Thursday, November 12, 2026

RIP Elisa Ramírez

 


Spanish actress Elisa Ramírez died in Valencia, Spain on November 10, 2026. She was 82. Born Elisa Ramírez Sanz on December 2, 1943, in Alzira, Valencia, Spain. She was widely recognized as a prominent face of classic Spanish television drama, particularly through her extensive work on RTVE's Estudio 1, as well as series like ‘Curro Jiménez’ (where she played the Condesa), ‘Los tres mosqueteros’, and ‘Tristeza de amor’. Elisa was also active in dinner theater, film, and television from the 1960s onward, with notable film credits including “La Celestina” (1969), “El hombre que se quiso matar” (1970), and “La Revoltosa” (1968). She was married to author, director actor Diego Serrano (1961-2016) and had been awarded the Palmera de Oro at the La Mostra de València film festival in 2005 for her career contribution. Elis appeared in one Spaghetti western as Doña Conchita Herrera in 1973’s “The Son of Zorro”.

Little Known Spaghetti Western Actors ~ Clive Endersby

 [These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Clive Endersby is a Canadian television writer and actor known for his extensive contributions to children's programming across animation and live-action formats. His career spans several decades, with credits in both writing and acting roles that focus on educational and entertaining content for young audiences, including pre-school series.

Born in Toronto, Canada on December 8, 1944, Endersby has written for numerous notable children's television series, such as ‘The Cat in the Hat Knows a Lot About That!’, ‘Little Bear’, ‘Anne of Green Gables: The Animated Series’, and ‘Mr. Moon’, demonstrating his versatility in adapting stories for young viewers.

 He has also contributed to projects including “The Worst Witch”, “My Big Big Friend: The Movie”, and “The Challengers”, often serving in additional capacities such as producer or script editor. His work reflects a long-term commitment to quality children's media in Canada and internationally.

Clive Endersby appeared in one Spaghetti western, “Chato’s Land” as Jacob Meade in 1971.

ENDERSBY, Clive (Clive Paul Endersby) [12/9/1944, Toronto, Ontario, Canada -     ] – producer, director, theater, film, TV actor, singer, brother of actor Eric Endersby [1941-    ], actor, singer, songwriter, Stan Endersby (Stanley Endersby) [1947-    ], producer, songwriter actor Ralph Endersby [1950-    ].

Chato’s Land – 1971 (Jacob Meade)

Spaghetti Western Directors, Screenwriters, Cinematographers

 Spaghetti Western Director ~ Enzo Matassi

Enzo Matassi was born Francesco Degli Espinosa an Italian – production manager, director, assistant director, writer, film editor. Born in Rome on December 19, 1933, Matassi worked in the development and press departments of various film production companies from 1949; over time, he specialized in color development at Vincenzo Genesis' company "Technospes" and was technical director of "Staco Film". After a stint as an assistant director in 1969, he produced and organized various genre films from 1970 onwards and directed a comedic Italo Western that was classified by critics as devastatingly bad. In the 1980s, several sex films followed in this function.

Enzo died in Rome in June of 2006 at the age of 72.

Enzo Matassi directed one Spaghetti western, “C’era una volta questo pazzo pazzo west” (Once Upon a Time in the Wild Wild West) in 1973.

MATASSI, Enzo (aka Francesco Degli Espinoza, Vincenzo Matassi) (Francesco Degli Espinosa) [12/19/1933, Rome, Lazio, Italy – 6/?/2006, Rome, Lazio, Italy] – production manager, director, assistant director, writer, film editor.

The Crucified Girls of San Ramon – 1971 [film was never made.]

The Braggart – 1973 [film was never made]

Once Upon a Time in the Wild Wild West – 1973

 

Spaghetti Western Screenwriter ~ Aldo Florio

Aldo Florio was an Italian film director, screenwriter, and assistant director known for his work in Italian genre cinema, particularly spaghetti westerns, crime, and action films during the 1960s, 1970s, and 1980s.

Born on January 3, 1925, in Sora, Italy, Florio entered the film industry in the early 1950s as an assistant director and second unit director, contributing to a wide range of productions through the late 1980s. He later shifted focus to directing and screenwriting, debuting in these roles with films such as “Five for Revenge” (1966) and “L'uomo del colpo Perfetto” (1967), followed by notable works including “Tutto sul rosso” (1968), “Dead Men Ride” (1971), and “Una vita venduta” (1976). His screenwriting credits extended into the 1980s with projects like “2020 Texas Gladiators” (1983) and “Endgame - Bronx lotta finale” (1983).

Florio's career spanned several decades within the prolific Italian B-movie and exploitation film sectors, where he collaborated on low-budget productions that characterized mid-century European genre filmmaking. He died in December 2016 in Rome, Italy.

