Spaghetti
Western Director ~ Joë Hamman
Joë
Hamman was the grandson of the Belgian painter Edouard Hamman (1819-1888), his
Belgian-Dutch father is one of the best experts in paintings and his
grandmother was a maid of Empress Eugenie's company. He rubs shoulders in his
childhood with many writers (Dumas son, Maupassant, Feydeau). He studied in
London and Paris at the Ecole des Beaux-Arts. It is thus that he will become a
remarkable watercolor artist illustrating including Balzac, Perrault, Edgar
Poe, The Satyricon, The Tales of a Thousand and One Nights ...
At
21, on a business trip with his father to the United States, he meets his idol
William Frederic “Buffalo Bill” Cody. He rides with him in the plains of
Nebraska and meets the Indians and cowboys who will exert a boundless
fascination on him. He began riding on a Montana ranch and during this long
stay, young Joe entered the Pine Ridge Sioux Game Reserve in Dakota and met the
Indian leader Red Cloud. Back in France, he started writing scripts and drawing
the characters. He becomes a director, screenwriter, actor, and stuntman.
Few
people know that westerns were shot in France at the same time as the
Americans, in the 1910s in the Camargue, and Joe Hamman was the protagonist. He
started in 1906 with a short movie, “Cowboy”, which was a huge public success.
The company Eclipse then ordered the series “Arizona Bill”. With Jean Durand,
Gaston Roudès and others. It met such great success that he will shoot an
impressive number of films (nearly 200) on for companies such as Lux, Eclipse,
Eclair, Pathé.
In
1921, he created "The Films Joe Hamman". His film career will
continue with Henri Fescourt, Jean de Baroncelli, (Mireille), the Ciné-Romans
series (Rouletabille), etc. These drawings by Joe Hamman will complete a
background already rich in the career of this great filmmaker. In fact, in
1946, Henri Langlois and Musidora agreed with the Cinémathèque française in the
framework of the Commission for Historical Research to collect his memories.
His testimony is preciously preserved in the archives as well as posters, a
cowboy costume, a manuscript script and many films including “Hanging at
Jefferson City” (1911), “Calino Wants to be Cowboy” (1911) and “The Monts en
flamme” (1931).
In
1962, he publishes his memories in a book prefaced by Jean Cocteau, From Far
West to Montmartre, edited by the French Publishers.
Hamman
died in Dieppe, Seine-Maritime, France on June 30, 1974 at the age of 90.
Joë
Hamman directed eleven Euro-westerns: “Cow-boy” (Cowboy in 1907, “Un cow-boy a
Paris” (A Cowboy in Paris) in 1908, “Les aventures de Buffalo Bill” (The
Adventures of Buffalo Bill) and “Un drame au Far West” (A Drama in the Far West)
both in 1909, “Les aventures d’Arizona Bill” (The Adventures of Buffalo Bill) with
Jean Durand and Gaston Roudès 1911-1913, “Les diables rouges” (The Red Devils)
and “L’oiseau de proie” both in 1911, “Les mystere de la banquet d’el city” (The
Mystery of the Elk City Bank) and “La ville souterraine” (The Subterranean City),
“210 contre 213” (210 vs 213) all in 1913 and “Le coeur d’un pere” in 1914.
HAMMAN, Joë (Jean Paul Arthur
Hamman) [10/26/1883, Paris,
Île-de-France, France – 6/30/1974, Dieppe, Seine-Maritime, France] – production
manager, director, assistant director, writer, stuntman, film actor, grandson
of the Belgian painter Edouard Hamman [1819-1888], married to actress Vesta
Harold (19??-19??).
Cowboy – 1907
A Cowboy in Paris -
1908
The Adventures of
Buffalo Bill – 1909
A Drama in the Far
West – 1909
Les aventures
d’Arizona Bill – 1911-1913 (co)
Les diables rouges –
1911
L’oiseau de proie –
1911
Les mystere de la
banquet d’el city - 1913
The Subterranean
City – 1913
210 contre 213 -
1913
Le coeur d’un pere
-1914
Spaghetti Western
Screenwriter ~ Alex Cox
Alexander B. H. Cox
was born in Bebington, Merseyside, England, a on December 15, 1954, and is an
English film director, screenwriter, occasional actor, non-fiction author, and
broadcaster, best known for his early cult classics “Repo Man” (1984) and “Sid
and Nancy” (1986).
