Monday, August 31, 2026

Little Known Spaghetti Western Actors ~ Quique Durio

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Enrique ‘Quique’ Felipe Durio Fernandez was born in San Fernando, Cádiz, Andalusia, Spain most likely sometime in the 1950s and studied at the University of Cadiz. Today he works as a stuntman at Oasys/Mini Hollywood and as a supporting actor in Spanish film productions.

Quique Durio appeared in five Euro-westerns: “Resurrection” in 2015, “Arizona 1878: una historia del viejo Oeste” as Peyton in 2016, “Infortunio” (Misfortune): as Ray Corbin in 2021, “Dos ballas para el diablo” (Two Bullets for the Devil) in 2022 and “Agnella” as O’Sullivan in 2024.

DURIO, Quique (Enrique Felipe Durio Fernandez) [195?, San Fernando, Cádiz, Andalusia, Spain -     ] – director, stuntman, film actor, married to ?

Resurrection - 2015

Arizona 1878: una historia del viejo Oeste – 2016 (Peyton)

Infortunio – 2021 (Ray Corbin)

Two Bullets for the Devil – 2022 [best actor award Author Film Festival]

Agnella – 2024 (O’Sullivan)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Leon Klimovsky


León Klimovsky Dulfán was an Argentine film director, screenwriter and producer notable for his work during the classical era of Argentine cinema. He was known mainly for his work in Spanish cinema during the 1960s and '70s.

Klimovsky was born in Buenos Aires on October 15, 1906, to Jewish emigrant parents from the Russian Empire. His brother, Gregorio Klimovsky, was a noted mathematician and philosopher. Klimovsky originally trained to be a dentist, but his real passion was always the cinema. He pioneered the Argentine cultural movement known as cineclub and financed the first Argentine movie theater to show art movies. He also founded Argentina's first film club in 1929.

After participating as scriptwriter and assistant director of 1944's “Se abre el abismo”, he filmed his first movie, an adaptation of Fyodor Dostoyevsky's “The Player”. He also worked on adaptations of Alexandre Dumas' “The Count of Monte Cristo” and Ernesto Sabato's “The Tunnel”.

During the 1950s, Klimovsky settled in Spain, where he became a full-time "professional" director. He directed many Spaghetti Westerns, Euro War and exploitation films, filming in Mexico, Italy, Spain and Egypt. Horror film fans best remember him for his contributions to Spain's horror film genre, beginning with “La Noche de Walpurgis” ("Walpurgis Night"), the film that is said to have started the Spanish horror film boom of the 1970s. Klimovsky directed famed Spanish horror icon Paul Naschy in no less than 9 films in the 1970s, while also directing other classic horror films such as "The Strange Love of the Vampires", "The Dracula Saga" and "The Vampires' Night Orgy". Naschy complimented Klimovsky's workmanlike attitude and abundant energy, but he always felt that Klimovsky rushed through many of their projects together, never allowing for sufficient retakes.

León Klimovsky always dreamt of doing great mainstream movies but ended up doing commercial exploitation films, but he had no remorse, as cinema was a vocational mandate for him. He retired from directing in 1979, at age 73.

Klimovsky died in Madrid, Spain on April 8, 1996.

[It must be noted several of the films credited to Leon as the director have been questioned over the years and actors and crew involved in several of his credited films state, he was not the director and on some never appeared on set. It seems his name was used for tax credit purposes while credited second unit directors actually directed these films.]

Leon Klimovsky is credited with directing ten Spaghetti westerns: “Torrejón City” in 1962, “Fuera de la ley” (Billy the Kid) in 1963, “Dos mil dolares por Coyote” with José Elorietta in 1965, “Pochi dollari per Django” (A Few Dollars for Django) with Enzo G. Castellari in 1966, “Un hombre viene a matar” (Rattler Kid) in 1967, “Pagó cara su muerte” (Tierra Brava) in 1968, “La sfida dei MacKenna” (Amen) and “El valor de un cobarde” (Quinto: Fighting Proud) both in 1969, “Reverendo Colt” (Reverend Colt) with Marino Girolami and “Un dólar para Sartana” (Raise Your Hands, Dead Man, You're Under Arrest) with Sergio Bergonzelli in 1971.

 

KLIMOVSKY, Leon (aka León Klimonsky, Klimovsky, L. Klimovsky, Leon Klimovsky, León Klimowsky, Henry Mankiewicz) (Leon Klimovsky Dulfano) [10/16/1906, Buenos Aires, Argentina – 4/8/1996, Madrid, Madrid, Spain (heart failure)] – producer, production manager, director, assistant director, writer, film editor.

Torrejón City – 1962

Billy the Kid – 1963

Ballad of a Bounty Hunter – 1965 (co)

A Few Dollars for Django – 1966 (co)

Rattler Kid – 1967

Tierra Brava - 1968

Amen – 1969

Quinto: Fighting Proud - 1969

Reverend Colt – 1970 (co)

Raise Your Hands, Dead Man, You're Under Arrest – 1971 (co)


Spaghetti Western Screenwriter ~ Guillermo de Oliveira

Guillermo de Oliveira was born on December 6, 1986 in Vigo, Pontevedra, Galicia, Spain. He is a Spanish filmmaker, director, and screenwriter known for his documentary “Sad Hill Unearthed” and his short films adapting video games into live-action narratives. He trained in New York and at Cuba's International Film and Television School in San Antonio de los Baños, establishing himself initially through advertising work while developing a distinctive voice in independent cinema. His early career featured shorts such as “Max Payne: Valhalla” (2012), “Modern Warfare: Sunrise” (2013), and “Red Dead Redemption: Seth's Gold” (2015), which blended gaming culture with cinematic storytelling.

