![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpvyql5tcb0V0vhvAdLl7E04pY7JNe4QJ8fyCbyMv0hBrbB7YtbsopA032LY06xNSvC9ZF7oBRAxHD6M-w7OcyKppi9kaPIAQkPf1S0L033PXTEiXpRhI62uhQCEehFcfghohuiZVaIEA/s200/19+Forsaken+3.jpg)
By Joe Leydon
If “Forsaken” were any more
old-fashioned, lenser Rene Ohashi might have filmed it in black-and-white,
scripter Brad Mirman definitely would have trimmed the F-bombs from his
dialogue, and the entire enterprise probably would bear the brand of RKO or
Republic Pictures. Refreshingly and unabashedly sincere in its embrace of
Western conventions and archetypes, this pleasingly retrograde sagebrush saga
should play exceptionally well with currently under-served genre fans — except,
perhaps, for those with low tolerance for salty language – and likely will
enjoy a long shelf life as home-screen product after potentially profitable
exposure in theatrical corrals.
The first-time onscreen pairing of
Kiefer Sutherland and his dad, Donald Sutherland — as a prodigal son and his
disapproving father — is a natural selling point for the film, one that
conceivably could attract curiosity seekers not normally interested in oaters.
But the casting also serves to enhance the emotional heft of the familiar
storyline. These two evenly matched pros bring out the best in each other — maybe
because they know exactly where to look for it — and the unaffected intensity
of their key scenes together help make more than a few cliches seem, if not
freshly minted, then newly reinvigorated.
The plot pivots on the return of
gunslinger John Henry Clayton (Kiefer Sutherland) to his small Wyoming hometown
of Fowler in 1872, several years after his Civil War service. During the time
since his military discharge, John Henry has acquired a well-earned reputation
as a fearsomely efficient shootist. And despite his announced intention to hang
up his guns, just about everyone in Fowler — but especially his preacher
father, Rev. William Clayton (Donald Sutherland) — is skeptical that he has had
enough of death to last him a lifetime.
For a while, however, John Henry
really does behave like a changed man. He’s happy to see Mary Alice (Demi
Moore), the love he left behind, but he resigns himself to the fact that she
married another man, and had a son, during his long absence. He remains
estranged from his father — the two men can scarcely converse without reopening
old wounds and exchanging recriminations — but they gradually settle into
relatively peaceful coexistence as John Henry clears parts of the family
homestead that his late mother wanted farmed.
Unfortunately, there is a hungry
serpent in this Garden of Eden: James McCurdy (Brian Cox), a ruthless
businessman bent on forcing local farmers to sell him their land, so he can
profit from the approaching railroad. Gentleman Dave Turner (Michael Wincott),
a deceptively courtly hired gun who pays John Henry the respect of professional
courtesy, is hired by McCurdy to “convince” holdouts to sign over their deeds.
But while the silver-tongued Turner prefers to use salesmanship laced with
intimidation, other McCurdy employees — including the hot-headed Frank Tillman
(Aaron Poole) — are of a mind to simply shoot first, and last, and never ask
any questions at all.
Evidencing such remarkable
self-control that even Rev. Clayton is impressed, John Henry stoically turns
the other cheek when baited, and then beaten, by Frank and his thuggish
cohorts. But when the bad guys finally go too far — well, a man’s got to do
what a man’s got to do.
Emmy Award-winning TV director Jon
Cassar (who previously teamed with Kiefer Sutherland on “24”) keeps a
disciplined rein on the proceedings here, so that his 90-minute film feels
neither rushed nor dawdling as it takes time for backstory and character
development before the inevitable final shootout. Ohashi actually did shoot
“Forsaken” in color, with Alberta capably doubling for Wyoming, but Cassar
firmly resists what must have been a strong temptation to rely too heavily on
strikingly beautiful exteriors.
Both Sutherlands look spot-on
perfect for their roles; Kiefer’s character lines increase his flintiness
quotient, while Donald’s flowing white hair and beard suggest a demanding Old
Testament paterfamilias. And while it’s doubtless not a good idea to parse any
part of the movie for possible echoes of their real-life relationship, the two
actors are so affectingly poignant in a third-act scene of reconciliation that
you may be hard-pressed to tell where your feelings for the characters end, and
your feeling for the men playing them begins.
Supporting roles are well cast
across the board, with Cox (whose blustering land-grabber does most of the
R-worthy cussing) and Moore deserving credit for adding some semblance of depth
to Western stereotypes. But the real scene-stealer here is Wincott, playing the
most elegantly grandiloquent gunslinger this side of Val Kilmer’s Doc Holliday
in “Tombstone.” Both Cassar and Mirman obviously studied scads of old Westerns
before making “Forsaken,” and learned their lessons well. But it would appear
they paid particularly close attention to Budd Boetticher’s “Ride Lonesome”
when it came time to resolve a conflict between two Wild West enemies.
John Henry Clayton – English title
Redemption – English title
Forsaken – English title
A 2014 Canadian, French
co-production [Panacea Entertainment
(Edmonton), Minds Eye
Entertainment, (Regina), Falconer Pictures (US), Rollercoaster Films
(Paris)]
Producer: Kevin DeWalt, Douglas
Falconer, Gary Howsam, Jessica Martins, Josh Miller
Director: Jon Cassar
Story: Brad Mirman
Screenplay: Brad Mirman (Bradley
Mirman)
Cinematography: Rene Ohashi
[color]
Music: Jonathan Goldsmith
Running time: 90 minutes
Cast:
John Henry Clayton – Kiefer
Sutherland
Mary-Alice Watson – Demi Moore
(Demi Gene Guynes)
Reverend Clayton – Donald
Sutherland
James McCurdy – Brian Cox
Dave Turner – Michael Wincott
Will Pickard – Landon Liboiron
Tom Watson – Greg Ellis (Jonny
Rees)
Emily Chadwick - Siobhan Williams
Sam – Wesley Morgan
Doc Miller - Michael Therriault
Frank Tillman – Aaron Poole
Rachel Chadwick – Ali Webb
Pregnant Chinese Lady – Maria
Fernandez
George – Tom Carey
Little Ned – Dylan Smith
Silver Barrel Bartender – Joe
Norman Shaw
Mr. Harper – David McNally
Daniel Petterson - Christopher
Rosamond
Gunfighter – Joel Jackshaw
J.B. Parsons – Dave Timble (David
Trimble)
James Cleary – Brock Morgan
Bob Waters – Chris Ippolito
Hank Plummer – Graeme Black
Red Crow bartender – Colin A.
Campbell
Charley Watson – Paul Sillito
Chadwick henchmen – Cliff Liknes, Terry A Brown
Shopkeeper - Jeff Hänni
Boy - Jacob Thurmeier
Townsman – Trevor Woroby
With: Donovan Workun
Stunt coordinator: Guy Bews
Stunts: Tommy Clarke, Duane
Dickinson, Kerry Hansen, Patrick Mark, Greg Schlosser
No comments:
Post a Comment