19 Things You Never Knew About 'The Good, the Bad and the
Ugly'
By Gary Susman
“Oo-ee-oo-ee-oo, wah-WAH-wah...”
Half a century later, Ennio Morricone's theme from
"The Good, the Bad and the Ugly" remains one of the most instantly
recognizable and unforgettable pieces of movie music ever. Even if you haven't
seen Sergio Leone's epic Western, you know the tune, and you've probably heard
it in other movies and TV shows as some gunslinger sauntered into a dust-blown
vista, ready for a shootout. But none of those gunslingers was as badass as
Clint Eastwood, who cemented his icon status for all time when this film opened
50 years ago this week, on January 18, 1967.
As familiar as the movie, its antihero, and its music
have become over the decades, there's still plenty you may not know about the
classic spaghetti Western, from how stars Eastwood and Eli Wallach were nearly
killed many times on the set, to how the director injured himself in the crotch
with a revolver, to Eastwood's biggest complaint about the film that made him
an international star. Read on to learn the movie's secrets -- good, bad, and
ugly.
1. "The Good, the Bad and the Ugly" is famously
the third movie in Leone and Eastwood's "Dollars" trilogy, but it's
actually a prequel to the other two. Notice how it's not until the final
minutes of the movie that Eastwood's Man With No Name (here, nicknamed
"Blondie") picks up the iconic poncho he wears in "A Fistful of
Dollars" and "For a Few Dollars More."
2. Eastwood was reluctant to make a third picture with
Leone until he negotiated a deal that gave him $250,000 up front plus 10
percent of the North American profits -- and a new Ferrari. Not too shabby.
3. Leone (above) was warned against making the picture by
no less than Orson Welles, who claimed that movies set during the Civil War
were box office poison.
4. Having studied Matthew Brady's famous Civil War
photographs, Leone would insist that his movie, shot in Spain with a largely
Italian cast, was more historically accurate than American-made Westerns. There
were still some anachronisms, though, like the use of dynamite, which wasn't
invented until two years after the war ended.
5. To play colorful Mexican bandit Tuco, Leone wanted to
cast "Fistful" and "Few" co-star Gian Maria Volonte, but
the director decided that Volonte wouldn't bring the necessary humor to the
part. The director ultimately picked Wallach, who'd played similar parts in
"The Magnificent Seven" and "How the West Was Won."
6. For the merciless Angel Eyes, Leone wanted Charles
Bronson, but the actor was committed to making "The Dirty Dozen." He
also considered "Dozen" co-star Lee Marvin and Henry Fonda before
going with Lee Van Cleef, who'd played Col. Mortimer in "For a Few Dollars
More."
7. Eastwood warned Wallach, who was new to spaghetti
Westerns, that the Italian crew would be unreliable when it came to safety
issues. Indeed, Eastwood himself was nearly decapitated by a chunk of flying
debris during the bridge detonation scene; you can see it in the finished film
flying inches from his head and landing a couple feet from the actor.
8. Wallach, too, was nearly decapitated during the scene
where Tuco lets the train pass over him to sever his chains. Fortunately,
Wallach kept his head down, since the crew hadn't accounted for the exterior
steps jutting out from the train's cars.
9. Wallach also accidentally drank acid that a special
effects crew member had poured into a lemon soda bottle, but he spat it out
before it could do any damage. And during one scene, while Wallach was on
horseback with his hands tied behind his back, the horse got spooked by a
gunshot, galloped away, and ran a mile; miraculously, the actor didn't fall off
and get trampled.
10. Nonetheless, Wallach practically stole the movie from
Eastwood, who complained that Tuco came off as a more fully fleshed character
than Blondie. That wasn't just because of the script giving him some backstory.
Wallach claimed he'd improvised some of Tuco's best bits, including his playing
with the guns in the gun shop (something the actor said he did because he was
still a novice with guns), his shoving the "Open"/"Closed"
sign in the shopkeeper's mouth, and his line, "When you have to shoot,
shoot! Don't talk!" Wallach said he didn't mean for that line to be funny,
but it made the crew laugh, so Leone kept it.
11. It might have helped Wallach that he was the only one
of the three stars who could speak to the director without an interpreter. Even
though Eastwood and Van Cleef had worked with Leone before, neither star could
speak any Italian. Nor could Wallach, but he and the director communicated in
French, which Wallach spoke poorly and Leone spoke fluently.
12. Leone had some odd ideas for Tuco's costume. Wallach
said he chose to wear both suspenders and a belt because that's how Leone
dressed. The director also wanted the actor to wear a gun dangling from a rope
instead of a holster.
13. Demonstrating how Tuco might swing around to reach
for the gun, Leone ended up hitting himself in the groin with the firearm. He
ultimately decided Tuco could carry his pistol in his pocket.
14. The movie is well known for being spare with
dialogue. There's none at all in the first 10 minutes of the movie. And the
famous showdown among the three leads near the end -- a master class in editing
-- ratchets up the intensity by cutting back and forth among the three gunmen
staring each other down wordlessly for nearly three minutes.
15. Leone would shoot and edit the film to fit
Morricone's music, rather than have the composer watch the completed film and
then time the music to fit the shots. The reason, apparently, was that when
Morricone would watch the footage, he'd inevitably annoy Leone by cracking up
into helpless laughter
16. The film cost $1.2 million to make. It earned back
$25.1 million.
17. In 2002, Martin Scorsese helped restore 14 minutes
cut from the American release. The footage was all in Italian, so Eastwood and
Wallach had to re-dub their lines into English. Simon Prescott subbed for Van
Cleef, who had died in 1989.
18.Stephen King has cited Eastwood's performance in this
film as an inspiration for protagonist Roland Deschain in his "Dark
Tower" saga.
19.Quentin Tarantino has called "The Good, the Bad
and the Ugly" his "absolute favorite movie and the greatest
achievement in the history of cinema." You can find homages to it
throughout Tarantino's work, from the three-way showdown at the end of
"Reservoir Dogs" to the hiring of Morricone to score Tarantino's 2015
Western "The Hateful Eight."
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