Thursday, November 5, 2026

RIP Tinto Brass

 


The master of Italian erotic cinema Tinto Brass died in Rome on November 4th he was 93. The author who more than any other has tied his name to the desire on the big screen, transforming it into a recognizable, provocative language, often desecrating (and almost always, like it or not, scandalous). Irony, sensuality and freedom of the body: these are the cornerstones of an unmistakable aesthetic, which challenged taboos and moral conventions making him one of the most well-known Italian directors abroad. Born Giovanni Brass in Milan on March 26, 1933, he grew up in Venice, in a family where art and law have been living together for generations. His grandfather Italico, a Gorizian by birth, had settled in the lagoon by purchasing the Abbey of Mercy, transformed into a sort of private gallery for his own works and others. His father, Alessandro, is one of the city's most established criminal lawyers. So, the young Tinto enrolled in Law, first in Padua and then in Ferrara, where he graduated in 1957. The thesis, however, already betrays the vocation: the working relationships with the companies of film production. A pure cinephile training, in short, that those who have dismissed it as a simple craftsman of eros have always preferred to forget. The debut came in 1963 with “In capo al mondo”, an anarchist apologist and mocking about the discomfort of a young man who cannot integrate into society, presented at the Venice Film Festival. His most memorable works followed “Those Who Work are Lost” (1963), “With the Heart in Their Throat” (1967), “The Scream” (1968), “Nerosubianco” (1969), “The Holiday” (1971), “Salon Kitty” (1976), “Caligula” (1979), “Action” (1980), “The Key” (1983), “Miranda” (1985), “Capriccio” (1987), “Snack Bar Budapest” (1988), “Paprika” (1991), “Così fan tutte” (1992), “The Man Who Looks” (1994), “Monella” (1998), “Senso ’Fallo!” (2003) and “Monamour” (2005). His only Spaghetti western was “Yankee” in 1966 which he was director, writer and editor.

Little Known Spaghetti Western Actors ~ Federico Elvezi

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Federico Elvezi was an Italian director and actor born sometime in the late 19th century. He directed fourteen films between 1915 and 1923 and appeared in twenty-one between 1912 and 1922.

He began his career as an actor in short films and dramas before transitioning into directing feature-length silent films, often collaborating with production companies in major early Italian film hubs like Turin and Milan.

A close friend of director Roberto Roberti the father of Sergio Leone, he appeared in at least ten films directed by him.

Federico Elvezi appeared in one silent Euro-western, “La vampira Indiana” (The Vampire Indian) in 1913.

ELVEZI, Frederico (Federico Helveti) [Italian] – director, actor.

The Vampire Indian – 1913

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Eugenio Martin

Eugenio Martín was a Spanish film director and screenwriter known for his contributions to the fantaterror genre and cult classic horror films of the 1960s and 1970s. His most celebrated work, “Horror Express” (1972), blends horror and science fiction in a style that earned it enduring cult status among genre enthusiasts.

Born on May 15, 1925, in Ceuta, Spain, Martín began his career in the 1950s and achieved prominence through low-budget productions that showcased inventive storytelling across diverse genres, including spaghetti westerns such as “The Ugly Ones” (1966), thrillers like “The Fourth Victim” (1971), and additional horror titles including “It Happened at Nightmare Inn” (1973) and “Aquella casa en las afueras” (1980).

He often worked in international co-productions and demonstrated versatility by directing films in comedy, science fiction, and musical formats while maintaining an auteur sensibility within the constraints of commercial cinema. Regarded as one of the last surviving figures of Spain's fantaterror generation, he received the Nosferatu Award at the Sitges International Fantastic Film Festival in 2010 in recognition of his legacy.

Martin was married to actress Lone Fleming (Lone Faerch) from 1970 until his death on January 23, 2023, in Madrid, Spain at the age of 97.

