Giovanni Brass was born on March 26, 1933 in Milan,
Lombardy, Italy, into the family of the famous artist, Italico Brass, who was
his grandfather. Italico gave his grandson a nickname "Tintoretto,"
which Giovanni later adapted into his cinematic name, Tinto Brass.
Tinto inherited his grandfather's artistic skills, but he
applied them to film instead of canvas. When he joined the Italian film
industry, he worked with such famous directors as Federico Fellini (his idol)
and Roberto Rossellini. In 1963 he directed his first film, “Chi lavora è
perduto” (1963). Afterwards, he went on to make such avante garde art films as
“The Scream” (1966) and “Attraction” (1969). He was approached in 1976 to
direct a sexploitation quickie, “Salon Kitty”, but he wisely chose to have the
script rewritten, turning it into a dark, political satire. The success of
"Salon Kitty" lead Penthouse magazine publisher Bob Guccione to choose
Brass to helm “Caligula” (1979), the big-budget adaption of Gore Vidal's novel
"Caligula." Tinto finished shooting the film, but when he refused to
convert it into the "flesh flick" that Guccione wanted it to be by
including footage of Penthouse centerfolds making out and romping, he was fired
and locked out of the editing room. He later disowned the film when he saw the
botched editing (the film was spliced together amateurishly from outtakes and
rehearsal footage) and Guccione's hardcore sex scenes spliced in with his work.
Ironically, "Caligula" remains Tinto's most famous film. After it
became a huge international box-office hit, Brass was hired to shoot a spy
thriller “Snack Bar Budapest” (1988). Afterwards, he decided that he should focus
on erotica, as a way to rebel against the hypocrisy of censors, explaining that
sex is a normal part of life and we should just deal with it. He’s currently at
work on a new film “Who Killed Caligula?” (2013). Brass directed one
Euro-western the cult classic “Yankee” 1966 which he also wrote and edited.
Today we celebrate Tinto Brass’ 80th birthday.
tinto brass is amazing in directing films
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