Wednesday, May 20, 2026

RIP George Eastman

 


George Eastman died in Italy on May 20th. Born Luigi Montefiori; August 16, 1942, in Genoa he was an Italian actor and screenwriter recognized for his prolific work in B-movies, including spaghetti westerns, horror, and exploitation genres, often portraying towering villains and larger-than-life characters during the 1970s and 1980s. He initially trained as an advertising illustrator, providing artwork for agencies in his hometown before relocating to Rome in 1966 to pursue opportunities in film. Standing at approximately 6 feet 7 inches tall with a distinctive full beard, Eastman's physical stature made him a natural fit for imposing roles, such as the Minotaur in Federico Fellini's “Satyricon” (1969) and the cannibalistic antagonist in Joe D'Amato's “Anthropophagus” (1980). Eastman's screen debut came in the late 1960s amid the boom in Italian genre cinema, where he adopted his stage name—inspired by the American inventor and Kodak founder—to appeal to international audiences. Over his acting career, he appeared in more than 80 films. Eastman appeared in and wrote 20 Spaghetti westerns: Django Shoots First as Jeff Kluster/Custer), “My Name is Pecos” as a Kline/Clain henchman both in 1966, “Django Kills Silently” as Bill/Django, “Django, the Last Killer” as Ramón/Chico, “Poker With Pistols” as Lucas, “Viva Django!” 1967 as Lucas all in 1967, “Belle Starr” as Larry Blake/Blackie, “Hate Your Neighbor” as Gary Stevens all in 1968, “Boot Hill – 1969 as Baby Doll, “The Unholy Four” as Hondo) and writer both in 1970, “The Ballad of Ben and Charlie” as Charlie Logan and writer, “Bastard, Go and Kill” as Chaco, “Vendetta at Dawn” Doctor George Benton/Sabata all in 1971 “The Call of the Wild” as Black Burton in 1972, ) “The Three Musketeers of the West” as Mac Athos/Mercathos in 1973, “Keoma” as a writer and “Red Coat” as a writer both in 1975, “The New Land as a  writer for 197?  TV series that was never made, “The Tiger from the River Kwai” a Sheriff Sam in 1975 and “2020 Texas Gladiators” as director and writer in 1982. He leaves a wife actress, writer Manuela Romano and three children Evilina, Arianna and Tommaso.

Little Known Spaghetti Western Actors ~ Giorgio Dionisio

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Italian actor Giorgio Dionisio has only one film credit on the IMDb and it’s his only Spaghetti western appearance, “Il figlio di Django” (The Son of Django) as Joe Grayson in 1967.

I can find no biographical information on him.

DIONISIO, Giorgio [Italian] – film actor.

The Son of Django – 1967 (Joe Grayson)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Fred Evans

Frederick William Evans was born in Lambeth, London, England on February 20, 1889. He was a prominent British music hall and silent film comedian, best known for creating and portraying the anarchic character Pimple in over 200 short comedies produced between 1912 and the end of World War I. Born into a family of entertainers, Evans drew from music-hall and circus traditions to develop Pimple as a clownish, rootless chancer who parodied popular films, plays, and historical events through broad burlesque and slapstick gags. His films, often scripted and co-directed by his brother Joe Evans, achieved massive popularity in Britain during the 1910s, with Evans polling as one of the top British film stars in contemporary fan votes, though his career declined sharply after the war amid the rise of Hollywood imports and changing tastes.

Evans' early career included stage performances with his family's Florador Quartette and initial film roles as the mishap-prone "Charlie Smiler" for Cricks and Martin starting in 1910, before he and Joe launched their independent Folly Films company in 1912, setting up a studio on Eel Pie Island. Notable Pimple shorts, such as Pimple's “Battle of Waterloo” (1913), a farcical send-up of epic historical dramas, and the “Lieutenant Pimple” series mocking adventure serials like “Lieut. Daring”, exemplified his style of substituting absurdity for drama with punning intertitles, pantomime props, and relentless physical comedy. Despite enlisting for an army recruitment tour in 1915 and sustaining an injury that led to his discharge, Evans continued producing films until bankruptcy in 1920, after which he returned to the stage, including wartime revues with his family and a later puppet show collaboration with Joe during World War II. His work, preserved only as a handful of films, mostly fragments, in archives like the BFI National Archive, represents a key chapter in early British screen comedy, influencing a wave of topical clowns while highlighting the era's volatile stardom compared to contemporaries like Charlie Chaplin.

Evans died in St. Germans, Cornwall, England on August 31, 1951 at the age of 62.

