Monday, August 24, 2026

Little Known Spaghetti Western Actors ~ Erich Dunskus

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Erich Dunskus was a German actor known for his prolific career in German cinema, appearing in over 170 films from 1927 to 1966. He specialized in character roles and was a familiar presence in films across multiple eras of German film history, from the Weimar Republic through the Nazi period and into post-war East and West German productions.

Born Erich Adolf Dunskus on July 27,1890 in Pillkallen, East Prussia, he began his acting career in the late 1920s and became a sought-after supporting player known for his versatility. His work spanned diverse genres, including notable appearances in films such as “Der Mann, der Sherlock Holmes war” (1937), “Jud Süß” (1940), “Die große Liebe” (1942), and “Unter den Brücken” (1946).

Dunskus continued acting until the mid-1960s, contributing to both East German DEFA productions and West German films, before his death on November 25, 1967, in Hagen, North Rhine-Westphalia, West Germany. His long career reflects the continuity of German film talent through significant historical changes in the 20th century.

Erich Dunskus appeared in two Euro-westerns: “Der Kaiser von Kalifornien” (The Emperor of California) as Smith in 1936 and “Sergeant Berry” as Grenzbeamter in 1938

DUNSKUS, Erich (Erich Adolf Dunskus) [7/27/1890, Pillkallen, East Prussia, Germany – 11/25/1967, Hagen, North Rhine-Westphalia, West Germany] – producer, theater, radio, film, TV, voice actor, married to Elisabeth Anna Sophie Köchel [1896-1965] (1918-1967) father of Stefan Josef Heinrich Dunskus [1929-1988], awarded the Bundesverdienstkreuz (Federal Cross of Merit) [1960].

The Emperor of California – 1936 (Smith)

Sergeant Berry – 1938 (Grenzbeamter)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Finn Karlsson

Finn Karlsson is a Danish film director and screenwriter known for his contributions to Danish cinema in the late 1960s and 1970s, particularly through a series of feature films that included comedies and parodies.

Born on February 23, 1937, Karlsson initially pursued a mathematical secondary education before training as an architect in Copenhagen, a profession he maintained alongside his diverse artistic interests, which also extended to theatre acting and writing. After graduating from the Danish Film School, he made his feature directorial debut with “Stine og drengene” in 1969, which he also wrote. He followed this with several additional features, including the western parody “Guld til præriens skrappe drenge” (1971), “I morgen, min elskede” (1971), as well as “Danish Pastries” (1973), which he both directed and wrote.

In addition to his directing and screenwriting credits, Karlsson occasionally served as an assistant director, notably on “The Olsen Gang on the Track” (1975), contributing to one of Denmark's most popular film franchises. His career reflected a multidisciplinary approach, blending his architectural background with filmmaking during a distinctive period of Danish genre cinema.

Karlsson died in Denmark on June 27, 2003, at the age of 66.

Finn Karlsson directed one Euro-western, “Guld til praeriens skrappe drenge” (Gold for the Tough Guys of the Prairie) in 1971.

KARLSSON, Finn (aka Andrew Oppenheim) [2/23/1937, Husum, Copenhagen, Denmark – 6/27/2003, Denmark] – production manager, director, writer, SFX.

Gold for the Tough Guys of the Prairie – 1971

 

Spaghetti Western Screenwriter ~ Luis de los Arcos

Luis de los Arcos was a Spanish film director, writer, and production manager known for his contributions to cinema in the 1960s. Luis was born in Madrid, Spain on December 9, 1932.  He is credited as writer, director, and production manager on the film Operation Delilah (1967).

Multiple individuals share this name in film credits, including roles in television, recent films such as Todo el mundo se parece de lejos (2019), and other productions; biographical details remain limited in available sources.

Luis de los Arcos died in Pamplona, Navarra, Spain sometime in December of 1994 at age 62.

Luis de los Arcos co-wrote one Spaghetti western, “El dedo en el gatillo” (Finger on the Trigger) with Sidney Pink in 1965.

de los ARCOS, Luis (Luis David de los Arcos Elías) [12/9/1932, Madrid, Madrid, Spain – 12/?/1994, Pamplona, Navarra, Spain] – director, production manager, writer.