Cox's films are
characterized by an anarchic punk aesthetic, anti-authoritarian themes, and a
rejection of conventional Hollywood narratives, often blending satire, genre
elements, and historical revisionism. After initial commercial success with
“Repo Man”—a punk-infused sci-fi comedy that won the Grand Prize at the
Sundance Film Festival—and the biopic “Sid and Nancy”, which earned Gary Oldman
a BAFTA nomination for portraying Sid Vicious, Cox's career pivoted following
the critical but box-office flop “Walker” (1987), an anti-imperialist take on
the 19th-century filibuster William Walker that alienated studios and prompted
his self-exile to independent and international productions.
Subsequent works
like “Highway Patrolman” (1991), filmed in Mexico and praised for its gritty
portrayal of corruption, reflect Cox's shift to low-budget filmmaking outside
the U.S., where he has directed, written, and acted in projects emphasizing
outsider perspectives and critiques of power structures. Despite mainstream
marginalization—attributed by Cox himself to his uncompromising style and
refusal to conform—his influence endures in indie cinema, with recent
reflections underscoring a deliberate farewell to Hollywood's commercial
constraints.
Cox is married to
Tod Davies, an American writer, producer, publisher, and founder of
Exterminating Angel Press. The couple has collaborated professionally on
several projects, including script revisions for films such as “Three
Businessmen” (1998), where Davies contributed uncredited work alongside Cox.
They reside in Colestin, Oregon, a rural area near the California border, where
they have lived for over several decades.
Alex Cox wrote
screenplays for four Euro-westerns: “The Black Hills” in 1976, “Once Upon a
Time...” in 2005, “Eventos en el campo” in 2022 and “Dead Souls” with Gianni
Garko in 2024.
COX, Alex (Alexander B.H. Cox) [12/15/1954, Bebington, Merseyside, England, U.K. - ] – producer, director, assistant
director, author, writer, songwriter, cameraman, film editor, married to
producer, actress Tod Davies [1955- ]
(2000- ).
The Black Hills -
1976
Once Upon a Time...
– 2005
Eventos en el campo
– 2022
Dead Souls – 2024
(co)
Spaghetti Western
Cinematographer ~ Charles Magnusson
Charles Magnusson was
a Swedish film producer and studio executive known for his leadership in
shaping the Golden Age of Swedish silent cinema during the early 20th century.
Widely regarded as the "grand old man" of Swedish film production, he
played a central role in elevating Swedish cinema to international prominence
through strategic vision and key artistic decisions.
Born on January 26,
1878, in Gothenburg, Sweden, Magnusson initially worked as a professional
photographer and newsreel cameraman starting in the early 1900s, capturing
significant events and operating cinemas before transitioning to film
production. In 1908, he became managing director of AB Svenska Biografteatern
(Svenska Bio), where he relocated the company to Stockholm in 1911, constructed
studios on Lidingö, and recruited exceptional talents including cinematographer
Julius Jaenzon and directors Victor Sjöström and Mauritz Stiller, whose works
became cornerstones of Swedish film history.
Under his guidance,
Svenska Bio produced acclaimed silent films such as “A Man There Was” (1917), “The
Outlaw and His Wife” (1918), “Sons of Ingmar” (1919), and “The Phantom Carriage”
(1921). In 1919, he orchestrated the merger of Svenska Bio with Skandia to form
Svensk Filmindustri (SF), expanding production facilities and establishing
international offices. He continued in his executive role until 1928, leaving a
lasting legacy on Swedish cinema through his administrative skill, artistic
intuition, and forward-thinking approach.
He also served as
cinematographer and producer on early short films and actualities, including “Resa
Stockholm-Göteborg genom Göta och Trollhätte kanaler” (1908), “Göta
elf-katastrofen” (1908), “Krigsbilder från Bohuslän” (1907), and “Bilder från
Fryksdalen” (Gösta Berlings land) (1907).
Magnusson died on
January 18, 1948, in Stockholm week prior to turning 70.
Charles Magnusson
was a cinematographer on two Euro-westerns: “Cowboy John dans le Rôle du Garçon
de Course de la Modiste” and “Cowboy John Postule pour un emploi à l'émission
de Variétés” both in 1912.
MAGNUSSON, Charles (Charles
Fredrik Magnusson) [1/26/1878, Gothenburg, Västra Götalands län, Sweden
– 1/18/1948, Stockholm, Stockholms län, Sweden] – producer, director, writer,
co-founded Svenska Biografteatern AB [1906-1919].
Cowboy John dans le
Rôle du Garçon de Course de la Modiste – 1912
Cowboy John Postule
pour un emploi à l'émission de Variétés - 1912