His feature directorial debut, the documentary “Sad Hill Unearthed” (2017), follows a group of enthusiasts restoring the legendary cemetery set from Sergio Leone's “The Good, the Bad and the Ugly” in Spain, incorporating interviews with figures including Metallica's James Hetfield. The film received the Best Picture Award in the New Visions section at the Sitges Film Festival and a nomination for Best Documentary at the Goya Awards. De Oliveira later directed shorts including “Sauerdogs” (2022), starring August Diehl, and “Tegoyo” (2022), created under Werner Herzog's supervision, while serving as director of the Almería Western Film Festival from 2021 to 2023.

As of 2025, he is in production on his first fiction feature, the Galician-language true-crime thriller” A morte nos teus ollos”, inspired by a notorious 1994 murder case near his hometown, marking his transition to narrative filmmaking with support from Atresmedia Cine, Sideral, Sétima, and Buena Vista International.

Guillermo de Oliveira wrote screenplays for three Euro-westerns which he also directed: “Seth’s Gold” in 2015, “Sauerdogs” in 2021. He also wrote and directed the 2016 Spanish documentary “Sad Hill Unearthed”.

de OLIVEIRA, Guillermo (Guillermo Fernández de Oliveira) [12/6/1986, Vigo, Pontevedra, Galicia, Spain -     ] – director, writer, cinematographer.

Red Dead Redemption: Seth's Gold – 2015

Sad Hill Unearthed - 2016

Sauerdogs – 2021


Spaghetti Western Cinematographer ~ Alfonso Nieva

Alfonso Nieva Travanco was born in Guayaquil, Ecuador on January 2, 1913. He emigrated to Spain and became one of the countries most noted cameramen and cinematographers beginning in 1937. He was a cameraman on twenty-two films and television show and a cinematographer on ninety-four. Alfonso he tried his hand at directing with “Primavera en Sevilla” in 1944 and again fifty years later in 1994 with “Un dia en Lisboa: both shorts.

Nieva is listed in Diccionario del cinema Español but no biographical information is given.

After leaving the film industry in 1980 he disappeared from the scene. His whereabouts are unknown and at this date it is presumed he has passed away.

Alfonso Nieva was a cinematographer onseven Spaghetti westerns: “El hombre de la diligencia” (Apache Fury) in 1963, “El secreto del captain O’Hara” (The Secret of Captain O’Hara) in 1964, “Ringo e Gringo contro tutti” (Rebels on the Loose) with Sandro D’Eva and “Uno straniero a Paso Bravo” (A Stranger in Paso Bravo) both in 1966, “Voltati… ti uccido” (Turn I’ll Kill You) and “Los siete de Pancho Villa” (Vengeance of Pancho Villa) both in 1967 and “I senza Dio” (Thunder Over El Paso) in 1971.

NIEVA, Alfonso (aka Alastair Nichols, A. Nieva, Alphonse Nieve, Alfonso de Nieva) Alfonso Nieva Travanco) [1/2/1913, Guayaquil, Ecuador - deceased] - writer, cinematographer, camaeraman.

Apache Fury – 1963 [as Alastair Nichols]

The Secret of Captain O’Hara - 1964

Rebels on the Loose – 1966 (co)

A Stranger in Paso Bravo – 1966 (co)

Turn… I’ll Kill You - 1967

Vengeance of Pancho Villa – 1967 [as Al Nieva]

Thunder Over El Paso – 1971

Spaghetti western locations Then & Now – “100 Rifles”

In the 1969 Spaghetti western “100 Rifles”. A platoon of Mexican soldiers under the direction of General Verdugo are in pursuit of revolutionaries and set up a post at a hacienda. The hacienda was a set built for the film and was located in Ruescas, Almería, Spain.

Here’s what the location looked last year in 2025. It is now being used for crops and a green house.




European Western Comics - COLLANA KOCISS Gigante

 








Gigantic Kociss Stories

This two issue comic book series was a re-covered edition (or reprint) of Sartana (#1) and Dakota (#2).

It was published in Rome in 1975 under the direction of G. Spada for LSE Publications. Issue #1 was released in July and #2 was released in August. Both issues contained 96 black & white pages with color covers.

 

Titles:

01 (00.07.75) - "Assalto al Forte Apaches" (Assault on Fort Apache)

02 (00.08.75) - "Mister Si" (Mister Si)

Special Birthdays

Hannjo Hasse (actor) would have been 105 today but died in 1983.








Rafael Pacheco (cinematographer) is 105 today (?).

Jimmy Ning (actor) would have been 90 today but died in 2022.









María Gustafson (actress) would have been 80 today but died in 2025.



