Spaghetti Western Director ~ James Gardener
James Gardener was an alias used by Adolf Marius Lesoeur
who was a French film producer and writer known for his extensive work in
low-budget European exploitation, horror, and erotic cinema, particularly from
the 1970s through the 1980s. As the owner of the production and distribution
company Eurociné starting in 1957, he played a central role in financing and
overseeing numerous genre films, often collaborating on projects that blended
sensational elements with modest budgets. He also founded Studios Mobiles de
France and Paris-Nice Productions, contributing to the infrastructure of
independent French filmmaking during a period of prolific output in these
niches.
Born in Montreuil, Seine-Saint-Denis, France on January
7, 1910, Lesoeur built a career that spanned producing, writing, and occasional
directing or acting roles in his own productions. His credits include notable
genre titles such as “Female Vampire” (1973), “A Virgin Among the Living Dead”
(1973), “Exorcism” (1975), “The Sadist of Notre Dame” (1979), and “Angel of
Death” (1985). These works frequently drew from horror, zombie, and erotic
thriller tropes, reflecting the commercial trends of European B-movies during
the era. Lesoeur's prolific involvement helped sustain a segment of the
industry focused on international co-productions and direct-to-market releases.
He died in Ivry-sur-Seine, Val-de-Marne, France on May 16, 2003.
As James Gardener he co-directed one Spaghetti western, “La
marque de Zorro” (The Mark of Zorro) with Jess Franco and Alain Payet. He also
produced five Spaghetti westerns “Bienvenido, padre Murray” (Welcome Padre
Murray) in 1962, “Les aventures galantes de Zorro” (Red Hot Zorro) in 1972, “Convoi
de femmes” (Convoy of Women) in 1974 and “Les filles du Golden Saloon” (The
Girls of the Golden Saloon) in 1975.
GARDENER, James (aka A.M. Frank,
James Gartner, Marius Lefrère, M. Lesoeur, Mario Lesoeur, A. L. Mariaux, A.L.
Mariaux, H.L. Rostaine, Dan Simon) (Adolf Marius Lesoeur) [1/7/1910, Montreuil,
Seine-Saint-Denis, France – 5/16/2003, Ivry-sur-Seine, Val-de-Marne, France] –
producer, production manager, director, writer, actor, married to ? father of
producer Daniel Lesoeur [1942- ],
grandfather of actress Anouchka (Anouchka
Lesoeur), founded Studios Mobiles de
France.
Bienvenido, padre
Murray – 1962 [producer]
Rebels in Canada –
1965 [producer]
Red Hot Zorro – 1972
[producer]
Convoy of Women –
1974 [producer]
The Mark of Zorro –
1974 (co-director)
The Girls of the
Golden Saloon – 1975 [producer]
Spaghetti Western
Screenwriter ~ Sergio Ciani
Sergio Ciani was an
Italian actor and bodybuilder known for his starring roles in 1960s
sword-and-sandal (peplum) films under the stage name Alan Steel. One of the few
native Italians to headline the genre—typically dominated by imported American
bodybuilders—he portrayed iconic muscle heroes such as Hercules, Samson,
Maciste, and Ursus in numerous low-budget Italian productions.
Born in Rome on
September 7, 1935, Ciani entered the film industry as a stunt performer and
body double for Steve Reeves in “Hercules Unchained” (1959) and “The Giant of
Marathon” (1959). He quickly rose to leading man status, starring in films
including “Hercules Against the Moon Men” (1964), “Hercules and the Black
Pirate” (1964), “Hercules Against Rome” (1964), and “Samson and the Mighty
Challenge” (1964). Following the peplum genre's decline in the mid-1960s, he
continued acting in spaghetti westerns, thrillers, and other Italian films
through the 1970s, with his final known role in “Baby Love” (1979). Ciani died
on September 5, 2015, in Rome, two days before his 80th birthday.
Ciani co-wrote the
screenplay for one Spaghetti western which he also starred in “Mano rápida” (Fast-Hand
is Still My Name) with Vittorio Salerno, Alberto Cardone and Eduardo M.
Brochero in 1973.
CIANI, Sergio (aka Alan Steel)
[9/7/1935, Rome, Lazio, Italy - 9/5/2015, Ostia, Rome, Lazio, Italy] – writer,
film actor.
Fast-Hand is Still
My Name – 1973 (co)
Spaghetti Western
Cinematographer ~ Janez Kalisnik
Janez Kališnik was a
Slovenian cinematographer and photographer known for his influential work as a
director of photography in Yugoslav and Slovenian cinema during the mid-20th
century, as well as his later contributions to architectural photography that
captured transitional spaces and urban landscapes.
Born on March 2,
1921, in Drenov Grič near Ljubljana, Kališnik developed his craft in film,
serving as cinematographer on notable titles such as “Ples v dežju” (Dancing in
the Rain, 1961), “Sonce v mreži” (The Sunny Whirlpool, 1968), and other
productions that marked important moments in Slovenian filmmaking. After
retiring from film, he turned to photography, where his images of architecture
and everyday scenes earned exhibitions and recognition for their ability to
document the evolving cultural and built environment of late-20th-century
Slovenia. He died in 2004, in Ljubljana. His career bridged the cinematic
innovations of the postwar period and the reflective documentation of
Slovenia's post-independence era, leaving a legacy in both moving and still
imagery. Janez died in Ljubljana, Slovenia in January 0f 2004 at the age of 82
Janez Kalisnik was a
cinematographer on one Euro-western, “Duell vor Sonnenuntergang” (Duel at
Sundown) in 1965.
KALISNIK, Janez [3/2/1921, Drenov Grič, Kingdom of Yugoslavia – 2004, Ljubljana,
Slovenia] – cinematographer.
Duel at Sundown –
1965