Tuesday, October 6, 2026

RIP Renato Cortesi

 


Italian theater, film, TV and voice actor Renato Cortesi died in Rome on October 3rd at the age of 87. Born in Bergamo on July 28, 1939, Cortesi spanned more than half a century of cinema, television, and theater, lending his voice to unforgettable performances and famous animated characters. After studying at the Piccolo Teatro di Milano school, Cortesi began his theatrical activity at a very young age at the University Theater, performing in works by Thornton Wilder, Eugène Ionesco, and Sławomir Mrożek. In 1966 he moved to Rome, where he had the opportunity to collaborate with Renzo Ricci. At the same time, he began what would become a long career in dubbing. The legacy in dubbing Among the actors he voiced are Gérard Depardieu, André Dussollier, William Hurt, Liam Neeson, Jeff Bridges, Jean-Claude Dreyfus, Rutger Hauer, Brad Dourif, Dan Aykroyd, Geoffrey Rush, Burt Reynolds, Viggo Mortensen, Ben Kingsley, and Gene Hackman. Cortesi leaves behind his son Marco, a dubbing director, and was cousin to the voice actress Isa Bellini. Cortesi was the Italian voice of Denver John Collins in 1971’s ‘Doc’.

Little Known Spaghetti Western Actors ~ Süheyl Eğriboz

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Süheyl Eğriboz was born in Gönen, Balikesir, Turkey on June 25, 1927. He studied at Pertevniyal High School for a while. He entered the cinema in 1940 by starring in the movie “Akasya Palas”. For a while, he appeared on stage at Muammer Karaca and Ses Theater. Later, he left the theater and continued his film acting. In the following years, he took roles in photonovels and TV series as well as cinema. He was known for his villain roles. He starred in nearly 400 films in “Yeşilçam” where hhe has the title of the 8th actor.

In the movie “Hazrat Omar's Justice”, shot in 1971, he was injured as a result of the attack of 3-4 people with sticks during the Ramadan Feast because he killed Omar bin Khattab as part of his role, and 18 stitches were placed on his head.

Süheyl died from a brain aneurism on January 10, 2014, at the age of 87.

Süheyl Eğriboz appeared in one Spaghetti western, “Küçük Kovboy” (Cowboy Kid) as a henchman in 1972.

EGRIBOZ, Süheyl (aka Suheyl Egriboz, Süjheyl Egriboz, John McIntire) (Süheyl Eğriboz) [6/25/1927, Gönen, Balikesir, Turkey – 1/10/2014, Istanbul, Turkey] – theater, photonovels,  film, TV actor.

Cowboy Kid – 1972 (henchman)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Carlo Linconti

Carlo Linconti was a Italian-Canadian producer, director and writer. He produced twenty-six films and television series from 1987-2024, while writing three screenplays and directing fourteen.

Born in Veroli, Italy on August 15, 1949, he emigrated to Toronto, Ontario, Canada via the U.S. in 1955.

Liconti began his filmmaking career in 1975 after attending York University and Ryerson Polytechnical Institute. He started in commercial production, setting up his own studio: Leader Media, which became one of Canada's leading commercial houses producing well over 200 commercial spots. He produced and directed his first feature film “Concrete Angels” in 1985. His other credits include, among others the feature film “Brown Bread Sandwiches” starring Giancarlo Giannini and Kim Cattrall, which he also wrote and directed, as well as “Vita Cane” and “Foreign Bodies”. He directed ‘The Campbells’ and ‘My Secret Identity’ and produced/directed documentaries including ‘Dragons of Crime’ for A&E and CBC. He also produced the movie-of-the-week “Greener Fields”, the first Canadian-Italian co-production under the new treaty.

In the mid-2000s Liconti was responsible for setting up an independent TV network based out of Toronto.

Liconti has produced a feature film and television series in Cuba with his company Leader Media, the first production company to have an official treaty co-production with the country.

Carlo died in Toronto on November 28, 2025, at the age of 76.

Carlo Linconti directed one Euro-western, “Bordello” in 2023 and seven episodes of the Euro-western TV series, ‘The Campbells’ from 1989 to 1990.

LICONTI, Carlo [8/15/1949, Santa Francesca, Lazio, Italy – 11/28/2025, Toronto, Ontario, Canada] – producer, director, writer, married to ? father of producer, playwright, actress Natalie Liconti [1995-    ], founded Leader Media [1986-2015].

