Spaghetti Western Director ~ Luciano B. Carlos
Luciano Balares Carlos was born in Sampaguita,
Philippines in 1925. Known by his nickname "Chaning", Carlos began as
a writer for Sampaguita Pictures and then ventured into directing. He directed
101 films between 1964 and 1997. He also wrote stories and screenplays for
films 127 films between 1954 and 1991. During his film career he also acted and
appeared in 9 films between 1954 and 2003.
His works were characterized by strong satirical and
cynically humorous tones, which led him to be considered one of the most
important exponents of Filipino comedy. Nevertheless, he was also able to be
appreciated in several other genres, such as drama.
Carlos died of complications of pneumonia on November 21,
2002, at the age of 77, during a visit to his daughter in Fullerton,
California. He was 77.
Lucien B. Carlos directed one Spaghetti western 1970’s
“The Arizona Kid”.
CARLOS, Luciano B. (aka Chaning
Carlos, Luciano Carlos Luciano ‘Channing’ Carlos) (Luciano Balares
Carlos) [1925, Sampaguita, Philippines – 11/21/2002, Fullerton,
California, U.S.A. (pneumonia)] – director, assistant director, writer,
songwriter, actor, married to Chet Carlos father of seven children.
The Arizona Kid –
1970
Spaghetti Western
Screenwriter ~ Giulio Berruti
Giulio Berruti was
born in Leini, Piedmont, Italy on April 28, 1937. He was an assistant director,
film editor and writer. He was active in the Italian film industry from 1966 to
1979 as an assistant director on 6 films, a film editor on 9 and wrote stories
and screenplays for 8 films.
Giulio Berruti co-wrote
the screenplay for only one Spaghetti western: “Zanna Bianca e il cacciatore
solitario” (White Fang and the Hunter” with Giuseppe Maggi and Alfonso Brescia
in 1975.
BERRUTI, Giulio (aka G. Berruti) [4/28/1937,
Leini, Piedmont, Italy - ] –
assistant director, writer, film editor.
White Fang and the
Hunter – 1975
Spaghetti Western
Cinematographer ~ Stanley Cortez
Stanley Cortez was
an American cinematographer whose career spanned over six decades, marked by
innovative use of lighting, deep-focus techniques, and atmospheric visuals in
more than 70 films.
Born Stanislaus
Krantz in New York City's Lower East Side on November 4, 1908, to Austrian
immigrant parents, Cortez adopted his professional name in homage to his older
brother, the silent film actor Ricardo Cortez. He began his career in the 1920s
as an assistant to portrait photographers such as Pirie MacDonald and Edward
Steichen before transitioning to the film industry as a camera operator and
assistant on projects including D.W. Griffith's final films and Busby Berkeley
musicals.
Cortez's
breakthrough as a director of photography came in the late 1930s, with his
first feature credit on “Four Days Wonder” (1936) at Universal Studios,
followed by acclaimed work on Orson Welles's “The Magnificent Ambersons”
(1942), for which he earned his first Academy Award nomination for Best
Cinematography (Black-and-White). His second Oscar nomination arrived for
co-cinematography on John Cromwell's epic “Since You Went Away” (1944)
alongside Lee Garmes, noted for its emotional depth and wartime realism.
Among his most
celebrated achievements was the haunting, expressionistic black-and-white
photography for Charles Laughton's sole directorial effort, “The Night of the
Hunter” (1955), widely regarded as his masterpiece for its stark contrasts,
symbolic compositions, and fairy-tale-like menace. Later highlights include the
psychological drama “The Three Faces of Eve” (1957), Samuel Fuller's
provocative “Shock Corridor” (1963) and “The Naked Kiss” (1964), and the war
film “The Bridge at Remagen” (1969), showcasing his versatility in genres from
noir thrillers to social commentary.
Known for his
perfectionism and dramatic style—influenced by collaborations with directors
like Fritz Lang and Welles—he received four major ASC awards over his lifetime,
though his uncompromising approach sometimes led to clashes, such as his brief
stint on Roman Polanski's “Chinatown” (1974), from which he was fired after 10
days. Cortez passed away in Los Angeles after a long illness on December 23,
1997, leaving a legacy of visually poetic contributions to cinema. He was 89.
Stanley Cortez was a
cinematographer on two Euro-westerns: “Blue” in 1968 and with Jacques
Lefrançois on “Un autre homme, une autre chance” (Another Man, Another Chance)
in 1977.
CORTEZ Stanley (Stanislaus Kranz) [11/4/1908, New York City, New York,
U.S.A. – 12/23/1997, Hollywood, California, U.S.A.] – cinematographer,
cameraman, brother of actor, director Ricardo Cortez (Jacob Krantz)
[1900-1977], married to dancer and actress Mildred Rehn
(Mildred Ann Rehn)
[1913-1989] (1938-1989).
Blue - 1968
Another Man, Another
Chance – 1977 (co)