Eugenio Martin directed four Spaghetti westerns: “El precio de un hombre” (The Ugly Ones) in 1966, “Requiem per un Gringo” (Duel in the Eclipse) in 1968, “Pancho Villa” in 1971 and “E continuavano a fregarsi il milione di dollari” (Bad Man’s River) in 1972.

MARTIN, Eugenio (aka Gene Martin, Jacinto Martin) (Eugenio Martín Márquez) [5/15/1925, Ceuta, Spain – 1/23/2023, Madrid, Madrid, Spain] – producer, director, assistant director, writer, songwriter, film editor, actor, married to actress Lone Fleming (Lone Faerch) [1945-    ] (1970-2023), founded Granada Films, awarded the Nosferatu Award [2010].

Musarra – 1964 [film was never made.]

The Ugly Ones – 1966

Duel in the Eclipse – 1968

Pancho Villa – 1971 [as Gene Martin]

Bad Man's River - 1972 [as Gene Martin]


Spaghetti Western Screenwriter ~ Pavel Finn

Pavel Finn was a Russian screenwriter and actor known for his extensive career in Soviet and Russian cinema and television, spanning more than five decades as both a performer and a prolific writer of scripts for historical dramas, literary adaptations, and popular productions.

Born on June 28, 1940, in Moscow, he is the son of writer Konstantin Yakovlevich Finn and began his professional life in acting before shifting focus to screenwriting.

Finn made his early screen appearances in notable Soviet films, including acting roles in “I Am Twenty” (1964) and the widely beloved children's fantasy “New Year's Adventures of Masha and Vitya” (1975). His transition to screenwriting yielded credits on a wide range of projects, such as “Declaration of Love” (1977), the long-running historical television series ‘Secrets of Palace Coups’ (2000–2011), ‘The Gift to Stalin’ (2008), and ‘The Role’ (2013).

His body of work reflects a consistent engagement with dramatic narratives, period pieces, and adaptations drawn from Russian literature and history, contributing to both popular and critically regarded productions across several eras of Russian filmmaking.

Pavel Finn co-wrote screenplays for two Euro-westerns: “Всадник без Rоловы” (The Headless Rider) with Vladimir Vladimirov in 1972 and “Bооружён и очень опасен” (Armed and Dangerous) with Vladimir Vladimirov in 1977.

FINN, Pavel (Pavel Konstantinovich Finn-Khalfin) [6/28/1940, Moscow, Russia, U.S.S.R. -     ] – producer, writer, actor, son of writer Konstantin Yakovlevich Finn (Konstantin Yakovlevich Finn-Khalfin) [1904-1975].

The Headless Rider – 1972 (co)

Armed and Very Dangerous – 1977 (co)


Spaghetti Western Cinematographer ~ Edward Scaife

Edward Grenville Scaife was a British cinematographer renowned for his technical expertise in capturing atmospheric visuals in mid-20th-century cinema, particularly in adventure, war, and noir genres.

Born in London on May 23, 1912, Scaife began his film career as a sound assistant in 1940 before transitioning to camera operations in the 1940s. He contributed to iconic productions in supporting roles early on, including camera department work on Carol Reed's “The Third Man” (1949), a seminal film noir noted for its innovative low-angle shots and shadowy Vienna settings, and John Huston's “The African Queen” (1951), where he assisted in filming the challenging African river sequences. Scaife advanced to director of photography on major features in the early 1950s, collaborating with Huston on five projects overall, including “The List of Adrian Messenger” (1963) and “A Walk with Love and Death” (1969). His most celebrated work came with Robert Aldrich's “The Dirty Dozen” (1967), a gritty World War II action film for which he served as cinematographer, earning praise for the dynamic battle sequences and realistic combat photography.

