Thursday, January 21, 2010

New Upcoming Book Release


Any Gun Can Play: The Essential Guide to Euro-westerns by Kevin Grant

The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.

Cynical and stylish, bloody and baroque, Euro-Westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.

Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-Westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.

Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.

Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-Western.

Publication Date: May 2010

Spaghetti Western Locations


The small house where Marisol was kept was shown from the outside in an earlier post. It is now the Hotel Cotijo El Sotillo and is located in San Jose, Spain. The interior used in “Fistful of Dollars” is now the lobby for the hotel. The fireplace is surprisingly almost exactly the same as seen in the film. One can almost picture Marianna Koch coming out of the door and greeting you.




For a more detailed view of this site and other Spaghetti Western locations please visit my friend Yoshi “Garring” Yasuda’s excellent website: http://garringo.cool.ne.jp/

Wednesday, January 20, 2010

Robert Charlebois, Dolores Claman to be among inductees to Canadian songwriters hall of fame

The Canadian Songwriters Hall of Fame is getting amplified this year with the induction of influential Montreal musician Robert Charlebois. Charlebois songs getting into the Hall of Fame are "Fu Man Chu," "Les Ailes d'un ange," Ordinaire," "Demain l'hiver" and "Lindenberg." Charlebois starred with Terence Hill in “The Genius”. Montreal musician Vincent Vallieres played Charlebois tunes at the press conference, calling himself "a big fan." "He's a great singer-songwriter and he's also a great performer who changed the course of the rock 'n' roll music in French." Charlebois is also an officer of the Order of Canada as well as an officer of the National Order of Quebec.

Six other songs by other artists are also being inducted, including Vancouver composer Dolores Claman's iconic "The Hockey Theme." Released in 1968, the tune is often referred to as Canada's second national anthem and was played on CBC's "Hockey Night in Canada" until CTV purchased the rights in 2008. Claman composed the score for “Captain Apache” starring Lee Van Cleef.

Thanks to Mike Ferguson for providing WAI! with the information.

CEMETERY WITHOUT CROSSES

Une corde… un colt – French title
Cimitero senza croci – Italian title
Cemitério sem cruzes – Brazilian title
Haudat vailla nimeä – Finnish title
Friedhof ohne kreuze – German title
Kato apo ton ourano tou Texas – Greek title
Una cuerda, un colt – Spanish title
The Rope and the Colt – English title
Death Valley Gunfighters – English title
Cemetery Without Crosses – USA title

A 1968 French, Italian co-production [Loisirs du Monde, Les Films Copernic (Paris), Fono Roma (Rome)]
Producers: Jean Charles Raffini, Jean-Pierre Labatut, Vincenzo Buffolo, Giulio Sbarigia
Director: Robert Hossein (Robert Hosseinoff)
Story: Dario Argento, Claude DeSailly, Robert Hossein (Robert Hosseinoff)
Screenplay: Dario Argento, Claude DeSailly, Robert Hossein (Robert Hosseinoff)
Cinematography: Henri Persin [Eastmancolor, Panavision]
Music: André Hossein (André Hosseinoff)
Song: “A Rope and a Colt” sung by Scott Walker
Running time: 90 minutes

Cast:
Manuel - Robert Hossein (Robert Hosseinoff)
Maria Caine - Michèle Mercier (Joselyne Mercier)
Johanna/Diana Rogers - Anne-Marie Balin
Thomas Caine - Lee Burton (Guido Lollobrigida)
Larry Rogers - Serge Marquand
Sheriff Ben - Pierre Colett (Emile Colett)
hotel clerk - Chris Huerta (Crisanto Brieva)
Eli Caine - Michel Lemoine
Will Rogers - Daniel Vargas (Daniel Pitani)
Bud Rogers - Philippe Baronnet
Frank Rogers - Pierre Hatet
Ben Caine - Benito Stefanelli
Stone Valee - Charly Bravo (Ramon Bravo)
Valee brother - Ivano Staccioli
Sam Valee - Antonio Molino Rojo
Valee brother - Jose Canalejas
Rogers’ henchman - Lorenzo Robledo
barman - Ángel Álvarez (Ángel Fernandez)
saloon girls - Béatrice Altariba, Maria Gustafson
with; Simón Arriaga, Alvaro de Luna (Alvaro Blanco)


