Spaghetti Western Director ~ Rudolf Hrusinsky
Rudolf Hrušínský was a Czech actor known for his
versatile performances across theatre and film, widely regarded as one of the
most acclaimed and popular figures in Czech cinema during the communist era and
beyond. His ability to seamlessly transition between comic and dramatic roles,
combined with a distinctive style marked by calm delivery, subtle intonation,
sparse gestures, and melancholic expression, earned him enduring recognition in
Czechoslovak and European film.
Born on October 17, 1920, in Nový Etynek, South Bohemia,
into a multi-generational acting family—his grandfather ran a nomadic theatre
company, and both parents were actors—Hrušínský began performing on stage early
in life. Expelled from high school due to absences from theatre commitments, he
transitioned to film and by age 25 had appeared in seventeen movies.
He rose to major popularity in the 1950s with his title
role in Karel Steklý’s film adaptation of Jaroslav Hašek’s “The Good Soldier
Švejk”. His most iconic performance came in Juraj Herz’s “The Cremator” (1969),
where he portrayed the chilling Karel Kopfrkingl in a black satire on Nazism
and collaboration that became a cornerstone of the Czechoslovak New Wave,
though it was banned until 1989. He enjoyed a notable collaboration with
director Jiří Menzel on films such as “Capricious Summer” (1968), “Cutting It
Short”, and “My Sweet Little Village”, contributing to key works of the era.
Politically engaged during the Prague Spring, he signed
the reformist “Two Thousand Words” manifesto, resulting in near-total exclusion
from work during the subsequent normalization period; he later signed the
regime-supporting Anti-Charter 77 under pressure. In the 1990s, he appeared in
Italian productions including Ermanno Olmi’s “La Valle di Pietra” (1992) and
the TV series ‘La Piovra’.
Hrušínský pursued directing in theater alongside his
primary career as an actor, contributing to several notable productions
primarily in Prague's established theaters. In the 1950s, while engaged at
Městská divadla pražská (Prague City Theatres), he directed the acclaimed
staging of N. Richard Nash's “Obchodník s deštěm” at Komorní divadlo, which
premiered on May 7, 1957. Critics hailed the production as one of the most
successful of the 1956/1957 season, praising Hrušínský's direction for its
emphasis on naturalism, civil simplicity, and atmospheric evocation of drought
and longing, which transformed the play into a deeper meditation on life,
faith, and dreams
Following the
Velvet Revolution, he briefly served as a member of parliament. Hrušínský diedar
73 on April 13, 1994, in Prague, remembered as an icon whose voice and presence
defined a golden age of Czech cinema.
Rudolf Hrusinsky directed one Euro-western, “Pancho se
žení” (Pancho’s Wedding) in 1944.
HRUSINSKY, Rudolf (aka R. Hrusínský, Rudolf Hrusínský ml., Rudolf Hrusínský st.) (Rudolf
Hrušínský) [10/17/1920, Nová Vcelnice, Czechoslovakia – 4/13/1994, Prague,
Czech Republic] – director, writer, actor, son of Rudolf Hrusínský [1897-1956],
married to Eva Hrušínská [1928-1997] (1945–1994) father of actor Rudolf
Hrusínský [1946- ], actor Jan
Hrusínský [1955- ], grandfather of
actor, singer Rudolf Hrusínský [1970-
].
Pancho’s Wedding –
1944
Spaghetti Western
Screenwriter ~ Luis G. de Blain
Luis G. de Blain was
a Spanish writer and screenwriter known for his pioneering contributions to
crime and thriller genres in radio and cinema during the mid-20th century. Born
on April 23, 1916, in Herrerías, Cuevas de Almanzora, Almería, he settled in
Barcelona in 1920 and launched his career as a radio scriptwriter in 1942 at
Radio Barcelona, where he gained widespread popularity through detective
programs such as ‘Piense y acierte’, ‘Radio Club’, and especially the
long-running series ‘¿Es usted buen detective?’ and ‘Taxi Key’ (1948–1962),
establishing himself as a master of radio crime fiction.
He extended his work
to cinema, penning screenplays for approximately fifteen feature films between
1947 and 1976, most of them crime thrillers or genre pieces including” Las
aventuras de Taxi Key”, “Palmer ha Muerto”, “Black Story”, and “Las siete vidas
del gato”. In addition to his scriptwriting, de Blain worked as a journalist
and editor for publications such as Fotogramas (where he served as chief
editor for eight years and created the character Mr. Belvedere), ¡Hola!,
Garbo, and others, while also authoring crime novels and short stories,
many in the noir tradition.
De Blain died on
November 8, 2001, in Barcelona, remembered as one of the key figures in Spanish
popular entertainment across radio, film, and print media. He was 85.
Luis G. de Blain
wrote screenplays for two Spaghetti westerns: “Hai sbagliato… dovevi uccidermi
subito!” (Kill the Poker Player) with Mario Bianchi and Paola Bianchi and “Il
bianco, il giallo, il nero” (The White, the Yellow, the Black) with Mario
Amendola, Renee Asseo, Luis Sergio Corbucci and Santiago Moncada in 1975.
de BLAIN, Luis G. (aka Luis G. Blain,
Luis G. De Blain) [4/23/1916, Las Herrerías, Cuevas
del Almanzora, Almería, Andalucía, Spain – 11/8/2001,
Barcelona, Cataluña, Spain] – writer.
Kill the Poker
Player – 1972 (co)
The White, the
Yellow, the Black – 1975 (co)
Spaghetti Western
Cinematographer ~ Manuel Merino
Manuel Merino was
born in Madrid, Spain on July 9, 1918. He was a Spanish cinematographer who
primarily worked in his home country's film industry, though he has been
attached to several British and Italian productions as well. Not to be confused
with the Peruvian politician.
Merino was also an
actor, known for “Mission Stardust” (1967), “X312 - Flight to Hell” (1971) and “María
de los Reyes” (1948). He died sometime in 2001 at the age of 82.
Manuel Merino worked
as a cinematographer on seven Spaghetti westerns: “La Gitana y el Charro” (The
Gypsy Girl and the Charro) with Raúl Martínez Solares and “Los pistoleros de
Casa Grande” (Gunfighters of Casa Grande) with José F. Aguayo and “Brandy”
(Ride and Kill) with Mario Sbrenna all in 1963, “El proscrito del rio Colorado”
(Outlaw of Red River) in 1963, “Fugitivos de Yuma” (Kid Rodelo) and “Sie nannten ihn Grongo” The Man Called
Gringo) both in 1965, “Joe l’implacable” (Dynamite Joe) in 1966.
MERINO, Manuel (aka Mann Merin, M. Merino, Mel Merino) (Manuel Merino Rodriguez)
[7/9/1918, Madrid, Madrid, Spain – 2001, Spain] – assistant director, writer,
cinematographer, cameraman, actor, brother of producer, production manager,
director, assistant director, writer, film actor José Luis Merino (José Luis Merino
Boves) [1927-2019], director, assistant
director Fernando Merino [1931-2006]
The Gypsy Girl and
the Charro – 1963 (co)
Gunfighters of Casa
Grande – 1963 (co)
Ride and Kill – 1963
(co)
Outlaw of Red River
- 1964
Kid Rodelo - 1965
The Man Called
Gringo 1965 [as Mel Merino]
Dynamite Joe – 1966