The Campbells (TV) – 1989-1990 (co)

Bordello – 2023


Spaghetti Western Screenwriter ~ Luigi Emmanuele

Luigi Emmanuele was an Italian assistant director and screenwriter. Luig was born in Italy on February 16, 1911. He was an assistant director on five films between 1952 and 1958. Most of his career was spent writing scripts and screenplays on sixteen films between 1953 and 1974.

Luigi died in Italy on September 3, 1986 at the age of 75.

Luigi Emmanuele wrote and co-wrote screenplays for two Spaghetti westerns: “Las malditas pistolas de Dallas” (The Return of Clay Stone) in 1964 and “I lunghi giorni dell’odio” (This Man Can’t Die) with Gino Mangini and Gianfrano Baldanello.

EMMANUELE, Luigi (aka Luigi Emanuele, Lewis Emman) [2/16/1911, Italy – 9/3/1986, Italy] – assistant director, writer.

The Return of Clay Stone - 1964

This Man Can’t Die – 1967 (co)

 

Spaghetti Western Cinematographer ~ Giovanni Raffaldi

Giovanni Raffaldi is/was an Italian cameraman and cinematographer. He worked behind the camera as an operator on fifteen films between 1950 and 1967. He was a cinematographer on forty-one films between 1954 and 1984. Raffaldi is best remembered for his work on “Empire in the Sun” (1956), “War Between the Planets” (1966) and “Our Men in Bagdad” (1966).

Giovanni Raffaldi was a cinematographer on four Spaghetti westerns: “Vamos a matar Sartana!” (Let’s Go and Kill Sartana) with Jaime Deu Casas and “Lo sceriffo di Rockspring” (The Sheriff of Rock Springs) both in 1971, “Il magnifico west” (The Magnificent West) and “…e il terzo giorno arrivò il Corvo” (On the Third Day Arrived the Crow) with Franco Villa both in 1972.

RAFFALDI, Giovanni (aka Gianni Raffaldi, John Raffaldi) [Italian] – cinematographer, cameraman.

Let’s Go and Kill Sartana – 1971 (co)

The Sheriff of Rock Springs – 1971

The Magnificent West - 1972

On the Third Day Arrived the Crow – 1972 (co)

A new Irish Spaghetti western short release “Ringo’s Tally”

 

Ringo’s Tally – International title

 

A 2026 Irish short film production [

Producers: Anthony Murphy, Tom Kerrisk, John Farrelly

Director: Anthony Murphy

Story: Anthony Murphy

Screenplay: Anthony Murphy

Cinematography: Ross Power

Music: Tom Kerrisk

Running time: 13 minutes

 

Cast:

Johnny Ringo - Anthony Murphy

The Devil - Tom Kerrisk

 

Legendary gunslinger Johnny Ringo encounters a mysterious stranger by a campfire in the desert. What begins as a friendly encounter turns into an interrogation about the men Ringo has killed and the sins he has tried to forget. When the stranger's true identity is revealed, Ringo understands that the time has come to pay his debt.

The only American artist Ennio Morricone called a genius: “I couldn’t decide on one favorite album of his”

 FAR OUT

By Reuben Cross

September 23, 2026

While his compositions and scores are celebrated around the world, there was always a fiercely patriotic side to Ennio Morricone, a proud Italian who rejected the notion that the arts ought to revolve around America.

He famously refused to ever move to Hollywood despite being offered plenty of work in the film industry, preferring to compose scores for films by European directors and forming illustrious partnerships with many fellow Italians. In addition to scoring all of the films in the Dollars trilogy, Morricone worked on every single one of Sergio Leone’s films after this point, while also contributing to movies directed by other celebrated filmmakers from his homeland, such as Dario Argento and Tinto Brass.

That doesn’t mean he didn’t occasionally break his rule of working with those from outside of his home country, but he evidently preferred to associate himself with his compatriots. Later in life, he worked with the likes of Brian De Palma (The Untouchables) and Quentin Tarantino (The Hateful Eight, for which Morricone won an Oscar for ‘Best Original Score’) on scores for their films, but he was still selective about those he worked with. If Morricone didn’t feel as though it was a perfect fit for him, then there was little chance of him budging on his position.

