MILAN, January 16, 2016
by Luke Leitch
So despite the Morricone and the dusty haze the models kicked up on the runway, this was a collection consistent with the current iterations of the Dolce & Gabbana man. There was the brooding hot-stuff Sicilian workman, out of time, in oversize peacoat and flat cap, or more fantastically in shearling floor-sweeper overcoats, some memorable shearling pants, and rib-knit long johns. There was the cultured aficionado of contemporary luxury streetwear in shearling sweats beaded with the house’s sacred heart and Velcro monk-strap sneakers rimmed with fur. Most present of all was the archetype of international playboy princeling, decked out in precisely fitted piped white shirting and dark tailoring that shimmered with embellishment or tonal jacquard. For the finale, the designers rustled a stampede of silk day pajamas, some teamed with knits: This look, they say, is sparking stampedes in stores, too.
Westernalia was not the only seasoning sprinkled over this collection. Embroideries heaped upon topcoats and trucker jackets—the denim section was one to linger over—included tapestried roses and putti. Buzzing anew was the little bee symbol on gold chains, patches, and pajamas. There were Westernized versions of the same faux-naif illustrations from the designers’ recent mamma-themed womenswear show—one, on a sweatshirt, depicted Domenico and Stefano—and even some meme-tastic illustrations of Zambia, Stefano’s cat. There was so much going on here—the models were using tablets to live-stream point-of-view runway video to the screens above us, too—that through the dust it all sometimes felt like a peyote-fueled menswear mirage. Pull it all apart, though, and what you have is some of the finest top-of-the-line tailoring and extrovert outerwear in the business—plus those D&G-pioneered pajamas (which are now becoming a category all their own).