The People’s Movies
By Paul Devine
November 20, 2019
The oldest international film festival Edinburgh will be making a ‘big noise’ in 2020. Edinburgh International Film Festival (EIFF) unveiled its 2020 retrospective programme, The Big Score an exploration of innovations in film score, to screen as part of the 74th programme next June.
As any cinephile knows the integral part a score is to a film. The Big Score will celebrate that importance will feature work from some of the finest composers and directors in the world. Including an in-depth focus on score pioneers Mica Levi and Delia Derbyshire, a dynamic tribute to the great Ennio Morricone and an atmospheric journey through some of the greatest jazz cinema ever made.
The festival’s senior programmer and The Big Score programme curator, Niall Greig Fulton commented on Mica Levi: “From her exciting, innovative work on Jonathan Glazer’s Under the Skin through to her extraordinary score for London Film Festival award winner Monos by Alejandro Landes, cutting edge composer Mica Levi continues to go from strength to strength. This dynamic collection of films charts her stunning artistic achievements in cinema to date.”
Levi’s first score, for Jonathan Glazer’s Under the Skin (2013), earned her the Best Composer accolade at the European Film Awards in 2014 and a nomination for the BAFTA award for Best Film Music in 2015. Her second, Pablo Larraín’s Jackie (2016) saw her nominated for Best Original Score at the 89th Academy Awards.
Singer, songwriter, composer and producer, the multi-talented Levi, (sometimes known by her stage name Micachu), is also famous for her experimental pop band, Good Sad Happy Bad, (formerly Micachu and the Shapes), with whom she has performed extensively.
Her films include Michael Almereyda’s Marjorie Prime (2017), Pablo Larraín’s Jackie (2016) , Jonathan Glazer’s Glasgow-set Under the Skin (2013), Alejandro Landes‘ Monos (2019).
Her films include Tony Richardson’s Hamlet (1969), Joseph Despins’ and William Dumaresq’s Duffer (1972) and Alan Gibson’s Dracula A.D. 1972 (1972). In addition to this, there will be two programmes of shorts featuring documentaries and a selection of rarely seen experimental films scored by Derbyshire.
Niall Greig Fulton said: “Mixing late-night cult classics, fascinating documentaries and rarely seen experimental collaborations, this timely look at the life and work of the great Delia Derbyshire is a must for all fans of electronic music.”
Although best known for his ground-breaking work with director Sergio Leone, this look at Ennio Morricone’s incredible career focuses on his many other superb artistic collaborations, exploring his extraordinary versatility and celebrating his breath-taking canon of work. Spanning decades, this collection of films blends cult cinema and classics and features work from a dazzling array of world-famous directors.
Niall Greig Fulton said: “Having conquered an astonishing variety of styles and genres, Ennio Morricone is responsible for some of the most innovative and iconic scores ever recorded. This exciting selection of films takes us from his ground-breaking work on cult spaghetti westerns and giallo thrillers in the 60s and 70s through to his Oscar-nominated scores for classics such as Days of Heaven, The Mission and The Untouchables in the 80s.”
His Films include a 4K restoration of Gillo Pontecorvo’s The Battle of Algiers (1966), Mario Bava’s Danger Diabolik (1968), Sergio Corbucci’s The Great Silence (1968), Dario Argento’s The Bird With The Crystal Plumage (1970), Terence Malik’s Days of Heaven (1978), John Carpenter’s The Thing (1982), Roland Joffe’s The Mission (1986), Brian De Palma’s The Untouchables (1987) and a 4K restoration of Giuseppe Tornatore’s Cinema Paradiso (1988).
With timeless scores from extraordinary musicians such as John Coltrane, Miles Davis, Henry Mancini, Duke Ellington, Lalo Schifrin, Bernard Herrmann and Quincy Jones, this rich strand investigates the eternal love affair between jazz and cinema and features celebrated masterpieces by key directors such as Orson Welles, Shirley Clarke and Martin Scorsese.
Films include Louis Malle’s Lift to the Scaffold (1958), Orson Welles’s Touch of Evil (1958), Otto Preminger’s Anatomy of a Murder (1959), a restored 35mm print of Shirley Clarke’s The Cool World (1963), preserved by the Library of Congress National Audio-Visual Conservation Center from original camera negatives in the Zipporah Films Collection, Gilles Groulx’s Le chat dans le sac (1964), Richard Brooks’ In Cold Blood (1967), Norman Jewison’s The Thomas Crown Affair (1968), Peter Yates’ Bullitt (1968) and Martin Scorsese’s Taxi Driver (1986).
EIFF’s Niall Greig Fulton said: “Jazz is famously an innovative, atmospheric art form and over the years it’s been employed many times to truly memorable effect in cinema. This is a golden opportunity to see some of the finest of those films the way they should be seen – on the big screen.”
As a precursor to The Big Score, EIFF and Filmhouse will present Countdown to The Big Score, a special retrospective screening once a month, running from January through to June. The full programme for Countdown to The Big Score will be released in December.
Tickets for The Big Score will go on sale alongside the full EIFF programme on Wednesday 27 May for Filmhouse Members and EIFF Friends with general sale commencing on Friday 29 May.
The 74th edition of Edinburgh International Film Festival (EIFF) runs from June 17 – 28, 2020.
The full programme will be announced on May 27, 2020.