French actor director Robert Hossein directed and stars in this 1968 gothic French western. Unique in it's own right this western has plenty of tension, drama and surprises. Manuel who lives in an abandoned ghost town is approached by a woman, Maria, he once loved and lost who asks his help in seeking vengeance against Will Rogers, a land baron who lynched her dead husband. At first Manuel turns her down but she convinces him to help her. Manuel finally concedes and infiltrates the band of men Rogers has hired for ranch work and gun fighting. He kidnaps the Rogers daughter and turns her over to Maria's brother-in-laws for safekeeping. They decide to have their way with the daughter and Manuel makes them pay for their foul deed. He meets Rogers and a few of his men in a final shootout and then when he wishes to end the killing and leave he turns to see the daughter with a gun in her hand who wants to make Manuel pay for his part in her kidnapping. Dario Argento was co-writer and his influence shows throughout the film. Besides the exceptional cinematography, the uniqueness of the story and direction it has one of the best main themes “A Rope and a Colt” sung by Scott Walker. an scores in Euro-western history.

You Tube link: http://www.youtube.com/watch?v=9T99MUhDv0g

Happy 70th Birthday Pietro Torrisi

Pietro Torrisi was born on January 20, 1940 in Catania, Italy. He used the aliases Peter Barclay, Peter McCoy, Peter Thorris, Peter Thorys and Peter Torres during his 40+ year career. The former Italian bodybuilder where he became Mr. Italy in 1963. started out as a stuntman in Sword and Sandal films his first role was in the 1963 film “Revolt of the Gladiators” directed by Gianfranco Parolini and starring Dan Vadis. Torrisi became a regular in many Italian westerns as soldiers, henchmen and saloon brawlers. Some of his larger roles include “Today We Kill, Tomorrow We Die” (1967), “The 5-Man Army” (1969), “The Twilight Avengers” (1970), “Return of Sabata” (1971) “The Genius” (1975). Pietro's last film appearance was in the 2004 film “Germanikus”. Today we celebrate Pietro Torrisi's 70th birthday.

Tuesday, January 19, 2010

Who Are Those Guys - Fortunato Arena


Fortunato Arena is the father of actor Ettore Arena and was one of the most seen Italian character actors and stuntmen of the Spaghetti Western era. The grizzled, and usually bearded, actor often appeared as a gang member, henchman, bandit, saloon patron, and brawler to Mexicans, soldiers, officers, sheriffs, and stagecoach drivers. Born circa 1925 he appeared in over 150 films and TV appearances starting in 1960 until his last credited TV appearance in 1989. I have him listed in over 80 Euro-westerns.