Aldo Florio wrote and co-wrote screenplays for two Spaghetti westerns: “Anda muchacho, spara!” (Dead Men Ride) with E.M. Brochero (Eduardo Manzanos Brochero), Bruno di Geronimo and “Anno 2020 – I gladiatori de futoro” (2020 Texas Gladiators) with Luigi Montefiore in 1982.

Florio died in Rome on December 20, 2016, at the age of 91.

FLORIO, Aldo [1/3/1925, Sora, Lazio, Italy - 12/20/2016, Rome, Lazio, Italy] – director, screenwriter.

Tutto sul rosso – 1967 (co) [film was never made]

Dead Men Ride – 1971 (co)

2020 Texas Gladiators – 1982 (co)


Spaghetti Western Cinematographer ~ Toni Secchi

Antonio ‘Toni’ Secchi was an Italian cinematographer known for his contributions to 1960s and 1970s Italian genre cinema, particularly as director of photography on numerous Spaghetti Westerns and other action-oriented films. Born on February 26, 1924, in Genoa, Liguria, Italy, he was active primarily during the peak of Italy's commercial film industry, capturing the visual style of low-budget but popular productions that gained international cult followings.

Secchi's cinematography credits include key Spaghetti Western titles such as “Blood for a Silver Dollar” (1965), “The Hills Run Red” (1966), “A Bullet for the General” (1967), and “Death Sentence” (1968), where his work helped define the gritty aesthetic of the genre. He also served as cinematographer on other notable films, including “A Man for Burning” (1962), “Mare matto” (1963), and the TV miniseries ‘The Life of Leonardo Da Vinci’ (1971). Beyond cinematography, he directed and co-wrote one feature film, the crime-action picture “Panhandle 38” (1972).

His career reflects the vibrant era of Italian B-movies and international co-productions, where he collaborated with directors in the western and crime genres before stepping away from filmmaking in the mid-1970s. Secchi's visual contributions remain associated with the distinctive look of mid-century Italian exploitation cinema.

Secchi died in Zoanno Ponte di Legno, Brescia, Italy on June 7, 2013 at the age of 89.

Toni Secchi was a cinematographer on five Spaghetti westerns: “Un dollaro bucato” (Blood for a Silver Dollar) in 1965, “Quién sabe?” (A Bullet for the General) and “Un fiume di dollari” (The Hills Run Red) both in 1966, “Sentenza di morte” (Death Sentence) and “Wanted” both in 1967.

SECCHI, Toni (aka Tony Dry, Tony Secchi, Tony Secchy) (Antonio Secchi) [2/26/1924, Sampierdarena Genoa, Liguria, Italy - 6/7/2013, Zoanno Ponte di Legno, Brescia, Italy] – director, writer, cinematographer.

Blood for a Silver Dollar – 1965 [a Tony Dry]

A Bullet for the General – 1966 [as Tony Secchi]

The Hills Runs Red - 1966

Death Sentence - 1967

Wanted - 1967

New Italian 4K UltraHD Blu-ray release of “Django”

 









Django

(1966)

 

Director: Sergio Corbucci

Starring: Franco Nero, Eduardo Fajardo, Jose Bodalo, Loredana Nusciak

 

Country: Italy

Label: CG Entertainment / Surf Film

Discs: 1

4K UltraHD BluRay ("CG 4K Icons" edition)

Aspect ratio: 1.66:1 UHD; HDR10

New 4K restoration by Cineteca Bologna and Surf Film from the original negatives and Italian audio, restored by L'Immagine Ritrovata

Languages: DTS-HD MA 2.0 mono and DD 2.0 mono Italian, English

Subtitles: Italian SDH

Running time: 99 minutes

Extras: Trailer; “L’uomo con la bara", exclusive interview with Quentin Tarantino, Franco Nero, Luis Bacalov, Piero Vivarelli, Gilberto Galimberti.

ASIN: ‎ B0HL9JZS3X

Available: November 12, 2026

 

[Available from Amazon.it]

New Spanish book “El bueno, el feo y el malo”

 








El bueno, el feo y el malo

(The Good, the Bad and the Ugly)

 

Authors: Carlos Aguilar, Anita Haas

 

Country: Spain

Publisher: Calamar Ediciones

Language: Spanish

Pages: 168

ISBN: 978-84-96235-95-3

ISBN-10: 8496235955

 

The Good, the Bad and the Ugly crowns a trilogy whose previous installments were A Fistful of Dollars and For a Few Dollars More. Carlos Aguilar and Anita Haas analyze in depth this masterpiece by Sergio Leone, addressing all its production phases, historical context and cinematographic legacy, in an edition illustrated with more than two hundred international images on the occasion of its 60th anniversary.

[Available Amazon.es]

Buffalo Bill, the Indians and Pope Leo XIII. When the Far West arrived in Rome

Liguria Day

By Laura Spadella

October 19, 2026

Among the infinite stories that Rome has to tell, there is one that is truly unique. It is not a legend or a myth, but an episode that really happened that, at the end of the nineteenth century, brought the charm of the American Far West to the capital.

