Serbia, Yugoslavia] – theater, film, TV actor, married to Lucrezia Sasso (19??-19??) father of two children.

The Golden Sling – 1967 (Putnik)