Troughout his career, Scaife worked with esteemed directors such as John Ford, Basil Dearden, and George Cukor, contributing to over 50 films until the late 1970s. Notable later credits include “Khartoum” (1966), a historical epic starring Charlton Heston, and “Sitting Target” (1972), a tense crime thriller. A member of the British Society of Cinematographers (BSC), Scaife's versatility spanned studio work and location shooting, often under demanding conditions; he won Best Cinematography at the Fantafestival in 1981 for “The Water Babies” (1978).1 He passed away in November 1994 in Chichester, West Sussex, at the age of 82

Edward Scaife was a cinematographer on two Spaghetti westerns: “Hannie Caulder” in 1970 and “Catlow” in 1971.

SCAIFE, Edward (aka E. Scaife, Ted Scaife) (Edward Grenville Scaife) [5/23/1912, London, England, U.K. – 11/?/1994, Chichester, West Sussex, England, U.K.] – cinematographer, cameraman.

Hannie Caulder – 1970

Catlow – 1971 [as Ted Scaife]

New German combo release “Der Wilde Western”

 








“Der Wilde Western”

("Der Wilde Westen - drei Abenteuer aus der großen Zeit deutscher Karl-May-Filme" contains Der Letzte Mohikaner, The Deerslayer (HD remastered) and Das Vermaechtnis des Inka (only theatrical version disc)

 

Directors:

Actors: Lex Barker, Karin Dor, Joachim Fuchsberger, Rita Moreno, Forrest Tucker

 

Country: Germany

Discs: 3

 

DVD

Label: ‎ Filmjuwelen

Aspect Ratio: ‎ 4:3 - 1.33:1

Language: Dolby Digital‎ 2.0 German

Running time: ‎ 4 hours and 10 minutes

Extra: trailer

ASIN: ‎ B0HHJN2H3C

Release date: November 5, 2026

Wednesday, November 4, 2026

RIP Lucia Modugno

 


Italian actress, director and writer playwright Lucia Modugno died in Rome on November 3 at the age of 94. Born in Bari, Apulia, Italy on July 9, 1932, she had a long career which saw her act in films directed by well-known directors such as Pupi Avati, Mario Bava, Roberto Rosellini, Gabriele Muccino and Lucio Fulci. Modugno, over the years, has also been a director and writer, as well as a playwright. She has also performed in numerous plays with some of the biggest names on the national stage. Lucia Modugno appeared in four Spaghetti westerns: “The Magnificent Three” as a bride in 1961, “For a Few Dollars Less” as Sally, “My Name is Pecos” as Mary Burton and “Navajo Joe” as Geraldine all in 1966.

Little Known Spaghetti Western Actors ~ Hannelore Elsner

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Hannelore Elsner was born Hannelore Elstner on July 26, 1942 in Burghausen, Bavaria, Germany. She was a prominent German actress renowned for her versatile performances across more than 220 film, television, and stage productions over six decades.

She gained widespread fame in Germany as the tough-talking police inspector Lea Sommer in the long-running crime series ‘Die Kommissarin’ (1994–2006), marking the country's first female-led detective procedural.

Elsner was also a dedicated AIDS awareness campaigner, receiving the Federal Cross of Merit in 2005 for her advocacy work.

Elsner was the daughter of an engineer who died of tuberculosis when she was eight years old. She lost her older brother in an Allied bombing during World War II and was raised primarily by her mother in Munich after her father's death. Elsner dropped the 't' from her surname early in her career and made her stage debut in Munich while still a teenager, before entering film at age 17 with her first role in “Freddy unter fremden Sternen” (1959). Her early screen work included light comedies and melodramas, but she achieved a breakthrough in 1963 with the provocative drama “Die endlose Nacht” (The Endless Night), directed by Will Tremper.

Throughout the 1970s and 1980s, Elsner balanced film roles, such as the lead in the internationally noted “The Outsider” (1975), with popular television appearances, including in ‘Die Schwarzwaldklinik’ (The Black Forest Clinic). Her career reached new heights in the 1990s with “Die Kommissarin”, where she portrayed an emancipated, independent woman, becoming a role model for female strength on German screens. A late-career pinnacle came with her acclaimed performance as a disillusioned writer in “Die Unberührbare” (No Place to Go, 2000), directed by Oskar Roehler, which premiered at the Cannes Film Festival and earned her the Deutscher Filmpreis for Best Actress, along with a Bavarian Film Award and the German Critics' Prize.

