Wellsville
Daily Reporter
January
22, 1971
William Fleischer is only 27 years old but
already he’s been run over by a tank, thrown from a jeep, thrown from a horse,
tortured, tied up and shot off the corner tower of a fort.
“Willie,” as he’s best known in Wellsville,
recently returned to this community after six years as a stunt man in Spain,
where it’s often cheaper for Americans to film movies than in the States.
Willie entrance into this strange vocation
came about in an almost disappointingly routine way. Following his graduation
from Wellsville High School in 1962, he entered the Air Force for four years.
The last year of his tour of duty was spent in Spain, a country he had taken an
immediate liking to upon first arriving there. When his discharge date arrived,
Willie elected to remain in Madrid.
He came into ownership of a small club and
it was while operating this that he came into contact with an American
director, in Spain to film “Play Dirty,” a war picture starring Michael Caine.
The director casually mentioned to Mr. Fleischer one day that the double for
Cain had been hit the measles and would he like to have a go at it?
The decision wasn’t hard to make as Willie
tells it, the job sounded interesting, it would be something new and the club
had become a monumental bore, that is, “business was none too good.”
If just what a stuntman is called upon to
do was a mystery to Willie when he accepted, the exact nature of his job was
spelled out for him during the enactment of the movie’s climax, a wild raid on
a German gasoline storage area in North Africa. He drove a jeep into the German
stronghold, with a dummy the only other occupant. Following the script, he went
up a small ramp which hurled jeep midair, allowing him just enough time to
abandon the vehicle before it flipped over. He did this all without incident,
but a bomb exploded prematurely, and the novice stuntman sustained minor facial
burns, something very definitely not basic to the script.
But this wasn’t enough to deter Fleischer,
the pay wasn’t bad by European standards and he enjoyed it. He went on to do stunt
work in some 30 American-made and innumerable low-budget Spanish and Italian
movies. He has appeared “Patton”, “A Hundred Rifles”, “Shalako”, “A Talent for
Loving” and “A Few Dollars More,” to name just a few.
The list of celebrated actors Willie has
been associated is lengthy and the name of one Raquel Welch, brought a smile to
his face and the comment “very impressive.” Burt Lancaster and Michael Caine
are remembered by him as the actors most easy to get along with, with many
others, some with impeccable images were, in his eyes, “intolerable.”
Yet it was the work itself which kept him
in the stunt field, despite the risks involved. His baptism under fire in “Play
Dirty” wasn’t his only mishap. In “The Devil’s Backbone.” Willie was to fall 45
to 50 feet from the corner of a fort tower and land in three tiers of cardboard
cartons, covered by mattresses and a tarp. He fell and when he hit the
mattresses he hit improperly, and as a result he added a fractured collarbone
to his growing list of injuries.
His hazardous career wasn’t without its
lighter moments, however. He was once in makeup for thee and a half hours, just
so he could emerge from a German bunker and announce he was wounded, a bit
which required fewer than 30 seconds. And he may have summed up the stuntman’s
lot best when he commented, “I can remember everybody treating me like a king
before my scenes, but once the bit had been shot and there was no need to go to
the expense of shooting again, no one remembered my name”
It was the expense a flubbed stunt as
much as the danger involved which frequently produced butterflies in Mr.
Fleischer the day before he was to perform. The stuntman notes, “A great deal
depends upon the stunt man since the cameras roll; a missed stunt is expensive
and could cost you your next job.”
Mr. Fleischer is planning to stay in
Wellsville and is seeking employment. Why did he leave his work and would he do
it again?
“The work was becoming more and more
infrequent. Stuntmen are no longer kept under contract; they have to freelance it, negotiating for
each job. “I’d definitely do it again, and if movies were the way they were 10
or 15 years ago, I’d definitely still be in the business.” He said.
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