Finger on the Trigger – 1965 (co)

 

Spaghetti Western Cinematographer ~ Robby Müller

Robby Müller was a Dutch cinematographer renowned for his poetic and naturalistic visual style that helped define the look of international arthouse and independent cinema from the 1970s onward. He is particularly celebrated for long-term collaborations with directors Wim Wenders, Jim Jarmusch, and Lars von Trier, contributing to iconic films such as “Paris, Texas”, “Dead Man”, and “Breaking the Waves”.

Born in Willemstad, Curaçao, on April 4, 1940, Müller studied at the Netherlands Film Academy in the 1960s before launching a prolific career that spanned over five decades. His early work with Wenders on road movies including “Alice in the Cities” (1974), “Wrong Move” (1975), and “Kings of the Road” (1976) established his signature approach emphasizing natural light, extended long takes, and a documentary-like intimacy that captured landscapes and human emotion with minimal artifice. This aesthetic carried into his American projects, notably the evocative desert photography of “Paris, Texas” (1984), which earned widespread acclaim for its atmospheric visuals.

Müller continued to innovate across genres and styles, working with Jarmusch on atmospheric black-and-white compositions in “Dead Man” (1995) and with von Trier on the raw, handheld intensity of “Breaking the Waves” (1996) and “Dancer in the Dark” (2000). His willingness to embrace digital cinematography in later years, including von Trier's “Manderlay” (2005), further demonstrated his adaptability while maintaining a consistent focus on emotional truth over technical perfection. In addition to his cinematography, Müller was an accomplished still photographer whose images often echoed the contemplative quality of his film work.

Muller passed away on July 3, 2018, in Amsterdam at the age of 78, leaving a legacy as one of the most influential cinematographers of his generation whose images continue to inspire filmmakers worldwide.

Robby Müller was a cinematographer on two Euro-western films, “Carlos” (TV) in 1971 and “Dead Man” in 1995.

MULLER, Robby (aka Rob Müller, Robert Müller) (Robby Müller) [4/4/1940, Willemstad, Curaçao, Netherlands Antilles – 7/4/2018, Amsterdam, The Netherlands] – cinematographer, cameraman, actor, married to magazine picture editor Andrea Müller (1993-2018), awarded Bert Haanstra Oeuvreprijs for his lifeworks [2009], International Achievement Award for his lifeworks [2013], a Golden Camera 300 for life achievement [2016].

Carlos (TV) – 1971

Dead Man – 1995

New Swedish DVD release of “Captain Apache”


 







Captain Apache

(1971)

 

Director: Alexander Singer

Starring: Lee Van Cleef, Carroll Baker, Stuart Whitman

 

Country: Sweden

Label: Retro Film / Studio S

Language: English

Subtitles: Swedish

Running time: 91 minutes

Available: August 24, 2026

New British 4K, Blu-ray release of “Django Shoots First”

 








“Django Shoots First”

(1966)

 

Director: Alberto De Martino

Starring: Glenn Saxon, Fernando Sancho, Evelyn Stewart

 

Country: England

Label: Studio Canal

BluRay (separately on 4K-UltraHD BluRay), Slipcase

Video: Brand new 4K restoration, 1080p HD

Region B

Languages: Italian, English

Subtitles: English, English SDH

Running time: 96 minutes

Includes 12-page booklet with an essay by Peter Raleigh

Extras: "Dust and Gunfire" - Glenn Saxson on Django Shoots First; Audio Commentary by Alex Cox; "Erika's Saloon" - interview with Erika Blanc; "Evelyn in the West" - interview with Evelyn Stewart

ASIN:‎ B0H5R4F8RF

Available: August 24, 2026

Spaghetti Western locations Then & Now – “Hannie Caulder”

At the end of the “Hannie Caulder” Hannie and ‘The Preacher’ meet at an abandoned fort for her showdown with Emmett Clemens. The fort was constructed near Mini Hollywood in Almeria, Spain. Nothing remains of it today.

Here’s the same location photographed in 2024.



