The Roanoke Times
February 25, 2008
“The term
‘Spaghetti Western’ was first coined by American critics of the Italian Western
and was intended to pejorative,” wrote Christopher Frayling in his book
“Spaghetti Westerns.”
“I prefer to
use ‘Spaghetti Western’ in a descriptive sense [for movies made in Italy and
Spain] – and also [as] a term of endearment.
Just as
Americans make pictures of other cultures – “Camelot” or “Crocodile Dundee II,”
for example – Italians started making movies about America’s mythical Wild West.
Cowboys, shootouts, bad guys, lawlessness all the good stuff. Something about
it got them hooked, and the fever eventually spread back to the U.S.
There are more
than 600 of these “Euro-Westerns, says Thomas Weisser in his book “Spaghetti
Westerns: The Good, the Bad and the Violent.” He lists a variety of movies such
as “Last of the Mohicans” and Kill Them All and Come Back Alone.”
American
actors such as Clint Eastwood, Jack Palance and even Henry Fonda got involved,
giving the movies appeal in the U.S., too. But Italian moviemakers such as
director Sergio Leone and composer Ennio Morricone gave the movies something
extras that has stood the test of time and placed the best of the Spaghetti
Westerns among the very best of all Westerns.
Morricone, by
the way, won an honorary Oscar last year for his career’s work, which includes
the legendary whistled refrain from “The Good, the Bad and the Ugly.”
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