Fred Evans directed six Silent Euro-westerns: “The Adventures of Pimple: The Indian Massacre” 1913 (co) with Joe Evans and “Broncho Pimple” with Joe Evans, “Lieutenant Pimple Goes to Mexico” with Joe Evansand the “The Passing of Black Pete” all in 1914 and “Ragtime Cowboy Pimple” with Joe Evans in 1915.

For more details check out his biography Pimple's Progress: Fred Evans, Britain's First Film Comedy Star by author Barry Anthony 

EVANS, Fred (Frederick William Evans) [2/10/1889, Lambeth, London, England, U.K. – 8/31/1951, St. Germans, Cornwall, England, U.K.] – producer, director, writer, puppeteer, circus performer, actor, grandson of clown Fred Evans, nephew of director, writer, actor Will Evans (William Edward Evans) [1873–1931], brother of director, writer, actor Joe Evans [1891-1967], married to ? father of two daughters, co-founded Folly Films [1912].

The Adventures of Pimple: The Indian Massacre – 1913 (co)

Big Chief Little Pimple – 1914 (co)

Broncho Pimple – 1914 (co)

Lieutenant Pimple Goes to Mexico – 1914 (co)

The Passing of Black Pete – 1914

Ragtime Cowboy Pimple – 1915 (co)


Spaghetti Western Screenwriter ~ Benjamin Carr

Benjamin Carr is an alias for Neal Marshall Stevens. He is an American screenwriter, author, teacher and writer, best known for writing several Hollywood horror films such as “Thirteen Ghosts”.

He began his career on Laurel Entertainment’s series, ‘Monsters’ which aired from 1988 to 1991. He went on to work as Laurel’s Senior Story editor on other projects, including “The Vernon Johns Story”, “Precious Victims” and Stephen King’s “The Stand”. He wrote “Thirteen Ghosts”, a 2001 remake of the 1960 film “13 Ghosts” by William Castle, for Dark Castle Entertainment.

Into the late 2000s and 2010s, much of Stevens' output would veer towards direct-to-video releases. He would write “Puppet Master: Axis Termination”, the twelfth film in the titular series for Full Moon Pictures, and the later sequel “Blade: The Iron Cross” in 2020.

In 2012, Stevens wrote the comic “Havoc Brigade”. In 2022, Stevens published a screenwriting manual, A Sense of Dread: Getting Under the Skin of Horror Screenwriting. The book draws from his extensive film experience and analyzes concepts of fear and how they can be applied in cinema. He also teaches screenwriting at Maharashi International University

Benjamin Carr wrote the screenplay for one Euro-western “Phantom Town” in 1997.

CARR, Benjamin (aka Neal Steven) (Neal Marshall Stevens) [195?, Boston, Massachusetts, U.S.A. -    ] – producer, director, author, writer, married to Judith Ann Stevens father of Zachary N. Stevens

Phantom Town – 1997

 

Spaghetti Western Cinematographer ~ Carles Gusi

Carles Gusi is a Spanish cinematographer known for his atmospheric and often stark visual style in both Spanish and international films.

Gusi has collaborated with prominent Spanish directors on acclaimed projects, including Manuel Huerga on “Salvador” (Puig Antich) (2006), a historical drama, and Guillem Morales on “Julia's Eyes” (2010), a horror thriller.

His filmography also includes other notable Spanish productions such as “The Method” (2005) and “Eva” (2011), showcasing his versatility across genres from drama to science fiction.

Throughout his career, Gusi has been praised for his ability to enhance narrative through lighting and composition, establishing himself as a key figure in contemporary Spanish cinematography.

Carles Gusi was a cinematographer on two Euro-westerns: “Atolladero” in 1994 and “Orson Wes” in 2010.

GUSI, Carles [1953, Barcelona, Catalonia, Spain -      ] – cinematographer, cameraman, film editor.

Atolladero - 1994

Orson West – 2010

2 Italian Blu-ray, 4K, DVD releases “Il mio nome e’ nessuno” and “Un genio, due compari, un pollo”

 








“Il mio nome e’ nessuno”

(My Name is Nobody)

(1973)

 

Directors:  Tonino Valerii & Sergio Leone

Starring: Terence Hill, Henry Fonda, Jean Martin

 

Country: Italy

Label: Eagle Pictures

Aspect ratio: DVD 2.39:1, Blu-ray2.35:1 UHD with HDR/DolbyVision

Language: Italian

Subtitles SDH Italian

Running time: 130 minutes

ASIN: ‎B0GT1R447M

Available: May 20, 2026

 








