By Andrea Girolami
This time I arrive with my mother on the set late. The
filming is already to go. The crew is all busy moving "the circus"
from one side to the other. We do not go into the Saloon ... but continue down
the main road. There is a lot of confusion ... as seen from the eyes of a 6
year old child - I remember so much confusion and mess. Horses running to the
right and left. I hear the cries of the cowboys ... the famous henchmen of
Caldwell. As in "Cipolla Colt" ... I see Franco Nero on the set ...
actually two Keomas. One of course is Franco ... but the other is no longer
Rocco Lerro ... because I see Rocco standing near my father who is talking and
coordinating the scene ... Who is this man who is doubling Franco? At one point
I hear Rocco screaming: "A Caccolettaaaa !!! Ready. He turns. Guys!!! All
ready !!! "- Of course! And said ... a stunt double for many actors. A
fantastic acrobat. Famous for having dubbed Tomas Milian in the various
Corbucci films.
[photo with Stefania Lerro - daughter of Rocco Lerro]
... and also the double of Fabio Testi in "La via
della droga" and "Il grande racket". Many years later he will
participate in my short western, "Orme Rosse" as stunt coordinator
and protagonist. A nice short action western. Eight minutes of action scenes.
Only and only action. What could I do with a romantic and authorial short film
with a father who only makes action films? Hahaha. Angelo was amazing during
the shooting of my short film.
As soon as he saw me "A Kiddè !!! Today that turns?
- We are always ready. "What a magical atmosphere I experienced in
shooting my short film. Too bad I was only there three days. But they were
three truly unique days. Unforgettable!
[photo - with the crew].
There were two days in Cinecittà (on the set of
"Gangs of New York") and one day inside a stable a few steps from
Cinecittà .... later I will tell you everything. For now, let's get back to the
present .... Keoma's present.
I see Rocco is tense. My father very concentrated.
Bergamini behind the silent camera ... Everyone ready….
"Engine!"
"Party" - "Ciak" ...
The ciakista enters the field and slams the clapperboard
and runs away ... we wait for the two machine operators ...
Rocco screams: "ACTION!"
The horses arrive ... you can hear the earth shake ... a
deafening noise of horses hoofs in front of the two cameras and at one point three
horses turn and fall on the ground "shot" by Keoma. I hear the voice
of Caccoletta trying in vain to land well ... but something is wrong. Something
goes wrong. Caccoletta falls badly. The horse did not fall correctly ... as it
should. He is not alone as the other acrobat falls badly. In the film the
sequence is mounted "cut" - in the middle my father adds Franco who shoots
and repairs ... not to point out the "mistake". However, a
magnificent scene comes out. Thanks to the skill of the editor, Gianfranco
Amicucci.
"STOP!!!! - What the fuck is happening ???
"Rocco screams. My father is really angry ...
The scene of the three knights who fall with their horses
is not perfect. It is not correct. It is not right. But they cannot shoot
another scene. The time is very tight ....
I remain silent. Today I do not play with fake weapons or
even with a mustache .... Today there is a lot of tension on the set. Rocco
continues to scream ... he is pissed off with the acrobats .... Caccoletta
tries to remedy the situation ... but there’s nothing he can do. The shot is
filmed. You see the scene ... you can clearly see the "imperfect" sequence.
Caccoletta falls badly using his legs ... It is not easy to shoot such a
sequence. Then reshooting the scene costs a lot of money. In many sequences of action, we use a
camera that has a special motor next to it that can reach 120 frames per second!
... So in a scene with slow motion a lot of film is used .... To make you
understand the difference, in a normal scene the film is turned using normal
speed: 24 frames per second. It cannot be repeated.
The set moves quickly.
Nobody stops. You change place. You change framing.
Everyone is tense ... I remain on one side ... in silence. I tell you that even
today I remember that day as it was yesterday .. Never saw so much nervousness
on a set. Never. In the distance I still see Rocco arguing with the acrobats.
Bad. Cries and bad words. My father goes to the tower ... he coordinates with
the director of photography, Parolin and Bergamini the next sequence ... the
fall from the tower of Roberto
Dell'Acqua in art "Ridola" ... he too another
famous acrobatic actor. Especially in films with Bud Spencer ... for fans,
Ridola is always flying. In the film by Steno, "Piedone il sbirro"
Ridola is one of the three sailors. Why do you always choose him? Because he is
the most agile ... the smallest and the skinniest of them all. In short, it is
the "thinner one" who flies in the air ...
Rocco returns. He organizes and arranges the boxes under
the tower. Old mattresses are placed above the boxes. Above all is placed a
very large cloth tied with a rope. So when Ridola falls ... he lands
"morbidam”
Biltmore: Caccoletta??? Angelo?
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