Big-Bill Bill was a muscular and athletic masked hero who
worked in the Far West and was more like a modern day super hero who lived in
the Wild West. He was always present where trouble was brewing and arrived just
in time to save the day.
Big-Bill was published by Giovanni De Leo for the
publishing company Edizioni Avventura, and was distributed every two weeks from
December 14, 1958 until June 28, 1959. For a total of 6 issues. Each issue was
144 pages and printed in a black and white format
This was a re-edition of the adventures of BIG BILL in an
"elongated strip" format. The small volumes were a supplement to BIG
BILL n. 41 (May 15, 1950) and the reprint, contained three episodes each, nos.
1/19 in non-chronological order. Texts and drawings by Atelier Chott. Original
covers by A. Chott and Gallieno Ferri.
Pierre Mouchot was born in France on June 7, 1911 and is
best known under his pseudonym Chott. He was head of one of the biggest French
publishing houses and art studios of pocket comic books, or so-called
"PĂ©tits Formats".
He started out creating comics in 1940 for publications
of the Sagédition, such as Aventures, L'Aventure Réunis and Jumbo, Jumbo. From
1944, he did cover illustrations for the collections Jeunesse Nouvelle and
Victoire. During the War, Chott worked for the S.E.T.L., contributing to
Cendrillon and Pic et Nic, while also creating short stories for SĂ©lection le
Corsaire, RĂ©cit Complet des SĂ©lections le Corsaire, RĂ©cit Complet des
SĂ©lections Pic et Nic, Cow-Boy and Texas Bill. Chott was also present in the
collections Les Aventures Fantastiques (Ed. Sprint, 1945) and Les HĂ©ros de
l'Aventure (Ed. LĂ©o, 1947).
Between 1947 and 1949, he made the comics 'L'Or des
Omahan', 'Mowg Fils de la Brousse' and 'Buffalo-Bill' for the Belgian magazine
Wrill. At this time, Chott often made things easier for himself by simply
copying pages of American artists, like Harold Foster or Alex Raymond.
In 1946, he founded his own publishing house, called
Éditions Pierre Mouchot and from 1951, the Société d'Éditions Rhodaniennes.
There, he continued the 'Fantax' series, which previously appeared in Le Monde,
and created 'Big Bill le Casseur' and 'Robin des Bois'. He also took on 'Gus et
Gaëtan' again, which he had created for Pic et Nic in 1946. Besides his own
comics, Chott published a great many titles, like Cap'tain Louf (featuring 'The
Katzenjammer Kid' by Rudolph Dirks), Reportages Sensationnels, Les Nouvelles
Aventures de Lord Horace Neighbour, Old Boy, Cap'tain Paf, P'tit Gars, Les
Beaux Albums pour la Jeunesse, Humo, Rancho, Big Horn, Fantasia, Rangers, Bip
Fiction, Punch, Kiki-Sprint and West Romance.
While Chott remained a productive illustrator of covers
for his publications, he assembled a team of artists around him to do most of
the interior art. Among the co-workers of the Atelier Chott were the artists
Bob Roc, Bertrand Charlas, Rémy Bordelet, Claude Bordet, André Rey, Maurice
Besseyrias, Guy Lebrun, and the scriptwriter J.K. Melwyn-Nash (Marcel Navarro).
The comics that were produced by Chott and his studio
were characterized by their extreme realism and violence, which was very
unusual at the time. This led to several confrontations with the Law. Pierre
Mouchot left the comics field in the early 1960s and died a couple of years
later.
Chott died in France in 1966.
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