Sunday, August 30, 2026

From the WAI! vault

 





Little Known Spaghetti Western Actors ~ Annibale Durelli

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Annibale Durelli was an Italian theater and silent film actor who worked actively in Italian cinema from roughly 1912 to 1921 appearing in fifteen films. He frequently shared the screen with prominent silent film actresses of the era, such as Adriana Costamagna and Edy Darclea. Most of his career was spent in the Italian theater but I can find no biographical information on him.

Annibale Durelli appeared in one silent Euro-western, “A Mexican Mine Fraud” as James Park in 1914.

DURELLI, Annibale [18??, Italy – 19??, Italy] – theater, film actor.

A Mexican Mine Fraud – 1914 (James Park)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Roland Klick

Roland Klick is a German film director and screenwriter known for his independent, subversive approach to post-war German cinema, blending American genre influences with a laconic and precise personal style that set him apart from the dominant New German Cinema movement. His films often explore social themes through entertaining, audience-oriented narratives, earning him cult status and multiple German Film Awards despite production challenges and periods of commercial difficulty.

Born on July 4, 1939, in Hof, Bavaria, Klick left university studies in dramatics and German to enter filmmaking, beginning with short films in the early 1960s and his medium-length feature ''Jimmy Orpheus'' (1966). His controversial feature debut ''Bübchen'' (1968) established him as a promising talent, followed by the breakthrough ''Deadlock'' (1970), a psychedelic western starring Mario Adorf that won him the German Film Award for Best Director and pioneered the "Sauerkraut Western" subgenre. Subsequent works such as ''Supermarket'' (1974), a gritty milieu drama, and ''Lieb Vaterland magst ruhig sein'' (1975) also garnered awards and critical praise for their distinctive style and social commentary.

Klick repeatedly distanced himself from the New German Cinema's aesthetic and political expectations, insisting on creative independence and risking his own resources on projects. Later films included the documentary ''Derby Fever USA'' (1979) and the troubled ''White Star'' (1983) starring Dennis Hopper, after which he largely withdrew from feature filmmaking in the early 1990s, relocating to Ireland. His last cinema production was ''Schluckauf'' (completed 1992). Recent documentaries and retrospectives have highlighted his legacy as a maverick who has been admired by directors including Steven Spielberg and Quentin Tarantino.

Roland Klick directed on Euro-western, “Deadlock” in 1970.

KLICK, Roland (aka Bernhard Stein) [7/4/1939, Hof, Bavaria, Germany -     ] – producer, director, writer, songwriter, cinematographer, cameraman, composer, musician, film editor

Deadlock – 1970


Spaghetti Western Screenwriter ~ Irving Dennis

Irving Dennis is/was a film producer and screenwriter involved with two films in the mid’1960s. He co-produced the film “Frozen Alive” with Artur Brauner and Ronald Rietti and he was co-screenwriter on the Spaghetti western “Tierra de fuego” (Sunscorched) with Alfonso Balcázar, José Antonio de la Loma, Mark Stevens and Warren Kiefer.

Other than that, I can find no biographical information on him.

DENNIS, Irving [American] – producer, writer.

Sunscorched – 1965 (co)

 

Spaghetti Western Cinematographer ~ Vitaliano Natalucci

Vitaliano Natalucci is/was an Italian cinematographer and cameraman. He worked as a cameraman on fifteen films between 1955 and 1965 and as a cinematographer on seventeen films between 1962 and 1971. He even appeared as an actor in the 1962 film “Nerone ‘71”

I can find no biographical information on him.

Vitaliano Natlucci was a cinematographer on seven Spaghetti westerns: “El Zorro cabalga otra vez” (Behind the Mask of Zorro) with Mario Vulpiani and “Mille dollari sul nero” (Blood at Sundown) both in 1965, “ Giunse Ringo e… fu tempo di massacre” (Ringo It’s Massacre Time) in 1966, “Cjamango” and “Non aspettare Django, spara” (Don’t Wait, Django… Shoot! both in 1967, “Quintana” in 1969 and “Se t’incontro, t’ammazzo” (Finders Killers) with Giovanni Variano in 1971.

NATALUCCI, Vitaliano (Natalucci) [Italian] – cinematographer, cameraman, actor.

Behind the Mask of Zorro – 1965 (co)

Blood at Sundown – 1965

Ringo, It's Massacre Time – 1966

Cjamango - 1967

Don't Wait, Django... Shoot! – 1967

Quintana – 1969

Finders Killers – 1971 (co)

Is it Texas or Italy? A new Fort Worth restaurant honors the ‘spaghetti western’

Fort Worth Star-Telegram

By Bud Kennedy

July 30, 2026

What if a Texas cattle drive town had an Italian restaurant? We’ll find out this fall when La Pistola Kitchen + Saloon opens in a former taco restaurant on Montgomery Street across from Dickies Arena.

La Pistola is a new project in the former Taco Heads at 1812 Montgomery St. It’s from restaurateur Jeffrey Yarbrough and “wine boss” Camille McDonald, part of the original team that made the Teddy Wong’s upscale Chinese restaurants a success.