“Un genio, due compari, un pollo”

(The Genius)

(1975)

 

Director: Damiano Damiani

Starring: Terence Hill, Miou Miou, Robert Charlebois

 

Country: Italy

Label: Eagle Pictures / RAI

Blu-ray, DVD – HD restored

Region: B

Resolution: 1080p

Aspect ratio: 2.35:1 HD

Language: DTS-HD MA 2.0 mono Italian

Subtitles: Italian SDH; English

Running time: 126 minutes

ASIN: ‎B0GT1ML5LV

Available: May 20, 2026

 

 

Who Are Those Gals? ~ Lola Forner

 


María Dolores Forner Toro was born on June 6, 1960, and known professionally as Lola Forner, is a Spanish actress, model, and beauty pageant titleholder who rose to prominence after being crowned Miss Spain 1979.

Born in Alicante in the Valencian Community, Forner first achieved national recognition by winning Miss Madrid 1979 before securing the national title at the pageant held in Lloret de Mar on 25 August 1979. She subsequently represented Spain at Miss World 1979 in London, where she advanced to the semifinals, and at Miss Europe 1980 in Spain, earning the title of second runner-up (2nd Lady of Honor). These successes launched her into modeling and entertainment, marking the beginning of a career that spanned film, television, and presenting.

Forner's acting debut came in 1979 with the role of María Alonso in the Spanish comedy “La familia, bien, gracias” (also known as The Family, Fine, Thanks), directed by Pedro Masó. Throughout the 1980s, she appeared in a series of Spanish films, including “El lobo negro” (The Black Wolf, 1981) and “La venganza del lobo negro” (Revenge of the Black Wolf, 1981), both directed by Rafael Romero Marchent, as well as “El último penalty” (The Last Penalty, 1984) by Martín Garrido. Her international breakthrough occurred through collaborations with Hong Kong action star Jackie Chan, playing the role of Sylvia in the martial arts comedy “Wheels on Meals” (1984) and the leading role of May in the adventure film “Armour of God” (1986). These roles established her as a familiar face in global cinema, blending Spanish and Asian production styles.

In addition to film, Forner built a substantial television presence starting with her debut in the 1983 series ‘Las pícaras’, followed by appearances in ‘Los desastres de la guerra’ (1984) alongside Sancho Gracia. Her small-screen credits extended into the 1990s and beyond, including ‘Ricos y famosos’ (1990–1992) on Antena 3, the Venezuelan telenovela ‘Amor de papel’ (1993), ‘Calle nueva’ (1998), ‘El secreto’ (2001), and the Mexican series ‘En nombre del amor’ (In the Name of Love, 2008) produced by Televisa. Other notable works from the 1990s include the comedy “Pareja enloquecida busca madre en alquiler” (1990) by Mariano Ozores and a role as Princess Dona Isabel in the critically acclaimed Portuguese film “Não, ou a Vã Glória de Mandar” (No, or the Vain Glory of Command, 1990), directed by Manoel de Oliveira. Her career continued into the 2020s, with a role in the TV series ‘Señoras del (h)AMPA’ (2021).

FORNER, Lola (aka María Forner) (María Dolores Forner Toro) [6/6/1960, Alicante, Spain –     ) – Miss Madrid, [1979], Miss Spain [1979], model, film actress, married to Alfonso Vallespin (198?-    ) mother of Alfonso Vallespin Jr.[1995-    ], Paula Andrea Narbona Vallespin [1998-     ].

The Black Wolf – 1980 (Isabel Aceves)

Revenge of the Black Wolf – 1981 (Isabel Aceves)

White Apache – 1985 (Rising Sun)

Scalps – 1986 (Dolores)

Special Birthdays

Otto Waldis (actor) would have been 125 today but died in 1974.



Tuesday, May 19, 2026

Little Known Spaghetti Western Actors ~ Mario Dionisi

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Mario Dionisi is/was an Italian stuntman and actor. He appeared in sixty-four films between 1959 and 1986. Twenty-nine of those films was an actor were in Spaghetti westerns the rest as a stuntman. There is a Mario Dionisi who is a painter and decorator born in 'Aquila, Abruzzo on September 9, 1939, who in 1954 was apprenticed as a decorator in Rome. In 1959 he attended a school of restoration of ancient art in Florence. In 1961 he studied modern painting and sculpture in Zurich, Switzerland. Could this be our man? 