European Western Comics - COLLANA KOCISS

 








Kociss Stories

Kociss Stories with issue #1 published a previously unreleased episode of Kociss; Issue #2 and #3 were reprints from 1972

The series was published in 1975 by LSE in Rome, Italy by editor-in-chief: Lodovico Magrini. Each issue contained 96 black and white pages with color covers.

Titles

01 (00.00.75) - "Prigionieri di un sogno" (Prisoners of a Dream)

02 (00.00.75) - "Il giorno della lotta" (The Day of the Fight)

03 (00.00.75) - ?

Special Birthdays

Sidney Hayers (director) would have been 105 today but died in 2000.








Florestano Vancini (director) would have been 100 today but died in 2008.



Sunday, August 23, 2026

From the WAI! vault

 









Little Known Spaghetti Western Actors ~ Emy Dunsing

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Emy Dunsing was a dancer, theater and film actress active in Germany during the early 1900s. I can find no biographical information on her.

Emy Dunsing appeared in one Euro-western, “Sergeant Berry” in 1938.

DUNSING, Emy [German] – dancer, theater, film actress.

Sergeant Berry – 1938 (Mexican dancer)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Hans Karl

Hans Karl Breslauer was born in Vienna, the son of the proprietor of a coffee-house, which it was intended he should take over. Instead, he became an actor. His first engagements were in Cologne, Wiesbaden and Vienna.

From 1910 Breslauer was active in Berlin as a screenwriter. He produced about 40 filmscripts for the film companies Duskes, Messter, Vitascope, Mutoscope and Biograph.

It is believed in 1914 he had his first directing job with Sascha-Film in Vienna. In 1916 he had an acting role in the Viennese Regent-Film production “Zu spät gesühnt”.

Breslauer's first demonstrable directorial involvement was in 1918 in the Sascha-Film production “Ihre beste Rolle”. After World War I he worked as a director for Leyka-Film and Biehl-Film. In 1919/1920 he was vice president of the Film Directors' Club of Austria. From 1921 Breslauer regularly directed for Mondial-Film, under whose roof he set up his own production company, H.K.B.-Film. Its first films were “Lieb' mich und die Welt ist mein” (1924) and “Strandgut” (also 1924), which he shot in 1923 on Corsica and the French Riviera. On some productions, for example “Oh, du lieber Augustin” (1922), he also claimed responsibility for the screenplay.

From the 1930s Breslauer was very active as a writer. He was a member of the Reich Chamber of Literature and published under the pseudonym "Bastian Schneider". Between 1934 and 1939 he regularly wrote amusing contributions for the Grenzboten in Bratislava (then Pressburg), from 1936 to 1942 for Das kleine Blatt in Vienna and additionally from 1938 to 1944 for the Kleine Volks-Zeitung, also in Vienna. From 1940, the same year in which he joined the Nazi Party, he contributed light pieces to newspapers across the entire Third Reich, for example the Breslauer Neueste Nachrichten, the Essener Allgemeine Zeitung and the Leipziger Tageszeitung.

After World War II success eluded him, and he died impoverished in Salzburg Hospital on April 15, 1965 at the age of 76.

KARL, Hans (aka H.K. Breslauer, Hans Karl Breslaur, Bastian Schneider) (Johann Karl Breslauer) [6/2/1888, Vienna, Austria – 4/15/1965, Salzburg, Austria] – producer, director, writer, novelist, actor, married to actress Anny Miletty (Anna Miletty) [1898-1948] (1925-1948), founded H.K.B.-Film [1921].

Miß Cowboy – 1920

 

Spaghetti Western Screenwriter ~ Mariano de Lope

Mariano de Lope was a producer of unknown origin and was involved in six films as a, production manager and director of six films and as an assistant director and writer. Mariano’s main film career was as a screenwriter where he wrote or co-wrote twenty-three films between 1969 to 1984.

I can find no biographical information on him.