The former patio has been enclosed to make a new dining room with windows facing the Cultural District. The bar is remodeled. Crews found the 80-plus-year-old lumber from the original homes, Yarbrough said. The two buildings first appeared in Star-Telegram archives as rent houses in the early 1940s. They were converted in the 1970s and had been home to a pet-grooming service, antique shop, thrift shop and small Tex-Mex restaurant before they were connected in 2016 for the opening of Taco Heads. The La Pistola website lists a September opening.

La Pistola is Italian. But it’s western, like the old “spaghetti western” movies shot in Spain and Italy to save money. In other words, it’s the kind of Italian restaurant a Beth Dutton would love. Yarbrough described it as a “cowboy-looking” restaurant with a midprice menu of entrees and pastas, specialty Italian sandwiches at lunch and a bar with a carefully curated wine and cocktail list. Both Yarbrough and McDonald said they wanted to do a 1970s retro western theme and became fascinated with the idea of the renegade moviemakers filming westerns in the Italian countryside with no permits, and doing western town scenes in Rome.

The name “La Pistola” means “the gun” in Italian as well as Spanish, and fits the spirit of the outlaw moviemakers as well as most of the plots.

The dinner menu will include a Texas wagyu steak, Iberico pork from Texas and chicken along with rotating pasta dishes, Yarbrough said. “Say I didn’t want to get dressed up and I didn’t want to spend $150,” he said, saying La Pistola won’t be like West Seventh Street fine-dining restaurants: “It’ll be lower than the super-high stuff.”

The midday menu of sandwiches with Italian deli meats and cheeses will appeal to the lunchy Cultural District crowd, he said.

“Everybody in the world wants a great sandwich,” he said, dropping the name of Fort Worth’s favorite classic sub shop. “You can always go to Galligaskin’s, and that’s great, but this will be a next-level sandwich,” he said.

The makeover of the Taco Heads building — actually two old houses connected by a patio — is as impressive as the Teddy Wong’s conversion from a 7-Eleven. Yarbrough and McDonald are no longer involved in Teddy Wong’s, which recently opened a second location in Weatherford.

The former patio has been enclosed to make a new dining room with windows facing the Cultural District. The bar is remodeled. Crews found the 80-plus-year-old lumber from the original homes, Yarbrough said. The two buildings first appeared in Star-Telegram archives as rent houses in the early 1940s. They were converted in the 1970s and had been home to a pet-grooming service, antique shop, thrift shop and small Tex-Mex restaurant before they were connected in 2016 for the opening of Taco Heads. The La Pistola website lists a September opening.


Who Are Those Singers & Musicians? ~ Pat Woods

 

Patrick ‘Pat’ Woods was born on Deer Island, Oregon on January 19, 1944. His father was an accountant and his mother a pianist and singer. She sang gospel at church and weddings. When he was 12 years old, they moved to Dallas, Texas. A poor student his mother really wanted me to learn music. She enrolled him in an accordion and guitar lesson. His first guitar was a twelve-string guitar, on which there were only six. In Dallas, Pat liked to listen to the great African-American bluesmen, who played in the street, asking for money or cigarettes. "Some of them became famous later, but at the time I didn't know it, and neither did they (laughs). Sometimes they would take my guitar to show me how to play certain songs, and in the evening, at home, I would redo what they had taught me. I've always been a pretty special guitarist: I've always heard music in a particular way, with my own chords, scales, a different method of touch.

A few years later, while taking acting classes at Texas University during the day, Pat Woods hosted an evening show for KTNT radio, taking over from the great Willie Nelson. His lineup ranged from Frank Sinatra to country. He became passionate about Bob Dylan, bought himself a classical guitar, and while doing billboards to promote his show, discovered Joan Baez and Mimi & Roger Fariña in a café. His impersonation of Kennedy (who had just been assassinated) on the radio announcing the "live from heaven" records earned him a dismissal from KTNT. When he got off the radio, Pat Woods hitchhiked and found himself taken to New York.

In New York, on a scholarship, he enrolled in the famous Neighborhood Playhouse drama school and then studied journalism at the university. "I graduated in 1969. May 68 in France had rubbed off on American universities so professors, etc., were taken hostage. and everyone got their diploma". He recorded his first 45, played in musicals in summer stock theatres and auditioned for the musical “Hair”. "I had an important role, but my understudy who was better than me finally got the role and I became his understudy." He also wrote a show, which was performed off-Broadway.

His wife having obtained her master's degree from university, they moved to Alaska where she began to give classes. But Alaska did not appeal to them, and the couple decided to settle in Paris, where his wife taught at the American College as a professor... and Pat followed them as a student. "I had good grades there (laughs)." It was near their apartment, not far from the American College, that they became friends with Roger Mason and Steve Waring. "I had seen an advertisement for guitar lessons, and Roger Mason and Steve Waring came to my house and taught me the picking method. We became friends. Steve sometimes did English dubbing of French films. It wasn't easy, I've only done it once, maybe I didn't have the talent for it."

Lionel Rocheman took care of Pat's career, programmed him on his television show’ Epinettes et guimbardes’, and found him performing dates.

