Spaghetti Western Director ~ Hugh Croise

Henry James Hughes Cross was born in Cardinham, Cornwall,
England on January 20, 1877. Using the alias Hugh Croise he was a British film
director, screenwriter, and occasional actor known for his prolific work in
silent short films and early British cinema during the 1920s. Croise initially
appeared in acting roles in mid-1910s films such as “Sally Bishop” (1916) and “Desperation”
(1916) before shifting focus to behind-the-camera work as a director and
writer. He directed over forty films, primarily short comedies and adaptations,
including “Three Men in a Van” (1921), “The Kensington Mystery” (1924), “The
Ball of Fortune” (1926), and “Scrooge” (1928), often contributing the scenarios
himself. Croise notably worked with actor-manager Seymour Hicks on the 1923
short comedy “Always Tell Your Wife”, where he served as initial director
before being replaced by Alfred Hitchcock due to illness or a production
dispute. His career was centered in British studios during the silent era, with
many of his works now lost or surviving only in fragments. Croise died in 1950
in Twickenham, Middlesex, England.
Hugh Croise directed one silent Euro-western “The Cow
Girl Queen” in 1922.
CROISE, Hugh (Henry James Hughes
Cross) [1/20/1877, Cardinham,
Cornwall, England, U.K. – 1950, Twickenham, Middlesex, England, U.K.] –
producer, director, writer, actor.
The Cowgirl Queen –
1922
Spaghetti Western Screenwriter ~ D. Brownson

D. Brownson was an alias used by Cesare Canevari who was
born in Milan, Italy on October 13, 1927. He was an Italian filmmaker who
worked as a director, screenwriter, actor, producer, and editor, specializing
in low-budget genre films including spaghetti westerns and exploitation cinema.
Born and deceased in Milan, he entered the industry in the 1950s initially as
an actor in minor roles before directing under pseudonyms such as D. Brownson.
Canevari helmed approximately nine feature films, with notable entries
including the psychedelic spaghetti western “Mátalo!” (1970), recognized as a
cult favorite for its unconventional style and surreal elements amid the
genre's conventions, and the Nazisploitation picture “The Gestapo's Last Orgy”
(1977), emblematic of his ventures into provocative wartime exploitation
themes. His earlier directorial effort, “Die for a Dollar in Tucson” (1965),
marked one of his contributions to Euro-westerns, though his overall output
remained niche and outside mainstream acclaim
Canevari died in Milan on October 25, 2012, two weeks
after turning 85.
Cesare Canevari wrote the screenplay for one Spaghetti
western, “Per un dollaro a Tucson si muore” (Die for a Dollar in Tucson) in
1964.
BROWNSON, D. (aka C. Iravenac) (Cesare Canevari) [10/13/1927, Milan, Lombardy, Italy - 10/25/2012, Milan, Lombardy, Italy] - producer, director,
screenwriter, film editor, actor.
Die for a Dollar in
Tucson – 1964
Spaghetti Western Cinematographer ~ Emilio Foriscot
Emilio Foriscot was a Spanish cinematographer renowned
for his contributions to over 130 films spanning from the 1930s to the 1980s,
with a style characterized by realism and functionality honed during the
resource-scarce post-Spanish Civil War period.
Born in Muel, Zaragoza, Spain on December 5, 1904,
Foriscot began his career as a gallery photographer before transitioning to
film as an assistant operator, making his debut in 1935 on “Al margen de la ley”
directed by Ignacio F. Iquino. During the Spanish Civil War, he documented
battle scenes, and after the conflict, he collaborated extensively with
Iquino's Emisora Films in Barcelona, progressing to roles as second operator
and eventually director of photography on numerous productions.
Foriscot's notable works include Spanish classics such as
“La revoltosa” (1949), “Viento del norte” (1955), and “El mundo sigue” (1963),
as well as international efforts like the Spaghetti western “Fasthand is Still
My Name” (1973) and horror films including “La marca del hombre lobo” (1968)
and “Cannibal Terror” (1980). He died on January 11, 2001, in Madrid, leaving a
legacy as a master of practical cinematography in Spanish and European cinema
Emilio Foriscot was a cinematographer and
co-cinematographer on thirteen Spaghetti westerns: “El escuadrón de la muerte”
(Mutiny at Fort Sharp), “La note del desperado” (Ringo’s Big Night) with Carlo
Bellero both in 1965, “Crepa tue… che vivo io!” (Bandidos), “Un uomo e uomo
colt” (A Man a Colt) with Oberdan Troiani, “Faccia a facia” (Face to Face) with
Rafael Pacheco, “Dos cruces en Danger Pass” (Two Crosses at Danger Pas) with Sergio
Martinelli all in 1967, “La salvaje venganza del Gringo” (One by One) and “…e
intorno a lui fu morte” (Death Knows No Time) both in 1968, “Anda muchacho,
spara!” (Dead Men Ride) and “In nome del padre, del figlio e della Colt” (In
the Name of the Father, the Son and the Colt) both in 1971, “Mano rápida” (Fast-Hand
is Still My Name) in 1973 and “Di Tressette ce n’è uno, tutti gli altri son
nessuno” (The Crazy Bunc) with Federico Zanni and “Si quieres vivir... dispara”
(If You Shoot... You Live!) both in 1974
FORISCOT, Emilio (Emilio Foriscot Mallat) [12/5/1904, Muel, Zaragoza, Spain –
1/11/2001, Madrid, Madrid, Spain] – cinematographer, cameraman, married to
Rosario Lameyer Pascua (19??-2001) father of Sarin Foriscot Mallat, María José Foriscot Mallat, Pelonchi Foriscot Mallat, Emilio Foriscot
Mallat, Juan Carlos Foriscot Mallat, Javier Foriscot Mallat, Elena Foriscot Mallat.
Mutiny at Fort Sharp
– 1965
Ringo's Big Night –
1965 (co)
Bandidos – 1967
A Man, a Colt – 1967
(co)
Face to Face – 1967
(co)
Two Crosses at
Danger Pass – 1967 (co)
One by One – 1968
Death Knows No Time –
1968
Dead Men Ride – 1971
In the Name of the
Father, the Son and the Colt – 1971
Fast-Hand is Still
My Name – 1973
The Crazy Bunch –
1974 (co)
If You Shoot... You
Live! – 1974