Wednesday, December 4, 2019

Aldo Maccione today


Aldo Maccione is 84 years old. A resident of France for several years, he was part of the Brutos comic-music quintet. After years of work in the music hall, he established himself as a valuable comedian in many Italian and French films.

Aldo Maccione is 84 years old. He has been living in France for several years and is  part of the I Brutos comedy-music quintet . After years of work in the  music hall, he established himself as a valuable comedian in many Italian and French films. After winning a radio competition at the end of the fifties, he joined the cabaret-music group from Turin de I Brutos, with which he achieved great international success, performing among other things triumphantly at the Olympia  in  Paris. In the mid-sixties he left the group and founded a similar one, known as Los Tontos, with which he performed for six years in a row at the Emporium of  Barcelona. Sacha Distel accompanies the tour of London and Paris (still at the Olympia), who coined the nickname "Aldo la Classe" for him. In 1970, Claude Lelouch, who had known Maccione since the Brutos era, having directed him in some  scopitons, had him debut as a soloist with the film La rogue, and recalled him in 1972 in  L'avventura è l'Aventura  where he was one of the four protagonists alongside Lino Ventura,  Charles Denner and  Jacques Brel. The following year he returned (after the unfortunate Brutos films) to Italian cinema with two films related to the character of Colonel Buttiglione. Between the seventies and the early eighties, Maccione divided his time equally between Italian and French cinema, preferring in both cases brilliant roles. In Italy his greatest popularity comes thanks to some films played in tandem with Renato Pozzetto  (Due cuori, una cappella,  Sono photogenic,  Fico d'India,  Porca vacca) and to some scoffed comedies, in France thanks to the films starring alongside Pierre Richard (Sono timido… ma lei mi cura, C’est pas moi, c’est lui).

In the eighties, Maccione's activity is increasingly concentrated in France: these are the years of his final consecration in the French box office as the protagonist in modest comedies (often directed by Philippe Clair and mostly unreleased in Italy) where he perfects his character of “Aldo la Classe” (already celebrated in 1972 also in a homonymous song by Maccione himself), a typical caricature of the Italian seducer and a bit of a Gascon, with an unmistakable speech and a characteristic way of walking (the “marche du séducteur"). The success is such that some old Italian films are also distributed where the Turin actor has only supporting roles and that are passed off as Maccione's new films. At the end of the eighties, following a couple of failures, he abandoned this character to try to move into different roles. Between 1991 and 1995 he plays in four films for the TV series Aldo tous risques. In 1994 he returned after twelve years to star in an Italian film, playing a layman in Perdiamoci di vista by Carlo Verdone. In 1997 he worked with Bigas Luna for The Image of Desire  and in  2002 he was a godfather for Aldo, Giovanni and Giacomo (The legend of Al, John and Jack). He returned to acting in a wholly French production after more than three decades in 2005, in the film Home Works - Travaux.

In 2010 he took part in the reality show La Ferme Célébrités  (lett. "The Farm of the Famous"), from which he retired due to health problems. In November 2010 he received the 2010 Career Award  at the  MonteCarlo Film Festival. The actor appears, portrayed in his typical walk, as a  guest-star  in the 29th album of the series Asterix, La rosa e il gladio (La Rose et le Glaive, 1991), in the role of a Roman legionnaire who would like to serve in a legion of women. His walk is imitated by the character of Toni, a fan of "Aldo la Classe", in a beach scene of the movie Mektoub, My Love: singing one of Abdellatif Kechiche in 2017. He currently resides in Saint-Paul-de-Vence.



Who Are Those Gals? ~ Pilar Clemens



Pilar Clemens was born in Malaga, Spain sometime in the late 1930s or early 1940s. Clemens studied at the Royal Conservatory of Dramatic Art in Madrid. She began he film career in 1959 with an appearance in "Diez fusiles esperan". She married Paraguayan Gustavo Diaz de Vivara and moved to Paraguay. In the 1970s, she played in the theaters of the capital of Paraguay, Asuncion. She taught acting at Colegio Teresiano and was a member of the Council of the Paraguayan Institute of Hispanic Culture and the Council of the Paraguayan Theater Association for Children and Youth. During this time she raised a family consisting of a boy and a girl who later became a journalist.


CLEMENS, Pilar (aka Pilar Clement) [194? Malaga, Andalucia, Spain -    ] – theater, film, TV actress, married to Gustavo Diaz de Vivar, mother of a son and a daughter who is a journalist.
The Sheriff Won’t Shoot – 1965 (Colet)

Special Birthdays


Victor French (actor) would have been 85 today, he died in 1989.

Tuesday, December 3, 2019

New Book Release ~ Spaghetti Westerns! Volume 2


Spaghetti Westerns – Volume 2
Author – Michael Hauss

Publisher: Amazon
Color cover with black and white pages.
Color cover with color photos
Language: English
Pages 140
ISBN-13: 978-1083084958
ISBN: 108308495X
Released December 2, 2019

Welcome to Spaghetti Westerns! A series of books devoted to the Italian westerns. Within each volume, we will have a look at the Italian western genre. This series of books will go beyond the Sergio Leone films to celebrate the genre as a whole. After the success of Sergio Leone's A Fistful of Dollars in 1964, a sputtering western genre exploded and helped changed the cinematic landscape forever. After over five hundred films, the genre finally died an unceremonious death in 1978. But for a genre that was so maligned during its initial life, its critical appreciation has found newfound heights in recent years. Join me as we peel back the surface layer and dig deeper into the Italian western genre! This book is not a genre encompassing book. This series of books will be quite random and will have varied subject matters. This series of books will be quite random and will have varied subject matters.