In 1971, he met the composer Claude Bolling: "I was playing alone on the Boulevard Saint-Germain. A beautiful green Jaguar stopped. Claude Bolling came downstairs, he listened to me for a few minutes. I sang Jesse Fuller's San Francisco Bay Blues, which was the song I ended my singing tour with. He gave me a business card with his address and said, "Would you like to come and have dinner at my house tonight? I'm going to make you a star!" I didn't know who he was. Importantly, he got me into the SACEM when I knew nothing about the SACEM, the ADAMI, etc., and gave me a part of the co-composition of "I'm a poor lonesome cowboy". So, for years I received money on Lucky Luke."

After Lucky Luke, Pat Woods and Kathy Lowe recorded their own records for Le Chant du Monde. Claude Bolling arranged the album Pat Woods is back. "'I'm a poor lonesome cowboy' was registered at the SACEM but I couldn't get any money on it yet because I wasn't a member, I had to write the first eight bars of all the songs I had composed for my records. And it was Roger Mason who helped me very kindly."

In 1982, he left France, became an Israeli citizen, and worked in a kibbutz, where he gave guitar lessons, accompanied ballerinas, etc. The he returned to the United States and travelled from one end to the other by bicycle. Back in Europe, he settled in Holland for eight years, married and had a daughter. Then, wishing to return to the United States, he made a stopover in Ireland in 1994... and stayed there.

"I never thought in terms of a career, and I never thought of myself as a musician. I'm retired but I work maybe more on music than when I was working. Every day I work on compositions on the Cubase software, but only for my pleasure, and I play with an Irish woman in cafés, but not professionally."

WOODS, Pat (Patrick Woods) [1/19/1944, Deer Island, Oregon, U.S.A. -    ] – voice actor, singer, musician (guitar), married to ?, married to ? father of a daughter, married to ? father of two children.

Lucky Luke: Daisy Town – 1971 [sings “Poor Lonesome Cowboy”]

Lucky Luke (TV) – 1991 [sings: “Poor Lonesome Cowboy”]

Special Birthdays

Paolo Lombardo (writer) is 85 today.

Saturday, August 29, 2026

From the WAI! vault

 











Little Known Spaghetti Western Actors ~ Giustino Durano

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Giustino Durano was an Italian actor renowned for his versatile career across stage, film, television, radio, vaudeville, and musical comedy, with his most prominent role as the uncle Eliseo Orefice in Roberto Benigni's “Life Is Beautiful” (1997).

Born in Brindisi, Puglia, Italy om May 5, 1923, Durano's extensive theatrical work included collaborations with Nobel laureate Dario Fo, the De Filippo brothers (Eduardo and Peppino), and directors Paolo Grassi, Giorgio Strehler, and Patrice Chéreau at Milan's Piccolo Teatro, establishing him as a key figure in post-war Italian theater.

In cinema, he featured in notable films such as Carlo Lizzani's “Lo Svitato” (1955), Alessandro Blasetti's “Lucky to Be a Woman” (1956) and “Io, io, io... e gli altri” (1966), and Vittorio De Sica's “After the Fox’ (1966), often in character roles that highlighted his dramatic range.

His performance in “Life Is Beautiful”, portraying the doomed uncle of the protagonist amid Holocaust deportation, earned him the Nastro d'Argento for Best Supporting Actor in 1998, marking a late-career pinnacle as the film achieved international acclaim and Academy Awards.

Durano died of cancer in Bologna at age 78, survived by his wife and daughter, actress Olga Durano.

Giustino Durano appeared in one Spaghetti western, “Bang, Bang” (Bang Bang Kid) as Hotchkiss in 1967.

DURANO, Giustino [5/5/1923, Brindisi, Puglia, Italy – 2/18/2002, Bologna, Emilia-Romagna, Italy (cancer)] – writer, theater, film, radio, TV actor, singer, married to Graziella Galvani [1931-2022] (1954-19??) father of actress Olga Durano [1955-    ].

The Bang-Bang Kid – 1967 (Hotchkiss)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Arnold Klein

Arnold Klein was a German silent film director born on February 28, 1884 in Teutschenrust, German Bohemia. Little is known of him other than he directed at least six films between 1920 and 1924.

Arnold Klein directed one silent Euro-western, “Das schwierige Testament” (The Defiant Testament) in 1921.

KLEIN, Arnold [2/28/1884 Teutschenrust, German Bohemia – 19??, Germany] – director, writer.

The Defiant Testament - 1921

 

Spaghetti Western Screenwriter ~ Fred Denger

Alfred ‘Fred’ Denger was a German playwright, actor and writer born on June 12, 1920, in Darmstadt, Hesse, Germany. After graduating from high school, Denger initially worked as an actor and cabaret artist. During World War II, Denger was a member of The Onkel Emil Resistance Group. After the war he became a writer. Denger first drew attention to himself with the play “Wir Heißen Euch Hoffen” in 1946 at the Deutsches Theater in Berlin. His play “Langusten” (1957) (a one-person play) is considered a classic of popular theatre. Denger wrote thirteen novels, including Cloth In Strange Beds (1950) and (Offered Here) The God Damned Year / Der Gottverdammte Jahrgang (1951), as well as numerous short stories, travelogues and court reports, most of which he published under a pseudonym. The 1982 book The Big Boss, Denger's free adaptation of the Old Testament of the bible, was particularly successful. He did not live to see the success of the book because he died in an accident.