Mariano de Lope co-wrote the screenplay for one Spaghetti western, “Uno dopo l’altro” (One After the Other) with Nick Howard, Simon O’Neil, Carlos E. Rodríguez.

de LOPE, Mariano (aka M. de Lope, Mariano De Lope, Mariano Lope) – producer, production manager, assistant director, writer,

One After the Other – 1968 (co)

 

Spaghetti Western Cinematographer ~ Edoardo Mulargia

Edoardo Mulargia was an Italian film director, screenwriter and cinematographer known for his prolific work in low-budget genre cinema during the 1960s, 1970s, and early 1980s, particularly within the Spaghetti western and exploitation film traditions. He specialized in quickly produced B-movies for domestic and international markets, often employing pseudonyms such as Edward G. Muller and Tony Moore, and contributed to the final phase of the spaghetti western boom before shifting toward erotic dramas and women-in-prison exploitation pictures.

Born on December 10, 1925, in Torpè, Sardinia, Italy, Mulargia began his career in the film industry during the late 1950s or early 1960s, initially working as an assistant director and second unit director on various Italian productions. He transitioned to directing and screenwriting around the mid-1960s, eventually helming at least seventeen films and contributing to over twenty screenplays through the early 1980s. Among his notable directorial efforts are “Shango” (1970), “Tropic of Cancer” (1972), “La figliastra” (Storia di corna e di passione) (1976), “Escape from Hell” (1980), and “Hotel Paradise” (1980), which reflect his versatility across westerns, adventure, and sexploitation subgenres.

Mulargia's output exemplifies the journeyman approach of many directors active in Italy's popular cinema during that era, prioritizing commercial viability in the B- and C-movie sectors over auteurist distinction. He largely withdrew from filmmaking after the early 1980s and died on September 7, 2005, in Rome, Italy at the age of 79.

Edoardo Mulargia was a cinematographer on one Spaghetti western, “La taglia è tua... l'uomo l'ammazzo io” (El Puro) with Antonio L. Ballesteros.

MULARGIA, Edoardo (aka Edward G. Muller) [12/10/1925, Torpè, Sardinia, Italy – 9/7/2005, Rome, Lazio, Italy] – producer, production manager, director, assistant director, writer, cinematographer.

El Puro – 1969 (co)

That Dirty Black Bag deserved a second season, but today in Italy it is even difficult to recover this forgotten western

Wonder Channel

August 11, 2026

 

That Dirty Black Bag is one of those series that risk being discovered when it is too late. Released in 2022 on AMC+ and arrived in Italy in January 2023 on Paramount+, it stopped after just eight episodes despite being designed to go on longer. Today the situation is even more paradoxical: in Italy it is not legally available on any streaming service, at least according to the current verification of the main catalogs. We tried to look for it on Paramount+ but it can't be found.

And it's a shame, because we are talking about a modern spaghetti western that takes Sergio Leone, adds a good dose of contemporary violence, some almost Tarantinian madness and a cast that includes Dominic Cooper, Douglas Booth, Travis Fimmel, Aidan Gillen and Guido Caprino.

Not exactly a series built with what was left over in stock.

A western in which heads weigh less than bodies

The character who immediately makes the tone of the series clear is Red Bill, played by Douglas Booth.

He is a bounty hunter with a rather practical habit: after killing the wanted, he decapitates them and stuffs the heads into a black bag.

The explanation is simple.

A head weighs less than a corpse.

It is difficult to dispute the logistics.

On the other side we find Arthur McCoy, played by Dominic Cooper, sheriff of Greenvale with a past that is anything but clear. The meeting between the two kicks off a story that develops over eight days, one for each episode, while around them emerge revenge, greed, religion, violence and characters who seem to come out of a western of the sixties after spending a decidedly heavy evening.

The series doesn’t even try to be elegant.

Already at the beginning he makes it clear that he wants to get his hands dirty.

Between beheadings, torture and morally questionable characters, the West of That Dirty Black Bag has practically no traditional heroes.

Sergio Leone is everywhere, but he is not a simple imitation

The kinship with the Italian spaghetti western is evident.

Arid landscapes, close-ups, men staring at each other before shooting each other, characters without a particularly reassuring moral. The series was shot in Italy, Spain and Morocco, also using those European territories that for decades pretended to be the American Wild West.

The beauty is that he doesn't simply try to replicate Leone.

