The Spanish Rancho Cubero-Galicia, Finca Magdalena, La
Pedriza sets were built by Jaime Pérez Cubero
and José
Luis Galicia for the films "The Big Gundown" by Sergio Solima, shot
in November and December 1966, the ranch consisted of a large two-story pine
log house, a stable, other minor buildings, watering troughs and a corral. The
ranch of Nieves Navarro, was used as a scene in the long pursuit of the bounty
hunter Jonathan Corbett (Lee Van Cleef) pursuing the Mexican Cuchillo (Tomas
Milian).
This ranch (of which today there is no trace) also appears in the films: "Two Crosses at Danger Pass" (1968); "Between God, the Devil and a Winchester" (1968); "A Pistol for One Hundred Coffins" (1968); "Ringo, the Lone Rider" (1968); "One by One" (1969); "Garringo" (1969); "When Satan Grips the Colt" (1969); "A Bullet for Sandoval" (1969); "Arizona Returns" (1970); "Sabata" (1970); "Sartana Kills Them All” (1970).
This ranch (of which today there is no trace) also appears in the films: "Two Crosses at Danger Pass" (1968); "Between God, the Devil and a Winchester" (1968); "A Pistol for One Hundred Coffins" (1968); "Ringo, the Lone Rider" (1968); "One by One" (1969); "Garringo" (1969); "When Satan Grips the Colt" (1969); "A Bullet for Sandoval" (1969); "Arizona Returns" (1970); "Sabata" (1970); "Sartana Kills Them All” (1970).
A few tens of meters away from the Rancho
Cubero-Galicia an elaborate set was built for the film "The Man Called
Noon" (1973). It has a fundamental role in the dramatic
finale of the film, in which the protagonists are besieged and must fight a
fire. This set (which was also
suitable for indoor shooting) was then used to represent a fort on the edge of
the Crow Indian territory in several sequences of the film "Montana Trap"
(1977) and in a short scene of "Zorro" (1975). A ravine between the rocks to which this set is
attached and used to represent the entrance of an ancient Indian temple in the
film "Tex and the Lord of the Deep" (1985) (you can still see the
Aztec-style paintings made on the rocks at the entrance of the ravine).
Only a careful observation of the intricate mosaic of the rocky wall makes it possible today to identify what survives of this set (the ruins of a stone wall), which is not easily accessible through the thick vegetation grown after twenty years of abandonment of this film location.
Only a careful observation of the intricate mosaic of the rocky wall makes it possible today to identify what survives of this set (the ruins of a stone wall), which is not easily accessible through the thick vegetation grown after twenty years of abandonment of this film location.
“The Big Gundown” (1967)
“Between God, the Devil and a Winchester” (1968)
“A Pistol for 100 Coffins” (1968)
“Zorro” (1975)
I think I saw that location when I was watching "Ringo The Lone Rider" on YouTube. What a lovely place.
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