By Daniel Walton
October 24, 2017
The first few seconds of Bandidos, the newest EP from
Asheville hip-hop duo Xero God, are the aural equivalent of an old film
projector sputtering to life. A rapid-fire sequence of distorted soundbites and
bursts of static flickers through the speakers, as if the record itself is
being brought into focus. The clatter soon resolves, and in an appropriately
cinematic way: a sample of theater organ and a deep baritone proclaiming it’s
time for the feature presentation.
“We think of each project like a different movie within
the same world,” says Tyler Jackson, who raps under the name Musashi Xero. “For
this album, we wanted to make a spaghetti Western.” Jackson and producer Paul
Gaeta, aka Panther God, celebrate the upcoming release of their self-described
space cowboy opera at One Stop on Saturday, Oct. 28.
Bandidos represents a chance for Xero God to make a less
serious “movie” than its self-titled 2015 debut. While that album explores the
dark character of an eponymous Christlike antihero, the new release showcases
Jackson’s humorous side — more Blazing Saddles than The Matrix. “It started off
as just a funny idea, like a joke, and we weren’t even sure if we were going to
do it,” he says. “But as Panther God gave me beats and I started writing, we
ended up deciding to double down and keep fleshing it out.”
Although their material may be less weighty than Xero
God, the tracks on Bandidos are just as tightly crafted. Jackson packs each
song with one clever line after another, many drawing on film references for
their wordplay. On the EP’s title track, Jackson riffs off Star Wars as he
raps, “Cinnamon girls, braids twisted, gold nose rings, sh*t / Sun rays hit ’em
and I’m stuck like carbonite victims / Han Solo charmin’ like sheesh /
Continental breakfast serving up quiche.” Bright, jazzy keyboards, layered with
smooth saxophone and boom-bap drums underneath, complete the chill-yet-playful
vibe.
Gaeta explains that his production on the record also
takes advantage of cinematic touchstones. The samples of horses and
six-shooters peppering the music are lifted out of old Clint Eastwood Westerns,
while some of the dialogue samples are taken from the Western-inspired sci-fi
anime Cowboy Bebop. Even David Lynch’s surreal thriller Mulholland Drive plays
a part: “A cowboy who’s this really enigmatic villain pops up for a second in
that movie, and most of that scene is put into little bits and bobs through the
intro and last track,” says Gaeta.
If Gaeta and Jackson are the stars of Xero God, the guest
artists they bring to the project are heavy-hitting character actors. Guitarist
Jared Hooker, better known as Tin Foil Hat, and DJ Marley Carroll helped flesh
out the record with atmospheric melodies and scratching work. “Having other
players on the project helps give each album its own specific, sonically
different feel,” says Jackson. “Their presence is superapparent — it wouldn’t
be Bandidos without those two.”
A sense of teamwork also comes through in the lineup of
the release show. Xero God is part of the BEAT LIFE collective, an
Asheville-based network of musicians that supports more downtempo,
hip-hop-inspired electronic music throughout the Southeast. The bill includes locals
Koresma and Cpt. HyperDrive, as well as Lavier from Boone and Oak City Slums
from Raleigh.
Gaeta, a lead organizer for BEAT LIFE, says the
collective works both to promote its artists’ shows and make those performances
themselves more memorable. “We’re all making essentially bass music, and it’s
important for us to have a proper place to showcase those frequencies,” he
says. “We bring in extra subwoofers, master engineers and lighting to have a
more immersive environment.”
The upcoming show will be no exception, especially given
its proximity to Halloween; Gaeta says visuals from The Undergrowth will
accompany the music with special horror references for the season. But Jackson
hopes the crowd itself provides some of the atmosphere. “If people want to come
out and be dressed as cowboys, cowgirls and bank robbers, we’d more than
support that,” he says with a laugh.
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