Friday, April 29, 2016

Who Are Those Guys? - Bernard Bresslaw




Bernard Bresslaw was born in Stepney, London, England on February 25, 1934. Bernard Bresslaw was born the youngest of three boys into a Jewish family. He attended the Coopers' Company's School in Tredegar Square, Bow, London E3. His father was a tailor's cutter and he became interested in acting after visits to the Hackney Empire. London County Council awarded him a scholarship to train at the Royal Academy of Dramatic Art where he won the Emile Littler Award as the most promising actor. After Educating Archie on radio and The Army Game on television, more television, film and Shakespearean theatre roles followed, until he was cast in “Carry On Cowboy” in 1965. Although officially starring in 14 Carry On films, Bresslaw did appear in one other: “Carry On Nurse”. The legs of Terence Longdon were deemed to be too thin and scrawny looking, so Bresslaw's were used as stand-ins for the scene where Joan Sims gives him a bath.

Bresslaw's catchphrase, in his strong Cockney accent, was "I only arsked" (sic), first used in The Army Game, and later revived in “Carry On Camping” (1969). In his fleeting appearance as an angry lorry driver in the 1970 film Spring and Port Wine, his character was dubbed.

At 6 ft 7 in (2.01 m), he was the tallest of the Carry On cast, head and shoulders over fellow Carry On regular Barbara Windsor, who is 4 ft 10 in (1.47 m). Because of his height he was briefly considered for the part of the Creature in Hammer's “Curse of Frankenstein” (1957), which ultimately went instead to 6 ft 5 in (1.96 m) Christopher Lee. Bresslaw later made a comedy version of Dr. Jekyll and Mr. Hyde for Hammer titled “The Ugly Duckling” (1959). He made great efforts to prepare for roles, for example learning genuine Swahili phrases for “Carry On Up the Jungle” (1970).

He wass featured as Varga, the lead villain in the 1967 Doctor Who story “The Ice Warriors”. Even though all the actors playing the aliens were over six feet tall, Bresslaw towered over them. Sonny Caldinez, who played an Ice Warrior in the story, stated in a 2004 interview that Bresslaw "was the only man that could make me feel small."

Bresslaw was the author of a privately published volume of poetry, Ode to the Dead Sea Scrolls.

Bresslaw was married to dancer Betty Wright from 1959 until his death. They had three sons: James, Mark and Jonathan.

Bresslaw died of a sudden heart attack on 11 June 1993. He had collapsed in his dressing room at the Open Air Theatre in Regent's Park, London, where he was to play Grumio in the New Shakespeare Company's production of Taming of the Shrew, the day after the death of fellow comedy performer Les Dawson. He was cremated at Golders Green Crematorium, north London, where his ashes were buried on 17 June 1993.


BRESSLAW, Bernard [2/25/1934, Stepney, London, England, U.K. – 6/11/1993, London, England, U.K. (heart attack)] – singer, stage, radio, TV, voice actor, poet, author, married to dancer Elizabeth ‘Betty’ Wright (1959-1993), father of James Bresslaw, Mark Bresslaw, Jonathan Bresslaw.
Carry on Cowboy - 1965 (Little Heap)

Thursday, April 28, 2016

RIP Ugo Adinolfi


Italian supporting actor Ugo Adinolfi died in his sleep in Rome on April 26th. He was 73. His son Mario reported his father’s passing on Facebook. Ugo was born in Milan, Lombardy, Italy on April 1, 1943. He moved to Rome where he graduated from the Experimental Centre of Cinematography and became an actor in over 60 films of which eighteen were westerns. In the early 1970s he left the business to devote time to his family. Most of the films he appeared in he had small parts and he was cast mainly for tax purposes. Among his films were “Killer Kid”, “The Moment to Kill”, “The Wild and the Dirty” (all 1967), “Gatling Gun”, “Kill Them All and Come Back Alive”, “The Mercenary”, “Sartana” (all 1968), “A Man Called Apocalypse Joe” (1970) and “Drummer of Vengeance” (1971). His son is journalist and politician Mario Adinolfi.  

RIP Wolfgang Hess



Another legendary voice actor has left us. Wolfgang Hess, the German voice of Bud Spencer in over 40 films died on April 28th. He was 79. Hess was born on September 1, 1937 in Switzerland.  He was mainly in the 1970s and 1980s, sought-after and often booked as a voice actor with more than 500 credits. More than 40 times Hess voiced the roles of Bud Spencer in Germany, among which are his most popular works with Terence Hill as They Call Me Trinity, Trinity Is Still My Name.

New Book Release



The Euro-Western: Reframing Gender, Race and the Other in Film
Author: Lee Broughton

Publisher: IB Tauris, Cinema and Society series
Hardcover
Language: English
Pages: 304
ISBN: 1784533890
Release date: April 28, 2016

The Western has always been inextricably linked to the USA, and studies have continually sought to connect its historical development to changes in American society and Hollywood innovations. Focusing new critical attention on films produced in Germany, Italy and Britain, this timely book offers a radical rereading of the evolutionary history of the Western and brings a vital international dimension to its study. Lee Broughton argues not only that European films possess a special significance in terms of the genre's global development, but also that many offered groundbreaking and progressive representations of traditional Wild West 'Others': Native Americans, African Americans and so-called 'strong women'. European Westerns investigates how the histories of Germany, Italy and Britain - and the idiosyncrasies of their respective national film industries - influenced representations of the self and 'Other', shedding light on the broader cultural, historical and political contexts that shaped European engagement with the genre.

