Spaghetti Western Director ~ Mario Gariazzo
Mario Gariazzo was an Italian film director,
screenwriter, producer, and editor renowned for his contributions to low-budget
exploitation cinema during the 1970s and 1980s.
Born in Biella, Piedmont, Italy on June 4, 1930, Gariazzo
began his career in the Italian film industry in the early 1960s, directing his
debut feature “Lasciapassare per il morto” (Passport for a Corpse) in 1962, a
crime thriller co-written with others. Over the next three decades, he helmed
at least 18 films and contributed screenplays to over 20 projects, often
working in genres including horror, science fiction, erotic drama, adventure,
and poliziotteschi (crime-action films), with frequent international
co-productions involving Spain and the United States. His style emphasized
sensational and erotic elements, aligning with Italy's boom in genre and
exploitation filmmaking, though his works received mixed critical reception,
typically earning average ratings on platforms like MYmovies.it.
Among his most notable directorial efforts are the horror
film “L'ossessa” (The Possessed, 1974), a tale of demonic possession starring
Stella Carnacina; the science fiction thriller “Occhi dalle stelle” (Eyes
Behind the Stars, 1978), featuring Robert Hoffmann and involving alien invasion
themes; and the erotic mystery “Play Motel” (1979), which starred Ray Lovelock
and Anna Maria Rizzoli and explored themes of voyeurism and murder. Gariazzo
also directed westerns like “Acquasanta Joe” (Holy Water Joe, 1971) and
adventure films such as “Schiave bianche: Violenza in Amazzonia” (White Slaves
of the Amazon, 1985), often under pseudonyms like Ray Garrett for international
releases. Later in his career, he shifted toward more explicit erotic content,
with titles like “Sapore di donna” (Taste of a Woman, 1991) marking his final
directorial works before his death in Rome on March 18, 2002 at age 71. Despite
not achieving mainstream acclaim, Gariazzo's output reflects the vibrant, if
niche, landscape of Italian B-movies during a transformative era for European
genre cinema.
Mario Gariazzo directed three Spaghetti westerns: “Dio
perdoni la mia pistola” (God Will Forgive My Pistol) with Leopoldo Savona in
1969, “Acquasanta Joe” (Holy Water Joe) in 1971 and “Il giorno del giudizio”
(Drummer of Vengeance) in 1971.
GARIAZZO, Mario (aka Gariazzo, Roy Garret, Roy
Garrett, Robert Paget, John Walker) [6/4/1930, Biella, Piedmont, Italy –
3/18/2002, Rome, Lazio, Italy] – producer, director, writer, film editor.
God Will Forgive My
Pistol – 1966, 1969 (co)
Holy Water Joe -
1971
Drummer of Vengeance
– 1971 [as Robert Paget]
The Most Dangerous
Man in the West – 1972 [film was never made]
Spaghetti Western
Screenplay ~ Marcello Ciorciolini
Marcello Ciorciolini
was an Italian screenwriter, film director, playwright, lyricist, and author
for radio and television.
Born in Rome on March
7, 1922, Ciorciolini began his professional career in the late 1940s by writing
sketches and scripts for Italian radio broadcasts, before entering the film
industry in the early 1950s as an assistant director and screenwriter on
projects such as Silvio Laurenti “Rosa's La folla” (1951). Over the next three
decades, he contributed to more than 50 films, specializing in popular genres
like comedy, western, adventure, and parody, with frequent collaborations
alongside director Giorgio Simonelli and the iconic comedy duo Franco Franchi
and Ciccio Ingrassia. His screenwriting credits include notable titles such as “Robin
Hood e i pirati” (1960), “La vendetta di Ursus” (1961), and “Due mafiosi contro
Al Capone” (1966), often blending humor with lighthearted action.
Ciorciolini
transitioned to directing in 1965 with the comedy “Con rispetto parlando”,
starring Scilla Gabel, and went on to helm around 10 features, many featuring
Franco and Ciccio, including “I nipoti di Zorro” (1968), “Ciccio perdona... io
no!” (1968), and “Meo Patacca” (1972), a Roman dialect comedy that highlighted
his versatility in regional storytelling. Beyond cinema, he worked as a
playwright and authored content for television, contributing to the vibrant
post-war Italian entertainment scene. As a lyricist affiliated with SIAE
(Società Italiana degli Autori ed Editori), he penned the original Italian
words for "Ti guarderò nel cuore" from the 1962 documentary Mondo
cane, composed by Riz Ortolani and Nino Oliviero; the song achieved global fame
through its English adaptation "More," earning an Academy Award
nomination for Best Original Song. Ciorciolini's work exemplified the prolific,
genre-blending spirit of mid-20th-century Italian popular culture, though he
remained best known domestically for his contributions to comedic cinema.
Marcello Ciorciolini
was a co-screenwriter on five Spaghetti westerns: “Due Mafiosi nel Far West” (Two
Mafiamen in the Far West) with Giorgio Simonelli, Leonardo Martin Mendez in
1964, “I due sergenti del generale Custer” (The Two Sergeants of General Custer)
with Giorgio Simonelli, Amedeo Sollazzo and Alfonso Balcazar Granda in 1965, “I
due figli di Ringo” (Two Sons of Ringo” with Roberto Gianviti, Amedeo Sollazzo,
Dino Verde in 1966, “Ciccio perdona…io no!” (Ciccio Forgives…I Don’t!) with
Amedeo
Sollazzo and “I nipoti di Zorro” (The Nephews of Zorro) with Roberto Gianvitti,
Vittorio Metz and Dino Verde in both in 1968
CIORCIOLINI, Marcello (aka M.
Ciorciolini, James Harris, Frank Red, Frank Reed) [3/7/1922, Rome, Lazio, Italy
– 9/5/2011, Rome Lazio, Italy] – director, assistant director, writer,
songwriter.
Two Mafiamen in the
Far West – 1964 (co)
The Two Sergeants of
General Custer – 1965 (co)
The Two Sons of
Ringo – 1966 (co)
Ciccio Forgives…I
Don’t! – 1968 (co)
The Nephews of Zorro
– 1968 (co)
Spaghetti Western
Cinematographer ~ Jan Karpas
Jan Karpas is a
Czech animator, director, and screenwriter known for his contributions to
stop-motion animation in Czechoslovak cinema during the 20th century. Born on
October 8, 1913, in Červený Kostelec, Austria-Hungary, he developed a
distinctive style that incorporated creative substitutions and everyday objects
in his animated shorts. His work emerged within the vibrant tradition of Czech
animation, alongside contemporaries in puppet and stop-motion filmmaking.
Karpas directed and
wrote several notable animated films, including “Liška a vlk” (Fox and Wolf)
and “Fikmik” (1959), the latter celebrated for its inventive use of food items
and pebbles as substitutes for objects in stop-motion sequences. He also
contributed to other projects such as “Three Gifts” (1974). His career spanned
several decades until his death on May 26, 1984, in Brandýs nad Labem,
Czechoslovakia, leaving a legacy in experimental and short-form animation
Jan Jarpas was a
co-animator on one Euro-western “Arie Prerie” (Song of the Prairie) with Břetislav
Pojar, Bohuslav Šrámek, Zdeněk Hrabě, and Stanislav Látal in 1949.
KARPAS, Jan (Jan Karpaš) [10/8/1913, Červený Kostelec, Austria-Hungary – 5/26/1984, Brandýs
nad Labem, Czechoslovakia] – director, writer, animator.
Song of the Prairie
– 1949 (co)