As we know most of the Euro-westerns were co-productions
from Italy, Spain, Germany
and France
which incorporated British and American actors to gain a worldwide audience.
The films were shot silent and then dubbed into the various languages where
they were sold for distribution. That means Italian, Spanish, German, French
and English voice actors were hired to dub the films. Even actors from the
countries where the film was to be shown were often dubbed by voice actors for
various reasons such as the actors were already busy making another film, they
wanted to paid additional salaries for dubbing their voices, the actor’s voice
didn’t fit the character they were playing, accidents to the actors and in some
cases even death before the film could be dubbed.
I’ll list a Euro-western and the (I) Italian, (S) Spanish,
(G) German and (F) French, (E) English voices that I can find and once in a
while a bio on a specific voice actor as in Europe
these actors are as well-known as the actors they voiced.
Today we’ll cover “Sartana Kills Them All”
[(I) Italian, (S) Spanish, (G) German, (F) French, (E) English]
Sartana/Santana –
Gianni Garko (S) José Guardiola, (G) Rainer Brandt
Marcos – Guglielmo
Spoletini (S) Vicente Bañó, (G) Wolfgang Kieling
Maria Anderson –
Maria Silva (S) Celia Honrubia, (G) Beate Hasenau
Richard Kirby –
Andrés Mejuto (S) Estanis González (G) Martin Hirthe
Fred Burton – Raf
Baldassare (S) Fernando Mateo (G)
Christian Rode
Adam Kirby – Charly
Bravo (S) Ernesto Aura (G) ?
Donald Kirby – Carlos
Romero Marchent (S) Carlos Romero Marchent (G) Arne Elsholtz
Estanis González
(1925 – 1992)
Estanislao González León was
born in Madrid, Spain on May 8, 1925. He began his
career working for Radio Barcelona where he was co-host of the morning program Musica para el aperitivo. He then went
to appear on Radio Nacional de Barcelona on which he played the role of Mieh
Yang in the serial La mano moan de Dios.
He then became a theater
actor in 1964 in the play Reinar After
Dying with Alejandro Ulloa’s Company. His theater career flourished. Then
in 1955 he moved into films with El
Ceniciento, written and starring Miguel Gila. He participated in six films
in five years. In 1960 he left films for television and theater. Starting in
1953 he became a voice actor in secondary roles for the next ten years.
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