About the Author: Lee Broughton is a Leverhulme Fellow in the Centre for World Cinemas at the University of Leeds, where he teaches Film Studies. His research on European Westerns has appeared in the collections Impure Cinema, Intermedial and Intercultural Approaches to Film (2014), International Westerns: Re-Locating the Frontier (2014) and Directory of World Cinema: Germany 2 (2013). Lee has long been a contributor and supporter of Westerns… All’ Italiana! we wish him all the best on the release of his new book.

DVD Review by Lee Broughton



DVD Review by Lee Broughton

Rafael Romero Marchent double bill (Wild East)

Wild East Productions of New York have added a new addition to their ongoing Spaghetti Western collection. Both of the films featured on this double bill disc were directed by the Spanish Spaghetti Western stalwart Rafael Romero Marchent.

Garringo (Spain/Italy), 1969, 93 min.

Garringo is something of a minor classic that features two of the genre’s best loved actors, Anthony Steffen and Peter Lee Lawrence, going head to head in an exciting, gripping and suspense-ladened battle of wits. Johnny (Lawrence) is an incognito gentleman outlaw who is also a merciless psychopath.  His preferred source of income is stolen US Army payrolls but he always makes a point of torturing and killing the hapless soldiers that he steals from. It seems that Johnny saw his soldier father executed for cowardice when he was a child and now he’s waging a one man war against the American military machine. With the death toll rising rapidly, and no clues to be had beyond a series of mocking notes that are all signed "sincerely, Johnny", the disgraced but highly capable Lieutenant Garringo (Steffen) is ordered to find the killer and bring him in alive.

There's plenty of action to be had in this reasonably good looking genre entry and Garringo’s unorthodox and highly brutal methods result in him behaving almost as badly as Johnny at times.  As such, fans of Anthony Steffen will enjoy his no-nonsense tough-guy approach as the pragmatic hard man Garringo.  By contrast, fans of Peter Lee Lawrence might well be taken aback by the cruel, vindictive and menacing actions of his character here.  Incredibly, after building Johnny up to be one of the most despicable and chilling characters ever to appear in a Spaghetti Western, Marchent delivers a well-handled and somewhat surprising twist ending, in which some degree of sympathy is elicited for the disturbed villain. These final scenes might well feature the best acting of Peter Lee Lawrence’s career.

Lawrence and Steffen receive good support from a host of familiar faces here, including fan favorites such as Raf Baldassarre, Frank Brana and Antonio Molino Rojo.  The show also features a slightly understated but still pretty good soundtrack score by Marcello Giombini, which employs some interesting and effective keyboard work at times. Garringo is by no means a perfect film but the show does fully deserve the largely excellent reputation that it has garnered amongst Spaghetti Western fans over the years.

Two Crosses at Danger Pass (Due croci a Danger Pass, Spain/Italy), 1967, 91 min.

Young Alex Mitchell watches from afar as his mother and father are killed by the villainous land-grabber Moran (Armando Calvo) and his men.  While his young sister Judy is taken away to be Moran's slave, Alex is found and adopted by a kindly Quaker family. When Alex (Peter Martell) is fully grown, he returns to his childhood home at Danger Pass intent on rescuing Judy (Mara Cruz) and exacting vengeance against Moran and those who support him. However, Alex's adopted brother Mark (Luis Gaspar) follows him with the intention of convincing him that acts of violence and vengeance can never be justified.  With Mark getting in his way, and Moran's son Charly (Mario Novelli) proving to be a tougher opponent than anticipated, Alex's quest for revenge proves to be an arduous and upsetting experience.

Two Crosses at Danger Pass is a little-seen and quite low budget genre entry but it remains a surprisingly affecting, engaging and enjoyable film.  It's not as stylish-looking as Garringo but the main attraction and point of interest here is Marchent's ability to present some really novel twists within what - at first glance - appears to be a fairly standard vengeance for a slaughtered family narrative.  There are a number of nicely drawn and likeable characters here that demand varying degrees of emotional investment from the viewer and they're all brought to life by some really quite decent acting.  The show's star, Peter Martell, is a genre regular whose performances tend to polarize fans.  I do quite like Martell's work when he's on form and his performance here might well be a career best.  This is no straightforward revenge tale and Martell is called upon to project a wide range of emotions, which he convincingly manages to do.

Martell also delivers the goods during the film's many physically punishing action scenes too.  Ultimately, Wild East's unearthing of this rare Spaghetti Western might well result in a few genre fans re-assessing their opinion of Martell.  It's not all good news, though.  The legendary Francesco De Masi's soundtrack score is nowhere near his best work.  That said, the film's title song, 'Without Name' (as sung by Raoul), is really quite superb.  Further songs appear within the film's diegesis, as performed by the saloon singer Edith (Nuccia Cardinali).  As far as obscure second on the bill features go, Two Crosses at Danger Pass is surely as good as they get.

Extra features: three trailers, two image galleries and an interview with Rafael Romero Marchent.

Copyright © 2016 Lee Broughton.