New
westerns star Benedict Cumberbatch, Idris Elba, and Tom Blyth; ‘it’s not his
first rodeo’.
British
actors are roping in starring roles in today’s westerns.
The
Wall Street Journal
By
Ellen Gamerman
December
12, 2021
Recent
chaps in chaps include Benedict Cumberbatch
as a brutish Montana rancher in the new movie “The Power of the Dog,”Idris Elba as an Old
West gunslinger in this fall’s “The Harder They Fall” and Tom Blyth in
the title role in the coming series “Billy the Kid.”
Such
casting can be a boon for dialect coaches, many of whom wrestle with issues
such as diphthongs—the combination of two vowel sounds—so that British cowboys
don’t slug whiskey at the barrrrrrr (too American) or the bahhhh (too British).
By default, some actors start out with an all-purpose twang that requires
immediate dismantling.
“The
Brits go right to Texas,” said dialect coach Denise Woods, who worked on “The
Harder They Fall.” “It’s like, did you guys grow up watching ‘Dallas’ on the
BBC?”
Some
British actors who work with Ms. Woods must repeat the phrase, “around the
rugged rock the ragged rascal ran” or “here there and everywhere” to train the
tips of their tongues to form the right “R” sounds.
Mr.
Elba had already played many Americans, and Ms. Woods described his cowboy
accent coming easily. “It’s not his first rodeo,” she said.
Mr.
Elba was unavailable to comment, a representative for the actor said.
[Regina King, Idris Elba and LaKeith
Stanfield in “The Harder They Fall.”]
Photo: NETFLIX
Even as westerns push harder than
ever for authentic American history—Leonardo DiCaprio didn’t eat raw bison liver in “The
Revenant” because he was hungry—Hollywood is
chasing Brits who often come with classical training and awards-friendly
prestige.
British actors have played fur
trappers (Tom Hardy and Will Poulter, “The Revenant”), widows (Michelle
Dockery, “Godless”), cavalry officers (Christian Bale, “Hostiles”), more widows
(Rosamund Pike, “Hostiles”), sweaty tough guys (Daniel Craig, “Cowboys &
Aliens”), and more.
Swapping nationalities for iconic
roles is an established filmmaking quirk. Around politics and power, it’s a
free-for-all: British actor Clive Owen played Bill Clinton and Mr. Bale played
Dick Cheney. Americans Meryl Streep and John Lithgow played Margaret Thatcher
and Winston Churchill. And Kristen Stewart is now on screens as Princess Diana in “Spencer.”
But the British cowboy is a
particularly sharp spur in the side of some U.S. actors who say that the
classic American genre ought to rely on its own.
“I don’t know why we would be
outsourcing our own culture,” said David Warshofsky, an actor and director of
the MFA acting program at the University of Southern California. “Let’s do a
cage match with British actors and we’re all going to audition for western
cowboys and let’s see who comes out on top.”
He added that he has nothing but
love and respect for his British colleagues.
International talent is helping
reshape a classic movie tradition that is falling deeper into American memory.
Defenders of overseas casting say that the performers who win these roles are
acclaimed in their own right, regardless of nationality, and to a certain
extent the material is foreign to everyone. An American actor would need to be
more than 150 years old to know what real-life Western characters sounded like
back in the day.
“It’s no longer the quintessentially
American genre that it once was,” said Pete Falconer, British author of “The
Afterlife of the Hollywood Western” and a film and television academic. “In
recent decades it has come to feel closer than ever before to a form of period
drama,” he said. “And who do you see in period dramas? British actors.”
John Wayne in “The Man Who Shot
Liberty Valance,” 1962.
Photo: Everett Collection
Despite
its love affair with Italian directors in the spaghetti westerns of the 1960s,
the art form remains associated with American actors such as John Wayne and
Clint Eastwood.
The
casting of an actor like Mr. Cumberbatch sparks a frisson of intrigue. Would
the Britishness of this classically trained performer poke through, or would
his preparation on all things Western achieve its intended effect?
“It
certainly adds layers when someone is not from the place they’re portraying,”
said Carmen Cuba, a casting director for the Netflix film “The Power of the Dog” who was hired
after Mr. Cumberbatch was cast. American actors might think they know more
about a Western accent than they actually do, she said, but British performers
might fall short on the cultural nuances instantly available to Americans.
Mr.
Cumberbatch’s performance has been praised by critics. The actor was unable to
be immediately reached for comment.
Michael
Hirst, the British showrunner for “Billy the Kid,” set to debut on EPIX next
year, noted that Billy the Kid came from an Irish family, so the casting of Mr.
Blyth makes a certain sense. “America is a melting pot,” he said, adding that
Americans also auditioned for the role, but Mr. Blyth was cast on merit. Mr.
Blyth was unavailable to comment, a representative said.
Tom Blyth plays the title role in
“Billy the Kid.”
Photo: Epix
For director Jeymes Samuel, the
casting of Mr. Elba in the Netflix film “The Harder They Fall” was
undeniable—there was no one else for the role, he said. The British director
described an ineffable quality in Mr. Elba’s face. “His eyes always look like
he’s smiling and crying at the same time,” he said.
He also liked how the genteel actor
clashed against the rough cowboy type, which helped in a final shootout scene
when Mr. Elba’s outlaw character begins to cry.
Ms. Woods, the dialect coach on that
film, has encouraged actors to consider the Western accent and the vocal impact
that could come from, say, chewing tobacco or squinting into the sun. On top of
Mr. Elba’s research, she gathered YouTube samples featuring the fathers and
grandfathers of Black cowboys.
Mr. Elba and other British actors
become transformed by the American accent, Ms. Woods said.
“They can replicate it take after
take,” she said. “It becomes part of their DNA.”