Charles Dumont was born in Cahors, Lot, France on March
26, 1929. He developed a passion for music at an early age, and studied at the
Conservatoire in Toulouse. He never quite got to grips with the rudiments of
classical music. At the end of the Second World War, a teenage Charles
discovered where his heart really lay when he heard the golden trumpet of Louis
Armstrong. This proved to be a turning point in Charles's early career and,
following in the footsteps of his musical idol, he took up the trumpet and
formed his own amateur jazz band.
After graduating from the Conservatoire in the late 40s,
Charles moved up to Paris where the jazz scene was beginning to explode in the
smoke-filled cavern clubs of Saint-Germain-des-Prés. Charles was raring to go
and blow his horn, but he was forced to go into hospital for what was to have
been a benign operation on his tonsils. However, the operation went badly and,
much to his eternal regret, Charles had to abandon his precious trumpet. From
this point on, he began casting about for another means of expressing his
musical passion.
The organist at the Eglise Saint-Ambroise in Paris
eventually took the young musician under his wing and taught him how to master
the keyboard and work the art of harmony. Dumont began to try his hand at
writing his own compositions at this point and discovered he had a certain gift
for it. Dumont went on to become a professional pianist, earning a living on
the Paris club circuit. In the meantime, the young musician left the capital to
do his military service. He also found time to get married and father two sons,
Frédéric and Philippe.
Dumont's career finally took off around 1956/1957 when he
started setting Francis Carco's poetry to music. Dumont also went on to team up
with the talented musician Michel Vaucaire (husband of French singing star Cora
Vaucaire) with whom he wrote a number of best-selling hits over the years. In
short, Dumont began to make a name for himself in music circles and before long
he found himself composing songs (occasionally under a pseudonym) for all the
big stars of the day, including Dalida, Gloria Lasso, Luis Mariano, Tino Rossi
and Lucienne Delyle. In 1958, Dumont released two singles in his own name, but
neither took off with the record-buying public.
Vaucaire and Dumont had been trying to get their songs
into the hallowed 'salon' of Edith Piaf. In October 1960, the pair finally
managed to get the legendary 'chanson' diva to listen to one of their recent
compositions, "Je ne regrette rien." Piaf was bowled over by what she
heard and she performed the song in public for the first time at the Olympia a
few days later. The song proved an instant hit with the audience and went on to
become one of the most popular French 'chanson' classics of all time. "Je
ne regrette rien" marked the beginning of a long and fruitful
collaboration with Piaf which produced more than thirty 'chanson' classics
including "Les Flonflons du bal" and "Mon Dieu." Piaf and
Dumont's partnership moved on to a new level in 1962 when they wrote and
recorded "Les Amants" together.
Dumont was completely lost after Piaf's death in 1963. He
continued writing with Michel Vaucaire and even collaborated with Jacques, but
he remained disoriented for a while. Later in his career he would begin
composing music for films (such as Jacques Tati's "Trafic" in 1971
and the television film "Michel Vaillant" in 1967). But for the
meantime, following Piaf's advice, Dumont stepped behind the microphone and
launched his own singing career again. In 1964, he went on to release his début
album, "À faire l'amour sans amour." However, these remained lean
years for the musician.
By 1971, Dumont was finally on the up and his fame had
spread beyond French borders. Later that year, he would meet international star
Barbra Streisand in the U.S. Impressed by his song "Le Mur,"
Streisand sought permission to record an English cover of it and ended up
scoring a huge hit with her version "I've Been Here." In 1972, Dumont
went on to release "Intimité", the first in what was to become a long
series of albums on the theme of women and love.
The following year, Dumont received critical recognition,
winning the prestigious 'Prix Charles-Cros' for his album "Une
femme." In 1974, he followed this with "Le Concerto pour une
chanson" (an album fusing 'chanson', classical music and poetry) and in
1975 with "L'Or du temps."
1976 turned out to be a key year in Dumont's career.
After releasing the album "Elle," he made a comeback on the live
circuit at the age of 47 – and two successive nights at the Espace Cardin in
October of that year turned him into a major star!
DUMONT, Charles [2/26/1929, Cahors, Lot, France - ] – composer, conductor, musician
(trumpet, piano), singer, actor, married to Jeanne Chambon [1927-2015] (1950- ) father of Frédéric Dumont, Philippe
Dumont.
Belle Starr* –
1968
Song: “No Time for Love” sung by Elsa
Martinelli (Elsa Tia)
*Available on CAM
LP only #SAG 9004
Thank you for making this page it was very difficult to find information on this composer
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