From the prairies of the Wild West to the Prati di Castello

The protagonist was William Frederick Cody, better known as Buffalo Bill, who arrived in Rome with his traveling show, together with cowboys, knights and warriors of the Great Plains, until he was even received by Pope Leo XIII.

After being a soldier of the Seventh Cavalry during the American Civil War, a guide for the army and for the Pacific Railway, as well as a famous bison hunter from which the nickname that had made him famous all over the world, he had decided to travel and became the impresario of a show that was conquering Europe and America: the Buffalo Bill's Wild West Show.

[Buffalo Bill in Rome – source Wikimedia]


 A caravan in Piazzale Clodio

The caravan arrived in Rome in February 1890 with four special trains consisting of 51 wagons. Hundreds of people were traveling on board, horses, bison and tons of equipment for the show that wanted to evoke the myth of the American Frontier. The area chosen for the camp was that of the Prati di Castello, at the time a vast green expanse used for military exercises, near the current Piazzale Clodio.

A huge success

The first show was staged on February 20 at 2.30 pm in front of an enthusiastic crowd. The arena, in the shape of a horseshoe, could accommodate up to 5,000 spectators and the ticket cost five lire, a considerable amount for the time. Yet thousands of Romans flocked to witness an unprecedented event: wild rides, lasso exhibitions, assaults on stagecoaches, attacks on pioneer convoys and reconstructions of battles between soldiers and Native Americans. The curiosity aroused by the arrival of Buffalo Bill was enormous. Posters, flyers and newspaper advertisements covered the city, in what is considered one of the first major show business operations in Italy.

Al Caffè Greco with Sitting Bull and Black Elk

What made the Wild West Show even more extraordinary were some of the characters who were part of it. Not just extras, but real protagonists of the history of the West, transformed by Buffalo Bill into real attractions of the show. Among them were Sitting Bull, the famous Sioux chief who in 1876 had led, together with his warriors, the victory against General Custer in the battle of the Little Bighorn, and Black Elk, who as a boy had participated in the same historical episode and who in 1887 had already left with Buffalo Bill for a tour in Europe.

And it is precisely in Rome that there is an extraordinary testimony of that presence. On February 24, 1890, at the Caffè Greco in Via dei Condotti, Buffalo Bill was photographed together with Sitting Bull, Black Elk and the writer and journalist Diego Angeli. An image that returns, more than any story, how surreal it was for Rome at the end of the nineteenth century to find itself in front of some of the most famous protagonists of the mythical American West in the heart of the city.

Ancient Greek Coffee – Buffalo Bill, Sitting Bull and Black Elk with Diego Angeli in 1890 – Wikipedia, the free encyclopedia]

"Er Cappellaccio" and the challenge with the cowboys

In Rome, Buffalo Bill, nicknamed “er Cappellaccio” by the Romans, found someone willing to challenge his cowboys. On March 8, at the Prati di Castello, the men of the Wild West Show faced off against the cowboys of the Agro Pontino, led by Augusto Imperiali from Cisterna, in the test of taming a particularly unruly American horse.

After saddled him, Imperiali managed to mount him and ride him at a gallop around the arena, winning the applause of the audience. The test consigned the cowboys to the news and transformed Imperiali into a popular hero, fueling the myth of the challenge between the American cowboys and the knights of the Lazio countryside.

With Pope Leo XIII

On the occasion of the anniversary of the pontiff's coronation, a delegation from the Wild West Show was allowed to watch the Pope's passage through the Doge's Hall. Thus, on March 3, 1890, in the heart of the Vatican, among cardinals, nobles and members of the Roman aristocracy, a group of Indians appeared with painted faces, feather headdresses and traditional clothes, who greeted the pope with their typical war cries. Leo XIII, surprised by that unusual and spontaneous welcome, hesitated for a moment, then smiled and gave his blessing to those guests who had come from so far away.


[Buffalo Bill and the Indians in St. Peter's -source Facebook]

The mud of Rome

In later recounting his Roman experience, Buffalo Bill recalled that he had wanted to leave on the saddles and harnesses of his horses the mud accumulated during the rainy days spent in the capital. He also wanted to bring a small fragment of Rome back to America, as a souvenir of that memorable trip.

Buffalo Bill – source Wikimedia

Four years later, on January 10, 1917, he died in Denver at the age of 70. The previous day he had received baptism. A conversion that came at the end of his life, perhaps matured from the meeting with Leo XIII. Who knows if, among the memories that accompanied him until the end, there was also that of a morning in March 1890, when the most famous cowboy in America and a group of warriors from the Great Plains found themselves face to face with the pope in the Eternal City.

 


Special Birthdays

Herbert Weißbach [voice actor] would have been 125 today but died in 1995.


 





Talbot Rothwell (writer) would have been 110 today but died in 1981.


 





George Wang (actor) would have been 100 today but died in 2015.