That being said, there has always been an undeniable influence from some Western styles in his composition, particularly coming from the American jazz scene, which he was exposed to from early on in his musical career.

A trumpeter first and foremost, Morricone started out in the 1940s playing jazz music, and as the world’s primary proponent of the genre, the American greats ended up having a significant influence on his style, with one composer and bandleader particularly catching his attention.

It would be hard for anyone to ignore Miles Davis, but as a fellow trumpeter whose adventurous and experimental approach to form and genre aligned with Morricone’s own established ethos of mixing classical, contemporary and avant-garde styles in order to create masterful works, he was naturally impressed with everything he heard from the man.

In a 2010 retrospective on Davis’s career, Morricone was asked to name his favorite album from the composer, but rather than give a straightforward answer, he instead offered a level of praise that he hadn’t bestowed upon any other American musician. “I love Miles Davis,” he proclaimed, adding, “I couldn’t decide on one favorite album of his, but he is what I would call a genius.”

Granted, there are so many albums to choose from in his catalogue, with so many different bases covered, so it’s understandable that Morricone was unable to put his finger on a single album from his œuvre.

One could argue that there are significant parallels between records like the cinematic Sketches of Spain and Morricone’s most ambitious scores, but there have also been times when the expansive and exploratory Bitches Brew, which draws from modernist composers like Karlheinz Stockhausen, can be linked to what Morricone offered as a composer.

There is so much that links the two, and there are many obvious reasons as to why there would be a mutual respect for one another’s work. Whether it’s the overt similarities in their muted trumpet playing style or their fiercely individualistic approaches, there was a definite kinship between Davis and Morricone, and while they never found themselves collaborating, for either of them to have shown respect to the other just demonstrates how elevated they were in their respective fields.

Special Birthdays

Hermann Basler (actor) would have been 130 today but died in 1982.








David Howard (director) would have been 130 today but died in 1941.

Spartaco Conversi (actor) would have been 110 today but died in 1989.








Marco Guglielmi (actor) would have been 100 today but died in 2005.



Monday, October 5, 2026

Little Known Spaghetti Western Actors ~ Willy Egger

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Willy Egger was born on March 8, 1929, in Vienna, Austria. He was an Austrian film producer and occasional actor. As a film producer, he was involved in a total of 56 film and TV productions between 1952 and 2001 as production manager or executive producer but appeared in some films he co-produced. In total, he was in front of the camera in 11 films, even in small roles.

In the Karl May film adaptations of the sixties, he was involved in “The Treasure of the Aztecs”, “The Pyramid of the Sun God” and “The Legacy of the Inca” as a production manager. In “The Treasure of the Aztecs” and in “The Pyramid of the Sun God”, he also appeared in front of the camera in a small role as Bazaine's secretary and was dubbed by Claus Jurichs.

Since the 1970s, Willy worked as a production manager, including Billy Wilder's star drama “Fedora”, which was filmed at the Bavaria Studios in Munich, among other places. Since the late 1980s, he served in this capacity in Horst Wendlandt's Rialto Film. With his help, Walt Disney films and operetta productions for WDR were created. Towards the end of his career, he was also involved in the production of several successful comedies by German star comedians Loriot, Otto Waalkes and Hape Kerkeling.

He also worked for television (for television films for ZDF) and sporadically appeared in front of the camera with guest roles in some films he produced. Willy Egger was a Protestant, married to Magda Egger in his first marriage, and after the divorce in his second marriage to the hairdresser Bärbele Z. He has three children (Gerhard from his first marriage, Susanne and Michael from the second) and most recently lived in Berlin where he died on August 2, 2005, at the age of 76.

Willy Egger appeared in two Euro-westerns: “Die Pyramide des Sonnengottes” (Pyramid of the Sun God” as Bazaine’s secretary in 1964 and reprised the role in the sequel “Der Schatz der Azteken” (Treasure of the Aztecs) in 1965.

EGGER, Willy (aka Willi Egger, Willy P. Egger) (Wilhelm Egger) [3/8/1929, Vienna, Austria – 8/2/2005, Berlin, Berlin, Germany] – producer, film, TV actor, married to Magda Eggerová father of Gerhard Egger, married to hairdresser Bärbele Z. father of Susanne Egger, Michael Egger.

Pyramid of the Sun God – 1964 (Bazaine’s secretary)

Treasure of the Aztecs – 1965 (Bazaine's secretary)