Mario Dionisi appeared in twenty-nine Spaghetti westerns: “Sansone e il Tesoro degli Incas” (Lost Treasure of the Aztecs) as a Damon/Darmon henchman and stuntman in 1964, “Uccidete Johnny Ringo” (Kill Johnny Ringo) as a Jackson henchman, “Hai sbagliato… dovevi uccidermi subito!” (Kill the Poker Player) as a town thug and “30 Winchester per El Diablo” (Gold Train) as a Blake henchman and stuntman all in 1965, “La resa dei conti” (The Big Gundown) – stuntman, “Mille dollari sul nero” (Blood at Sundown) as a deputy and stuntman, “7 dollari sul rosso” (Seven Dollars to Kill) as saloon patron instigator, “Tempo di massacre” (The Brute and the Beast) as a Scott henchman and stuntman and “Zorro il ribelle” (Zorro the Rebel) as a policeman all in 1966, “I lunghi giorni dell’odio” (This Man Can’t Die) as Graham henchman “Se incontri Sartana prega per la tua morte” (Sartana) as a Morgan henchman, “Professionisti per un massacre” (Professionals for a Massacre) as a Mexican bandit, stuntman, “Un uomo, un cavallo, una pistola” (The Stranger Returns) as an En Plein henchman and “Wanted Johnny Texas” as a Lucia henchman all in 1967, “Carogne si nasce” (Lynching) as an Adams henchman, “Dos veces Judas” (Twice a Judas) as a Parker henchman, “Lo straniero di silenzio” (The Silent Stranger) as a thief, “El Zorro” (Zorro the Fox) as a soldier, “Tre croci per nopn morire” (No Graves on Boot Hill) stuntman and “Vivo per la tua morte” (A Long Ride from Hell) stuntman all in 1968, “Ciakmull, l’uomo della vendetta” (The Unholy Four) as a Udo henchman, “Ehi amico... c'è Sabata, hai chiuso!” (Sabata) as a bank robber, “El Rojo” as a Lansky/Lasky henchman and stuntman all in 1969. (Sabata) as a bank robber, “El Rojo” as a Lansky/Lasky henchman and stuntman all in 1969, “Lo chiamavano Trinità” (They Call Me Trinity) as a Harriman henchman and “Indio Black, sei che ti dico… sei un gran figlio di…” (Adios, Sabata) as a Mexican prisoner both in 1970, “...continuavano a chiamarlo Trinità” (Trinty is STILL My Name) as a Parker henchman, stuntman in 1971, “E poi lo chiamarono il Magnifico” (Man of the East) as Austin henchman, stuntman “Tutti fratelli nel west… per parte di padre” (Where the Bullets Fly) as a gunman both in 1972 and “Sentivano… uno strano, eccitante, pericoloso puzzo di dollari” (Behold the Strange, Stimulating Smell of Dollars) as a Ramirez henchman in 1973.

DIONISI, Mario [Italian] – painter, stuntman, film actor.

Lost Treasure of the Aztecs – 1964 (Damon/Darmon henchman) [stunts]

Kill Johnny Ringo – 1965 (Jackson henchman)

The Big Gundown – 1966 [stunts]

Gold Train – 1965 (Blake henchman) [stunts]

Blood at Sundown – 1966 (deputy) [stunts]

The Brute and the Beast – 1966 (Scott henchman) [stunts]

El Rojo – 1969 (Lansky/Lasky henchman) [stunts]

Seven Dollars to Kill – 1966 (saloon instigator)

Zorro the Rebel – 1966 (policeman)

Professionals for a Massacre - 1967 (Mexican bandit) [stunts]

This Man can’t Die – 1967 (Graham henchman)

Sartana – 1967 (Morgan henchman)

The Stranger Returns – 1967 (En Plein henchman)

Wanted Johnny Texas – 1967 (Lucia henchman)

A Long Ride from Hell – 1968 [stunts]

Lynching – 1968 (Adams’ henchman)

No Graves on Boot Hill – 1968 [stunts]

The Silent Stranger – 1968 (thief)

Twice a Judas – 1968 (Parker henchman)

Zorro the Fox – 1968 (soldier)

Sabata – 1969 (bank robber)

Adios, Sabata – 1970 (Mexican prisoner)

They Call Me Trinity – 1970 (Harriman henchman)

The Unholy Four – 1970 (Udo henchman)

Trinity is STILL My Name -1971 (Parker henchman) [stunts]

Kill the Poker Player – 1972 (town thug)

Man of the East – 1972 (Austin henchman) [stunts]

Where the Bullets Fly – 1972 (gunman)

Behold the Strange, Stimulating Smell of Dollars – 1973 (Ramirez henchman)

[Thanks to Michael Ferguson for the addition Mario Dionisi information]