ARENA, Fortunato (aka Lucky Aras, Lucky Arena, Arena Fortunato, Ares Lucic) [1922, Italy - ] – TV actor, stuntman, father of actor, assistant director Ettore Arena.
Dynamite Jack – 1960
Blood for a Silver Dollar – 1965
The Man from Nowhere – 1965 (saloon patron)
Django Shoots First – 1966 (gunman)
El Rojo – 1966 (saloon patron)
A Fistful of Songs – 1966 (gangster)
The Good, the Bad and the Ugly – 1966 (Mexican)
The Hills Run Red – 1966 (peon)
Django Shoots First – 1966 (Kluster/Cluster henchman)
Navajo Joe – 1966 (townsman)
Ringo and His Golden Pistol – 1966 (henchman)
Seven Dollars to Kill – 1966 (prisoner)
The Sheriff With the Gold – 1966 (Vargas) [credited as Ares Lucky]
A Stranger in Town – 1966 (Mexican captain)
Sugar Colt – 1966 (man in saloon)
Two Sons of Ringo – 1966 (Pedro)
Up the MacGregors – 1966 (bandit)
Death Sentence – 1967
The Great Silence – 1967 (outlaw)
The Handsome, the Ugly and the Stupid – 1967 (Mexican)
If You Want to Live… Shoot! – 1967 (Alvarez/Alvera lookout)
A Minute to Pray, a Second to Die – 1967
Shotgun – 1967
The Stranger Returns – 1967 (henchman)
This Man Can’t Die – 1967 (Jack)
Two Faces of the Dollar – 1967 (Mexican)
Viva Django – 1967 (Paco)
Wanted Johnny Texas – 1967 (O’Connor henchman)
Drop Them or I’ll Shoot – 1968 (townsman)
Execution – 1968 (soldier)
Go for Broke – 1968 (Mexican)
God May Forgive You, Not Me - 1968
Lynching – 1968
To Hell and Back – 1968
The Man Who Cried for Revenge – 1968 (Crazy Joe)
One After the Other – 1968 (Trent)
A Rope for a Bastard – 1968
Sartana – 1968 (Tampico henchman)
A Stranger in Paso Bravo – 1968 (townsman)
Tequila Joe – 1968
And God Said to Cain - 1969 (prisoner)
Boot Hill – 1969 (miner)
The 5-Man Army! – 1969 (Commandant of the execution squad)
God Will Forgive My Pistol – 1969 (stagecoach driver)
Hate is My God – 1969
In the Name of the Father – 1969
Qunitana – 1969 (prisoner)
Sabata – 1969 (bandit)
Sartana the Gravedigger – 1969
The Stranger’s Gundown – 1969 (Murdock henchman)
The Unholy Four -1969 (prison warden)
Zorro, Marquis of Navarra – 1969 (El Moko)
Adios, Sabata – 1970 (duel observer)
Arizona Returns – 1970 (townsman)
Brother Outlaw – 1970 (Jackson)
Django Defies Sartana – 1970 (bandit)
Durango is Coming Pay or Die – 1970 (poker player)
Fistful of Lead – 1970 (old man)
Have a Nice Funeral – 1970 (gambler)
Shoot the Living and Pray for the Dead – 1970 (Sam/Carl) [credited as Ares Lucky]
They Call Me Trinity – 1970 (store clerk)
Blazing Guns – 1971 (Matadodos/May)
Blindman – 1971 (Mexican officer)
Bullet for a Stranger – 1971
Django…Adios! – 1971 (gambler)
Guns for Dollars – 1971 (Yucca Sheriff)
The Last Traitor – 1971 (Judge Stump)
A Man Called Django! -1971 (townsman)
The Return of Sabata – 1971 (saloon owner)
Tara Poki – 1971 (Alphonso)
Trinity is Still My Name – 1971 (Parker henchman)
Two Sons of Trinity – 1972 (Jack Gordon)
Gunmen and the Holy Ghost – 1972 (killer)
Jesse and Lester, Two Brothers in a Place Called Trinity – 1972 (outlaw)
Man of the East – 1972 (Danny Dillman)
The Return of Halleluia – 1972 (sheriff with fishes)
They Called Him Amen – 1972 (stagecoach driver)
Trinity & Sartana Those Son’s of Bitches – 1972 (sheriff)
Bad Kids of the West – 1973 (sheriff)
Court Martial – 1973 (farmer)
The Man Called Invincible – 1973 (Ilamo Orango/Mr. Orangutan)
The Crazy Bunch – 1974
The Return of Shanghai Joe – 1974 (Sheriff Wilson)

Remembering Steno

Born Stefano Vanzini on January 19, 1915 in Rome, Italy. He was the son of journailst Albert Vanzina. He graduated from the Academy of Fine Arts and entered the Experimental Center of Cinematography and began to graw caricatures, cartoons and write humorous articles under the pseudonym Steno. He then started writing scripts for radio and the theater. He was hired by director Mario Mattioli as a screenwriter and assistant director for several of his films. He directed his first film in 1949. For the next 30 years he would specialize and direct and write scripts for comic films. He directed Bud Spencer in four “Flatfoot” films. During his work in the '60s he was involved with two Euro-westerns directing and co-writing the screenplay for “Heroes of the West” (1963) and directing “Twins from Texas” (1964). He was married and had two sons who entered the film industry Henry a writer and Charles a producer and director. Steno died on March 12, 1988 in Rome. Today we remember him on what would have been his 95th birthday.