ALLEN KLEIN
The Man Who Bailed Out the Beatles, Made the Stones, and
Transformed Rock & Roll
By Fred Goodman
The story of a manager more often vilified than any other
in the history of rock.
At his peak, Allen Klein (1931-2009) managed both the
Beatles and the Rolling Stones, but both relationships led to legal action and
acrimony, with Klein largely depicted as unconscionably rapacious even by the
dubious ethical standards of the music business. Since former Rolling Stone
editor Goodman has previously explored the seamier side of rock’s underbelly
(most notably in The Mansion on the Hill, 1997), readers might expect him to
pile more dirt on the legacy of his late subject. Instead, he humanizes Klein
with a nuanced and multidimensional account of how a boy raised in an orphanage
looked for validation by courting artists who had been cheated by their record
companies and promising to rectify their financial situations. The author
benefits from access to previously unavailable material, provided by Klein’s
son without editorial stipulations. “When you hired Klein, you hired a
pistolero,” writes Goodman. “He’d run the rustlers and varmints out of Dodge,
but then you’d have to figure out how to live with a mercenary in the sheriff’s
office.” The author shows how Klein earned the trust of Sam Cooke and how he
came to be seen by both John Lennon and Keith Richards as a kindred spirit
while arousing the enmity of Paul McCartney and Mick Jagger. (Goodman also
acknowledges that Klein engaged in a conflict of interest in buying the rights
to the Stones music while he was managing them and shifting sides on the “My
Sweet Lord” copyright suit.) Klein loved a battle, and he would engage in
litigation long after it was to his benefit to settle. But Goodman builds a
convincing case that Klein fought the good fight for his artists and that
depicting a man in his business as greedy is akin to calling a lion a
carnivore.
Klein changed the way rock does business. In this
balanced, fascinating, and well-written biography, Goodman gives him credit
where it’s due.
Klein was also the producer of Tony Anthony’s “The
Stranger Returns”, “The Silent Stranger” and “Blindman”
On September 16, 1968, the stockholders of Cameo-Parkway
approved its acquisition of Allen Klein & Co., Inc.. In February of 1969,
Cameo-Parkway changed its name to "ABKCO Industries Inc."
("ABKCO" for short). "ABKCO" stands for "Allen &
Betty Klein and Company".
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