Denger wrote numerous screenplays for successful German cinema productions, including some German Karl May and Edgar Wallace films. In addition to his work as a writer, the Berlin author worked as an animal Keeper, ballet singer, circus acrobat and theater director at various stages of his life. In the 1970s, Denger moved to the Lüchow-Dannenberg District and was involved in The Lüchow-Dannenberg Environmental Protection Initiative against the nuclear waste plants in Gorleben and Dragahn. About his personal life, it is worth noting that Fred Denger was narried twelve times. Denger fell down a flight Of Stairs on October 30, 1983, in Hohegeiß, Lower Saxony, West Germany and was fatally injured.

Fred Denger wrote screenplays for five Euro-westerns: “Old Surehand - I. Teil” (Flaming Frontier) with Eberhard Keindorff, Johanna Sibelius, Alfred Vohrer, “Der Ölprinz” (Rampage at Apache wells) with Harald Philipp and “Onkel Toms Hütte” with Géza von Radványi all in 1965 and “Winnetou und das Halbblut Apanatschi” (The Halfbreed) in 1966.

DENGER, Fred (Alfred Denger) [6/12/1920, Darmstadt, Hesse, Germany – 10/30/1983, Hohegeiß, Lower Saxony, West Germany] – playwright, writer, actor, married twelve times.

Flaming Frontier – 1965 (co)

Rampage at Apache Wells – 1965 (co)

Onkel Toms Hütte – 1965 (co)

The Halfbreed – 1966


Spaghetti Western Cinematographer ~ Alessandro Nardone

Alessandro Nardone is an Italian cameraman and cinematographer. Hew’s worked as a cameraman on ten films and television shows between 2017 and 2026 and as a cinematographer on ten films between 2013 and 2022.

Alessandro Nardone has been a cinematographer on two Euro-westerns: “Resurrection” in 2017 and “Never Dies” in 2020.

NARDONE, Alessandro [Italian] – cinematographer, cameraman.

Resurrection - 2017

Never Dies - 2020

“Classic – Spaghetti Western Steakhouse” to Open Early September

Tucson Foodie

By Jackie Tran

August 22, 2026

When you hear the term Spaghetti Western, you probably visualize a gritty young Clint Eastwood in the desert. However, Classic – Spaghetti Western Steakhouse will add a plate of spaghetti and a T-bone steak to your mental imagery once the restaurant opens in early September.

Proprietor Kade Mislinski and co-owners David Musso and Joey Medina’s newest restaurant will feature the expected Old West vibe but will also rock a menu of classic neighborhood Italian food and western-style steak grilled over mesquite.

For the uninitiated, the Spaghetti Western is a sub-genre of Western films that were produced and directed by Italians in Italy. While a western steakhouse isn’t a unique concept in Tucson, Classic will translate the Spaghetti Western into a culinary context in the Bronx Park neighborhood early September at 1535 N. Stone Ave., which previously housed Roberto’s Mexican Kitchen.

“With what Brother John’s is doing, and Mother Hubbards and Pho #1, I believe this can be the next major food corridor,” Mislinski said.

Mislinski credits his good friend Rob Gallo as the “chief inspirer” of the concept. Mislinski’s six-year-old post-production enthusiast son Polo, who he takes to Old Tucson every six months, also helped inspire the concept with his stepdaughter Luna, 16, who is into wardrobe production.

While the building will retain much of the furniture from Roberto’s, the western vibe will kick up a notch with paintings of Spaghetti Western icons such as Clint Eastwood from local artist Danny Martin.

Kade Mislinski, proprietor of Classic – Spaghetti Western Steakhouse

The Western vibe will expand further with a dress-up area with props and a backdrop. While there won’t be a photographer on site, the area will be selfie-friendly. Furthermore, Classic will also feature a small gift shop with western and local trinkets.

“We want to sell your art, clothing, postcards, food products, movies, mixed tapes, records, CDs, jewelry, memorabilia, local music and such,” Mislinski said.

Additionally, Classic will feature occasional live music from local acts such as Hey, Bucko!

The kitchen team will be led by executive chef Andrew Larkin with support from CJ Hamm, executive chef at sister restaurant Saguaro Corners. The “classic neighborhood Italian” cuisine consists of dishes such as shrimp scampi, saltimbocca, seasonal risotto, veggie lasagna, and more. Both dry pasta and house-made fresh pasta will be available. 

Meaty options include the flagship T-bone steak along other cuts such as tri-tip, lamb chops, veal chops, and swordfish. Sandwiches and salads will also be available.

One of Mislinski’s goals is to execute value on a plate and provide a wider range of vegetarian options not often seen in steakhouses. The menu will be kid-friendly as well, since Classic will be all-around family-friendly.

Classic – Spaghetti Western Steakhouse is located at 1535 N. Stone Ave. Keep up with Classic Spaghetti Western Steakhouse on Facebook.


Spaghetti Western Locations for “Companeros”.