Elsner was married three times and had a son, Dominik, born in 1981 from a relationship with director Dieter Wedel; she raised him as a single mother while continuing her career. She passed away in Munich at age 76 on April 21, 2019, leaving a legacy as one of Germany's most beloved and influential actresses.

Hannelore Elsner appeared in one Euro-western “Il ritorno di zanna bianca” (Challenge to White Fang) as Jane Leclerc in 1974.

ELSNER, Hannelore (Hannelore Elstner) [7/26/1942, Burghausen, Bavaria, Germany – 4/21/2019, Bavaria, Germany (cancer)] – theater, film, TV, voice, actress, singer, married to actor Gerd Vespermann [1926–2000] (1964-1966), married to director, writer Alf Brustellin [1940-1981] (1973–1981), mother of Dominik Wedel [1981-    ] with producer, director, writer, actor Dieter Wedel (Dietrich von Wedel) [1939-2022], married to Uwe Carstensen [1955-    ] (1993-2000), awarded Federal Cross of Merit [2005], Bavarian Film Award Lifetime Achievement [2006].

Challenge to White Fang – 1974 (Jane Leclerc)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Mario Marsili

Mario Marsili is an Italian filmmaker. He’s directed, written photographed and appeared in several ofhis own films.

Mario divides his time between homes in Rome and Mesa, Arizona.  

Mario Marsili directed three Euro-westerns: “C’era una Volta il Western” in 2003, “Por un puñado de sueños” (A Fistful of Dreams) in 2004 and “Per Qualche Sogno in Piu” 2005. He also contributed historical research to the 2004 documentaries “The Leone Style” and “The Leone West”.

MARSILI, Mario [Italian] – producer, director, writer, cinematographer, actor.

C’era una Volta il Western - 2003

A Fistful of Dreams – 2004

The Leone Style – 2004 [additional crew]

The Leone West – 2004 [additional crew]

Per Qualche Sogno in Piu - 2005

 

Spaghetti Western Screenwriter ~ Scot Finch

Scot Finch was born Jonathan Scot Finch in Manchester, England on December 8, 1940. Finch was an English film and television actor, writer, and producer. Among his most important works are “Target of an Assassin” (1977), “Whispering Death” (1976), “The Wild Geese” (1978), and “Snowball” (1960). He died in Clarets, Pyrenees-Orientales, France, on June 9, 2005, at the age of 64.

I can find no biographical information on him.

Scot Finch co-wrote three Spaghetti western screenplays: “Shalako” with J.J. Griffith and Hal Hopper, “Catlow” with J. J. Griffith and “Lo chiamavano mezzogiorno” (The Man Called Noon) with Antonio Recoder in 1973.

FINCH, Scot (aka Scot Finca) (Jonathan Scot Finch) [12/8/1940, Manchester, England, U.K. – 6/9/2005, Clara, Pyrenees-Orientales, France] – writer, actor.

Shalako – 1968 (co)

Catlow – 1971 (co)

Jack the Ripper Goes West – 1973 [film was never made]

The Man Called Noon – 1973 (co)

 

Spaghetti Western Cinematographer ~ Michael Sauberer

Michael Sauberer is an Austrian filmmaker. He’s a producer, writer, film editor, cinematographer, and actor. As an actor, he’s appeared in nine films between 2015 and 2020, a film editor on 11 films between 2016 and 2026. He’s been a cinematographer on nine films between 2016 and 2025

I can find no biographical information on him.

Michael Sauberer was a cinematographer on two Euro-westerns: “John Parker and the Madman” in 2020 and “Silent Time” in 2025

SAUBERER, Michael [Austrian] – producer, writer, cinematographer, cameraman, film editor.

John Parker and the Madman – 2020

Silent Time – 2025