Harvey Keitel: ‘I’ve never played a violent character’


The actor, 80, on childhood stuttering, not doing Twitter, keeping his powers and filming The Irishman

The Guardian
By Francine York
Sat 16 Nov

‘If I hadn’t been an actor, I’d have been a philosopher’: Harvey Keitel. Photograph: Yann Rabanier/Camera Press 

Success isn’t about awards. Success is continuity, a process of discovery. I’ve been very lucky to be a part of movies that were widely appreciated, but there are lesser known movies I’m just as proud of.

A lot of people ask me why I’m always playing violent characters. I feel I’ve never played a violent character; I’ve played characters that were in deep conflict, despair and chaos.

I don’t know where I got the idea to act from. My father used to say, “Where do you come to be an actor? No one in the family is an actor. You can’t sing. You can’t dance.” That’s the way it was in Brooklyn, where everyone was from a family of immigrants. My parents were smarter than me. They knew what it was to be poor. They knew I was heading for danger.

If I hadn’t been an actor, I’d have been a philosopher. As defined by Mel Brooks in History of the World: “Oh, another bullshit artist!” I don’t really know what else I would have done.

When I was a little boy I had a real champion stutter. In time it faded away, for the most part.

I tried Twitter, but I don’t really do that kind of thing. Technology is wonderful. But as innovative as Silicon Valley has been, it’s a runaway train and we need to get a grip.

Fame is a funny thing. The upside is easy access to good restaurants. The downside is the bill! “Movie star” is a nice term, because it’s poetic and fairytaleish, but it has no truth about it.

I don’t do “normal” stuff so much, like going on the subway. I sort of miss it, because you can have interesting experiences. The last time I rode on the subway a man lifted his shirt to show me the bullet wounds he suffered in Vietnam.

Making The Irishman was a bit like a school reunion without the booze! I’ve worked a lot with Martin Scorsese. We have a lot in common in our growing up – me in Brooklyn, him in Lower East Side. That bonded our friendship.

Friendship has been one of the most important things in my life. That love, regard, caring for, being amused by… that something ethereal in friendship is the ultimate.

If I could tell my younger self anything, it would be to broaden my field of study to include more art outside of acting. Writing, for example. In my mind I’m always writing, but I don’t really.

Retirement? No, not really. I don’t think anyone loses their powers as they get older. As long as you’re involved and interested, then you can’t lose it. That’s how I keep being surprised. Old age is actually infused with youthful things. I eat properly, I exercise and I don’t abuse anything. I take care of myself.

Monday, December 2, 2019

New Film Release ~ "Day of the Stranger"


Day of the Stranger – English title

A 2019 British production [Carnie Film Production (London)]
Producer: Thomas Lee Rutter
Director: Thomas Lee Rutter
Story: The Mysterious Stranger Mark Twain (Samuel Clemens)
Screenplay: Thomas Lee Rutter
Cinematography: Thomas Lee Rutter [color]
Music: Craigus Barry
Running time:

Cast:
Loomweather – Gary Shail
The Stranger – Gary Baxter
McGonagal – Richard Rowbotham
Lurg – Bazz Hancher
The Bounty – James Taylor
Father Bullock – Jim Heal
Caine Farrowood – Dale Sheppard
Christina Farrowood – Mayam Forouhandeh
Torture victim – James Underwood
With: Shelley Krasnowski


Caine Farrowood is a bounty hunter who works under the control of ruthless kingpin Loomweather. One day a bounty retrieval goes awry and Caine is left for dead. Just when he thinks his life is over he mysteriously awakens back home to the comforts of his wife Christina. Baffled and confused by how he got home Caine insists on finding answers, but before long he is enlisted in the retrieval of another bounty. This one is huge and may cost Caine not his life, but his sanity when he finds himself pitted against somebody who may very well be the fallen angel himself.




New DVD, Blu-ray Release ~ “A Fistful of Dynamite”


“A Fistful of Dynamite”
(1971)

Director: Sergio Leone
Starring: Rod Steiger, James Coburn

Country: U.K.
Company: Eureka Entertainment
#219 
DVD / Blu-ray
Discs: 2
Transfer from the 2K restoration completed by Cineteca di Bologna in 2009
Aspect ratio 1080, Aspect Ratio: 2.35:1
Language: Mono English
English subtitles
Running time: 157 minutes   
Limited Edition Hardbound Slipcase [3000 copies]
A limited edition 60-PAGE Perfect Bound Collector’s book featuring new and archival writing on the film
Extras: Audio Commentary by filmmaker Alex Cox; Audio Commentary by film historian Sir. Christopher Frayling; A brand new and exclusive interview with film critic and writer Kim Newman; A brand new and exclusive interview with Austin Fisher, author of Radical Frontiers in the Spaghetti Western: Politics and Violence in Italian Cinema; The Myth of Revolution [22 mins] – Sir Christopher Frayling on Duck, You Sucker!; Sergio Donati Remembers Duck, You Sucker! [7 mins]; Sorting Out The Versions: An Analysis of Duck, You Sucker! [12 mins]; Once Upon A Time… in Italy [6 mins] – featurette; Restoration, Italian Style [6 mins]; Location Comparisons [9 mins]; Radio Spots; Trailerö still galleries.
ASIN: B07X37TG6R
Release date: December 2, 2019