(Once Upon a Time in the Spaghetti Western)
By Rodrigo
Carreiro
My doctorate thesis on the films of Sergio Leone can now
be found for download in the virtual library Federal University of Pernambuco.
The thesis took two years of research, between 2009 and
2011 I spent hundreds of hours watching old Westerns (American and Italian),
reading many books, comparing notes and working on the writing itself.
The bulk of the text was written in January 2010, between
up to twelve hours of uninterrupted writing sessions, and in July of the same
year, when I cut the original 600 pages to 200 pages and, second, added new
sections and many statistics. More than 1,000 color images illustrate the text
(which I hope is understandable to everyone who venture for him, as I tried to
avoid at all costs the academic jargon).
The final research report is called "Once Upon a
Time in the Spaghetti Western : Style and Narrative in the Work of Sergio Leone
".
Briefly, the text attempts to conduct a stylistic
analysis and detailed narrative of the work of Leone, in order to understand
the real contribution of his films to the repertoire of circulating schemes in
contemporary cinema. We assume that Leone helped develop important to the
process of intensification of classical poetic film that many researchers claim
to have occurred from the 1960s features, having done so from systematic
reviews of the dominant narrative construction schemes available at the time .
To achieve the goal, tried to identify the recurrence of
stylistic and narrative patterns in the signed by Leone films, always looking
to list and analyze the socio-cultural, technological, economic, and
ideological contexts that led him to adopt and develop these standards, and
show how each feature pioneered within the repertoire of techniques used by
contemporary filmmakers. At the end, I sought further investigate the
connection between the relative deletion of this stylistic contribution Leone
to the fact that he worked throughout his career with the film genre, whose
filmography has received little attention from historians of cinematic style.
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