He takes that language and makes it more aggressive.

The violence is explicit, the rhythms are those of a modern series and some characters have a complexity that would hardly have entered a classic two-hour western.

Even the irony remains.

Not that of jokes placed every three minutes to lighten the situation, but a black humor that often arises precisely from the absurdity of violence.

In short, a man walks around with severed heads in a bag.

A minimum sense of humor becomes almost necessary.

And the cast also included Travis Fimmel and Aidan Gillen

One of the reasons why it is surprising that the series has gone so unnoticed is the cast.

Dominic Cooper arrives at Preacher. Douglas Booth builds a Red Bill that seems designed specifically to become a cult character. Then Travis Fimmel, the unforgettable Ragnar of Vikings, and Aidan Gillen, who for many will remain Littlefinger of Game of Thrones.

They are joined by Niv Sultan, Christian Cooke, Rose Williams, Paterson Joseph, Anna Chancellor and Guido Caprino.

Despite this amount of recognizable faces, however, the series failed to build an audience large enough to guarantee itself a future.

And this makes the finale of the first season even more frustrating.

The real waste is that the story should have continued

That Dirty Black Bag was not conceived as a closed miniseries.

The project was designed over three seasons. In 2022 Douglas Booth even explained that a second season was already being written and that he was contractually bound to the project.

Then nothing more.

No second season.

No follow-up.

No real conclusion of the original project.

Four years later, there are no production announcements for new episodes.

Technically it is even difficult to talk about a traditional cancellation, because there has never been that big statement saying “the series is over”. It simply stood still.

Which is perhaps even worse.

In Italy it arrived on Paramount+, but today it has disappeared

The Italian situation makes the story even more curious.

The series debuted in Italy on January 25, 2023 on Paramount+ and was presented just as a return of the spaghetti western, with a strong Italian production component.

Today, August 11, 2026, however, searching for it legally in Italy leads to a dead end.

JustWatch does not report any Italian platform that currently offers it in streaming, purchase or rental. The Italian card still exists, but the title is only available in other countries.

Amazon keeps a page of the series with the eight episodes, but shows prices in dollars and references to AMC+, so it does not constitute a real availability for the Italian catalog.

For a series also produced in Italy and regularly distributed in our country just three years ago, it is a rather absurd fate.

Maybe it came at the wrong time

The paradox is that today the television western enjoys much greater attention.

Yellowstone has shown how much audience the genre can still have, while its various spin-offs have brought cowboys, ranches and frontiers back into the big television productions.

That Dirty Black Bag, on the other hand, arrived without a comparable promotional machine and on a platform, AMC+, with a much less widespread international circulation.

Maybe if it came out today it would have a different story.

Or it would end up equally ignored because a bounty hunter carrying human heads in a sack is not exactly the ideal character for a quiet family evening.

But at least it deserves a chance.

The first season has enough personality to stand out from the many westerns built simply on imitation Yellowstone. She is dirty, mean, weird and deeply in love with the Italian cinema that inspired her.

The real shame is not only that it never had the second season.

It is that today, at least in Italy, we cannot even say to the public: "Recover it and judge for yourself".

Spaghetti Western Locations for “Companeros”

We continue our hunt for filming locations for “Companeros” The group of revolutionaries line the passengers up outside the train and demand money for their cause. They recognize Yodlof and several of the young men want to kill Vasco as they know he works for Mongo. Lola says know he deserves a trial. In the confusion Yodlaf manages to reach the train’s engine and drives it away. Vasco runs down the tracks following the train. He manages to jump on top of one of the cars. The Swede uncouples the cars from the engine and leaves Vasco behind. 

 

This scene was filmed on the train route in Guadix, Granada, Andalucía, Spain.

 


 

For a more detailed view of this site and other Spaghetti Western locations please visit my friend Yoshi Yasuda’s location site: http://y-yasuda.net/film-location.htm and Captain Douglas Film Locations http://www.western-locations-spain.com/

Special Birthdays

J.R. ‘Jan’ Lowell (writer) – would have been 100 today but died in 2018. 







Rocky Roberds [singer] – would have been 85 today but died in 2005.