We continue our hunt for filming locations for “Companeros”. As The Swede leaves Vasco behind the scene switches to a man, John Svedese, and his pet hawk named Marcia. John is smoking a cigarette. One of his companions reads aloud about the stolen train and mention’s the Swede’s name. John recognizes the name. John sends Marcia soaring skyward to look for the train and let them know when it is near.

This scene was filmed at what was called the Gor station on the Guadix rail line.


For a more detailed view of this site and other Spaghetti Western locations please visit my friend Yoshi Yasuda’s location site: http://y-yasuda.net/film-location.htm and Captain Douglas Film Locations http://www.western-locations-spain.com/


Secial Birthdays

Bruno Sörwing (actor) would have been 105 today but died in 1984.









Franco Lo Cascio (director) is 80 today.



Friday, August 28, 2026

Spaghetti Western Trivia – Three Supermen in the West: Before there were three, there was one or two SuperHombre.

 

"SuperHombre" was created by Brit writer/artist Mick Anglo (born Maurice Anglowitz, 19 June 1916 – 31 October 2011) in Spanish for the Barcelona-based publisher Editorial Ferma [Juan Fernández Mateu] in 1958-59.

It ran for 68 issues.

Most likely the name "SuperHombre" was chosen not just for the local Spanish market but to keep DC comics at bay. Can you say "Faster than a cow-boy's bullet"...

Anglo later revived the character, changing the name, but not the general look, to "MiracleMan" (1965-66) for T & P - Thorpe & Porter (London) as part of their Top Sellers imprint.  "Miracleman" continued on for 13 English language issues (best of reprints).

¿One wonders if Barcelona born George Martin [Francisco Martínez Celeiro] the producer/writer/actor from "Three Supermen in the West" (1973) read them as an impressionable young man?

Hmmm?

Michael Ferguson

[Mick Anglo will have been dead fifteen years this coming Halloween (October 31)

He fits as a Brit and as a Spanish strip].



RIP Peter Cullen


 

Peter Cullen, a man many Transformers fans came to love as the voice of Optimus Prime, the Autobots’ fearless leader, has died at the age of 85. The news of Cullen’s passing was broken by TMZ. According to the publication, Cullen died on August 26. His cause of death is currently unknown, but his family provided a statement about the legendary voice actor. Born in Montreal, Quebec, Canada on July 28, 1941, some of his additional voicing was for Optimus Prime in Hasbro’s original animated series and Michael Bay’s live-action films, Cullen provided his talents to many other characters and series. Key among them is Eeyore in ‘Winnie the Pooh’, KARR in ‘Knight Rider’, and Monterey “Jack in Chip ‘n Dale: Rescue Rangers”. He even voiced Mario in Nintendo’s Donkey Kong series in the 1980s. Cullen provided additional English voices in the first season (1984) of the animated Euro-western TV series ‘Lucky Luke’.

Little Known Spaghetti Western Actors ~ Luis Duran

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]


 Ludwig ‘Luis Duran was born around 1950 of unknown origin but most likely German. He appeared in a half dozen films in the mid-1960s as a child actor. He then disappeared from the scene.

As Luis Duran he appeared in three Spaghetti westerns: “Le pistole non discutono” (Bullets Don’t Argue) as Mike Goddard in 1964, “El Zorro cabalga otra vez” (Behind the Mask of Zorro) as the son of stagecoach station manager in 1965 and “Quindici forche per un assassin” (15 Scaffolds for a Killer) as Dave in 1968.

DURAN, Luis (aka Lucas Durán, L. Durant, Lucas Durant) (Ludwig Durán) [Spanish] – child film actor.

Bullets Don't Argue – 1964 (Mike Goddard)

Behind the Mask of Zorro – 1965 (son of stagecoach station manager) [as Lucas Durant]

15 Scaffolds for a Killer – 1968 (Dave) [as L. Duran]

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Burt Kennedy

Burton Raphael ‘Burt’ Kennedy was an American screenwriter and director best known for his work in Western films and television, where he blended taut action with wry humor across a four-decade career. Born in Muskegon, Michigan on September 3, 1922, to vaudeville performers who headlined as the Dancing Kennedys, he joined their act at age five, touring the country and developing an early affinity for performance and storytelling.

Kennedy's path to Hollywood was shaped by his World War II service in the U.S. Army's 1st Cavalry Division, where he earned the Silver Star, Bronze Star, and Purple Heart for his role in liberating the Philippines. After the war, he settled in California, studying acting at the Pasadena Playhouse on the GI Bill before transitioning to writing radio Westerns. His breakthrough came in 1956 when he sold his original screenplay “Seven Men from Now” to John Wayne's Batjac Productions, launching a series of collaborations with director Budd Boetticher and star Randolph Scott that included “The Tall T” (1957), “Ride Lonesome” (1959), and “Comanche Station” (1960), taut, psychologically layered Westerns celebrated for their spare dialogue and moral complexity.

