Egisto
Macchi was born in Grosseto, Italy on August 4, 1928. He moved to Rome to study
composition, piano, violin and singing with Roman Vlad (1946–51) and Hermann
Scherchen (1949–54), among others. It was around this period that he also
studied literature and human physiology at La Sapienza University.
From
the late fifties, he began his collaboration with a group of musicians (Franco
Evangelisti, Domenico Guaccero and Daniele Paris), to whom he attained an
intense friendship. Together with Domenico Guaccero, Daniele Paris and Antonino
Titone, he was one of the editors of the magazine Orders, which first appeared in 1959. With Bertoncini, Bortolotti,
Clementi, De Blasio, Evangelisti, Guaccero, Paris, Pennisi, and Franco Norris,
he founded the Association of New Consonance in 1960. Where he took a frequent
hand at directing the association, and held the office of President from 1980
to 1982, and again in 1989.
From
the day of its conception, he followed the activity of the International Week
of New Music in Palermo. After creating the Musical Theatre of Rome with
Guaccero, he founded Studio R7, an experimental, electronic music laboratory in
1967. It is in the same year that he joined Franco Evangelisti's Gruppo di
Improvvisazione di Nuova Consonanza, an avant garde improvisation group which,
perhaps most famously, also recruited Macchi's close friend and collaborator
Ennio Morricone. During
this time, Macchi became absorbed in work for television and film. His typical
mixtures of media and styles displayed a kind of applied experimentalism in
which he reconciled the most ingenious sound research with the greatest
evocative immediacy; he maintained the same kind of organisational rigour and
expressiveness that was to be found in his concert music (Grove &
Macmillan). His film work included the scores to “Bandidos” (1967), “Gangsters
'70” (1968), “The Assassination of Trotsky” (1972), “Black Holiday” (1973), “Mr.
Klein” (1976), “Padre Padrone” (1977), “Antonio Gramsci: The Days of Prison”
(1977), “Charlotte” (1981), “Menuet” (1982), “The Malady of Love” (1986), “Salome”
(1986), and “Havinck” (1987).
In
1978, he was part of the Italian commission for the music of UNICEF, together
with Luis Bacalov, Franco Evangelisti, Ennio Morricone and Nino Rota.
In
1983, he created, together with Guaccero, the Institute of Voice, seeking to
deal with problems related to vocal work in the field of classical music and
folk music of all continents. The institute made use of new technologies in the
field of electronics and cybernetics. He took over the direction of the
institute after the death of his friend in 1984.
Further
initiatives followed. In 1984 he became one of the founders of I.R.T.E.M
(Institute of Research for Musical Theatre), together with Paola Bernardi,
Carlo Marinelli and Ennio Morricone. In this context he also founded the Sound
Archive for Contemporary Music, of which he was the director until his death.
It is with the Sound Archive that he created a series of conferences, meetings
and seminars for the knowledge and diffusion of contemporary music.
In
his last years, he had been working with Ennio Morricone to promote the 'New
Opera'. In November 1991 he completed La Bohème, a transcription for sixteen
instruments and four synthesizers, and Morricone similarly adapted Tosca. Both
works were ready to be staged when Macchi died on August 8, 1992 in Montpellier,
Hérault, France.
MACCHI, Egisto [8/4/1928, Grosseto,
Tuscany, Italy – 8/8/1992, Montpellier, Hérault, France] – composer, conductor,
songwriter.
Bandidos*
- 1967
*score available on CD
“Circuito chiuso” (1978 TV Movie)
ReplyDeleteDirector: Giuliano Montaldo
Music: Egisto Macchi
I watched a “Circuito chiuso” on YouTube.
This TV Movie is set in the theater screening a movie “And for a Roof a Sky Full of Stars”.