The area of the coastal dunes, lies between Rambla de las
Amoladeras (to the west) and Rambla de Morales (to the east) - it is often
recognized on the horizon by the characteristic shape of Cabo de Gata (a
mountain with three peaks: two roundish and one shaped like a pyramid) -
suitably cleaned out of the vegetation, it lent itself to represent, in
addition to the deserts of North Africa, and the Middle East, those of the
American West or Mexico. According to several film historians tons of sand were
brought to the area when they filmed “Lawrence of Arabia” (1962) and more for
“Cleopatra” (1963). The dunes became a huge draw for filmmakers looking desert
locations without having to film in remote areas of the world. These dunes were
close to Almeria and added to Spain’s burgeoning film industry.
Films shot in the dunes include: “Gunfight at High Noon”
(1963); “Pistols Don’t Argue” (1964) (in this film the atmosphere of the desert
is optimally recreated); “Seven from Texas” (1964), “Gunmen Of The Rio Grande”
(1964); “Dollars for Fast Gun” (1965); “The
Relentless Four” (1965); “The Last Tomahawk” (1965); “The Good, the Bad and the
Ugly” (1966); “Custer of the Wet” (1966); “A Woman for Ringo” (1966); “A Taste
of Killing” (1966); (in the opening credits); “For One Thousand Dollars Per Day”
(1966); “Texas, Adios” (The Avenger) (1966); “Death Rides a Horse” (1967); “A
Few Bullets More” (1967); “The Dirty Outlaws” (1967); “Face to Face” (1967); “Day
of Anger” (1967); “John the Bastard”
(1967); “Vengeance is Mine” (1967); ”The Big Gundown” (1967) (the closing
scene); “Last of the Badmen” (1967); “Dakota Joe” (1967); “Cemetery Without
Crosses” (1968); “Tierra Brava” (1968); “Wrath of God” (1968); “The Mercenary”
(1968); “The Ruthless Four” (1968); “Duel in the Eclipse” (1968); “Death
Sentence” (1968); (opening scene with Richard Conte); “The Longest Hunt”
(1968); “One More to Hell” (1968); (title credits); “One After the Other”
(1968); “A Long Ride from Hell” (1968); “One Against One... No Mercy” (1969)
“Run, Man, Run” (1969); “100 Rifles” (1969); “Four Rode Out: (1969); “Awkward
Hands” (1969); “Santana Kills Them All” (1970); “A Man Called Sledge” (1970);
“The Deserter” (1970); “Blindman” (1970); “Catlow” (1970); “Chato’s Land”
(1970); “Doc” (1971); “The Hunting Party” (1971); “The Bandit Malpelo” (1971);
“The Ballad of Ben and Charlie” (1972); “Those Dirty Dogs” (1972); “Charley
One-Eye” (1972); “The White, the Yellow, the Black” (1974); “Four of the
Apocalypse” (1975); “Comin’ At Ya!” (1981).
Thanks to the representation of the sandy desert that
they were able to offer, the dunes of Cabo de Gata which practically became the
most frequented location for productions made in Almeria up until the mid-80s. Then
in 1987, with a decree by the Government of Andalusia, the Cabo de Gata Natural
Park was created in order to protect an area of extraordinary ecological and
environmental value, the new rules impose a strict respect for the existing
vegetation, which cannot be removed (as was done previously) to create the
effect of a 'total' sand desert required by most film needs. The vegetation, which
has grown untouched in the last twenty-five years, has completely covered the
area, making the once desert that was seen in many films disappear. The Park,
expanded in 1994, now covers an area of 34,000 acres and in 1997 it was
declared to be Uneco a 'Biosphere Reserve'.
“Pistols Don’t Argue” - 1964
“The Good, the Bad and the Ugly” – 1966
“Texas Goodbye” - 1966
“The Big Gundown” - 1967
“Face to Face” – 1967
“A Man Called Sledge” – 1970
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