Transitioning to directing in the early 1960s, Kennedy helmed a string of lighthearted Western comedies and adventures, including “The Rounders” (1965), “The War Wagon” (1967) starring John Wayne and Kirk Douglas, “Support Your Local Sheriff!” (1969) and its sequel “Support Your Local Gunfighter!” (1971) with James Garner, and “Dirty Dingus Magee” (1970) featuring Frank Sinatra. His style emphasized character-driven narratives, ensemble casts, and subtle satire of genre conventions, earning praise for films like “Welcome to Hard Times” (1967), often regarded as his most visually striking and thematically ambitious work. He also directed episodes of popular TV series such as ‘The Lawman’, ‘The Virginian’, and ‘Combat!’, extending his influence into television. Later honored with a star on the Palm Springs Walk of Fame in 1996 and the Nebraskaland Days Buffalo Bill Award in 2000, Kennedy died of cancer at his home in Sherman Oaks, California, survived by two daughters and five grandchildren; he was buried at Arlington National Cemetery.

Burt Kennedy directed four Spaghetti westerns: “The Canadians” in 1961, “El regreso de los siete Magnificos” (Return of the Seven) in 1966, “Hannie Caulder” in 1970 and “La spina dorsale del diavolo” (The Deserter) with Niksa Fulgosi.

KENNEDY Burt (aka Z.X. Jones) (Burton Raphael Kennedy) [9/3/1922, Muskegon, Michigan, U.S.A. – 2/15/2001, Sherman Oaks, California, U.S.A. (poisoned)] – producer, director, writer, son of dancers John F. Reed [1889-1946], Gertrude Amelia Hagen [1892-1978] brother of director, writer, dancer actor Ken Kennedy [1918-1999] married to Sue Ella Hampton [1927-1978] (1952-1972) father of Susan Dacus Kennedy-McNutt [1956-2018], Bridget D. Kennedy [1958-    ], married to director, actress Sheila Teresa Foster [1953-2010] (1973-19??).

The Canadians – 1961

Return of the Seven – 1966

Hannie Caulder - 1970

The Deserter – 1971 (co)

Spaghetti Western – 1981 [Film was never made.]


Spaghetti Western Screenwriter ~ Robert de Nesle

Robert de Nesle was a French film producer, director, screenwriter, and composer known for his prolific output in post-war French cinema. He founded and controlled the production company Comptoir Français de Productions Cinématographiques (CFPC), which he used to oversee more than 100 films across genres including adventure, comedy, horror, and erotic cinema from the 1950s through the 1970s.

Born in Rouen, France on August 1, 1906, Nesle entered the film industry during the mid-20th century and quickly established himself as a key figure in independent production. His early works included directing and producing “Après vous, duchesse...” (1954), a comedy, as well as co-producing adventure films like “Le Vicomte de Bragelonne” (1954) and “Les Légions de Cléopâtre” (1960). By the 1960s, he backed notable projects such as Georges Franju's acclaimed adaptation “Judex” (1963), a stylish homage to silent-era serials. In his later career, Nesle shifted toward exploitation cinema, frequently collaborating with Spanish director Jesús Franco on titles including “Les possédées du diable” (1974) and “Das Frauenhaus” (1977), which explored themes of horror and sensuality.

Robert de Nesle co-wrote on screenplay for a Spaghetti western, “Johnny West il Mancino” (Johnny West) with Jerez Aloza, Gianfranco Parolini and  Giovanni Simonelli.

de NESLE, Robert (aka Robert Hughe) [8/1/1906, Rouen, Seine-Inférieure, France – 4/21/1978, Paris, Île-de-France, France] – producer, director, assistant director, writer, composer, owner of the Production company CFPC (Comptoir Français de Productions Cinématographiques).

Johnny West – 1965 (co)

 

Spaghetti Western Cinematographer ~ Armando Nannuzzi

Armando Nannuzzi was an Italian cinematographer and camera operator known for his prolific career spanning six decades, during which he worked on over 100 films from the 1940s to the 1990s.

Born in Rome on September 21, 1925, Nannuzzi began in the film industry as a camera operator in the early 1940s before advancing to cinematographer by the mid-1950s.

He formed notable collaborations with director Luchino Visconti on films including “Sandra” (1965) and “The Damned” (1969), and also served as cinematographer on high-profile projects such as Sergei Bondarchuk's epic “Waterloo” (1970), the comedy sequel “La Cage aux Folles II” (1980), Stephen King's “Maximum Overdrive” (1986), during the filming of which he lost his right eye in an on-set accident involving a malfunctioning radio-controlled prop, leading to a lawsuit against King and others that was later settled out of court, and Roger Corman's “Frankenstein Unbound” (1990).

Nannuzzi occasionally directed films, among them” L'albero dalle foglie rosa” (1974) and “Holiday Hookers” (1976), and received multiple award nominations, including two from BAFTA, along with other wins and nominations across his career.

Armando died on May 14, 2001, in Ostia, near Rome.

Armando Nannuzzi was a co-cinematographer on two Spaghetti westerns: “Il mio nome è Nessuno” (My Name is Nobody) with Giuseppe Ruzzolini and Giuseppe Ruzzolini and “Valdez, il mezzosangue” (Chino) with Godofredo Pacheco in 1973.

NANNUZZI, Armando [9/21/1925, Rome, Lazio, Italy – 5/14/2001, Ostia, Rome, Lazio, Italy] – director, cinematographer, cameraman.

My Name is Nobody – 1972 (co)

Chino – 1973 (co)