Wednesday, November 11, 2026

Who Are Those Gals ~ Dada Gallotti

 

Dada Gallotti was born Aldina Piera Gallotti, on April 8, 1935, in Milan, Italy. She is an Italian actress known for her prolific career as a character actress in Italian genre cinema during the 1960s and 1970s. She became one of the most active supporting performers in European popular films, appearing in a wide range of genres including spaghetti westerns, crime thrillers, giallo films, historical epics, and erotic dramas. She frequently performed under alternative stage names such as Diana Garson for international releases and was noted for her strong screen presence in supporting and character roles.

Gallotti began her screen career in the early 1960s and collaborated with directors such as Lucio Fulci and Gianfranco Parolini on projects including “Adiós, Sabata” and “The Psychic”. Her work contributed significantly to the stylistic identity of Italian commercial cinema in the post-neorealist era, and she remained active into the early 1990s. Her extensive filmography continues to attract interest among enthusiasts of cult and exploitation films.

During the 1960s and 1970s, Dada Gallotti established herself as one of the most prolific supporting actresses in Italian popular cinema, appearing in dozens of films across various genres and contributing to the era's prolific output of commercial genre pictures.

Her activity was especially dense from the early 1960s through the mid-1970s, with frequent supporting turns that capitalized on her ability to portray diverse character types including bourgeois ladies, adventuresses, and helpful friends or authority figures.

After a hiatus of several years, she made a single return to acting with a television role in 1992, appearing as Giornalista in six episodes of the Italian comedy series ‘Un inviato molto speciale’. This marked her last known credit, after which she retired permanently from the profession.

GALLOTTI, Dada (aka Dada Galloti, Dada Galore, Dada Galotti, Diana Garson, Diana Garsón) (Aldina Piera Gallotti) [4/8/1935, Milan, Lombardy, Italy -     ] – film, TV actress, married to entrepreneur Otto Lughin (198?-    ).

Lost Treasure of the Aztecs – 1964 (Ilona)

Epitaph for a Fast Gun – 1965 (Nora Kenton) [as Diana Garsón]

Johnny West – 1965 (Ginger) [as Diana Garsón]

Johnny Yuma – 1966 (Susan)

Pour un dollar amour – 1966 (sheriff’s daughter) [as Dada Galloti]

Lola Colt – 1967 (Virginia Blake)

Hate for Hate – 1967 (Mrs. Driscoll) [as Alba Gallotti]

Shotgun - 1967 (Mary Mulligan)

$10,000 Blood Money – 1967 (Scarface/Bobo’s woman)

Vengeance is Mine – 1967 (saloon singer)

Heads or Tails – 1968 (Lilly)

Saguaro – 1968 (Julie/Giulia)

Three Silver Dollars – 1968 (Mrs. Garland)

The Long Ride of Revenge – 1970 (Deborah Luke/Carter)

Blazing Guns – 1971 (Madam Mae)

These Damned Pounds of Gold – 1971 (Carol Wolley)

God in Heaven, Arizona on Earth – 1972 (Nora)

7 Devil’s on Horseback – 1972 (Sister)

Once Upon a Time in the Wild Wild West – 1973 (saloon girl)

The Son of Zorro – 1973 (Mathilda Leblanche)

Special Birthdays

Antonio Casas (actor) would have been 115 today but died in 1982.








Sergio Doré (actor) would have been 110 today but died in 1997.



Tuesday, November 10, 2026

Little Known Spaghetti Western Actors ~ Takis Emmanuel

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Takis Emmanuel was a Greek actor known for his contributions to Greek cinema and international films during the 1960s and 1970s, often appearing in dramatic productions.

His career featured roles in notable works such as “The Magus” (1968) directed by Guy Green, showcasing his versatility in English-language projects alongside prominent casts.

Born Takis Ammanuouil on January 4, 1933, in Missolonghi, Greece, Emmanuel developed his craft in the Greek film industry before gaining exposure in international co-productions. His performances often reflected dramatic themes, earning him recognition for his screen presence.

He continued acting into later decades and died on August 26, 2017, in Athens, leaving a legacy of memorable supporting roles in films addressing human drama. Emmanuel's work bridged Greek national cinema with global productions, making him a distinctive figure in mid-20th-century Mediterranean filmmaking.

Takis Emmanuel appeared in two Spaghetti westerns: “C’era un a volta il west” (Once Upon a Time in the West) as one of Frank’s henchmen at Harmonica’s brother’s hanging in 1968 and “Cañones para Córdoba” (Cannon for Cordoba) as Campo in 1970.

EMMANUEL, Takis (Takis Ammanuouil) [1/4/1933, Missolonghi, Etoloakarnania, Greece – 8/26/2017, Athens, Greece] – producer, director, author, writer, stage, film, TV actor.

Once Upon a Time in the West – 1968 (Frank henchman at hanging)

Cannon for Cordoba – 1970 (Campo)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Pere Marzo

Pere Marzo is a Spanish producer, production manager, director, film editor and film actor from Barcelona. He’s produced five films since 2019, edited ten since 2014 and directed one Euro-western, “Goodbye Ringo” in 2017 and the TV documentary ‘Esplugas City, West of Barcelona’ in 2016.

He lives and works in Barcelona where he graduated from the Universitat Pompeu Fabra and also attended post graduate studies. His award winning film “Goodbye Ringo” was a development as part of the Master in Creative Documentary at UPF Barcelona School of Management.

MARZO, Pere (Pere Marzo Font) [199?, Barcelona, Spain -     ] – producer, production manager, director, film editor, film actor, co-founded Colibris Studio [2015]

Esplugas City, West of Barcelona (TV) - 2016

Goodbye Ringo – 2017


Spaghetti Western Screenwriter ~ Walter Fleming

Walter Fleming is an alias used by Italian director, assistant director, writer, film editor Luigi Petrini. He is known for his work in 1970s and 1980s Italian genre cinema, particularly in action, crime, and exploitation films. Born in Rome on December 7, 1934 1, he directed and wrote several low-budget features that reflected the era's popular poliziotteschi and controversial exploitation trends.

His notable directorial credits include “Day of Violence” (1977), “White Pop Jesus” (1980), and “A suon di lupara” (1968), often blending violent action with social commentary or sensational elements. Petrini also contributed as a writer and assistant director on other projects during his career. He died in Rome on June 12, 2010 at the age of 75.

Luigi Petrini using the alias Walter Fleming wrote the screenplay for one Spaghetti western, “Porno erotico western” (Porno-Erotic Western) in 1978.

FLEMING, Walter (Luigi Petrini) [12/7/1934, Rome, Lazio, Italy – 6/12/2010, Rome, Lazio, Italy] – director, assistant director, writer, film editor.

Porno-Erotic Western – 1978


Spaghetti Western Cinematographer ~ Georg Schubert

Georg Hermann Schubert was born in Berlin, Germany on June 14, 1869 and began his career in cinematography in 1913, during the early development of the German silent film industry when short films dominated production. His earliest documented credits include serving as cinematographer on several short films that year, among them “Das Fischermädchen von Skagen”, “Der Totenkopfhusar”, and “Helena, das lebende Torpedo”, all produced in the nascent era of German cinema. These works were typically created by short-lived production companies characteristic of the pre-war period, when the industry was still experimenting with narrative and technical possibilities in short formats.

In 1915, Schubert received another credit as cinematographer for the short film “Der schwarze Husar”, continuing his involvement in the evolving German film scene just before his transition to directing the following year. As an early artisan behind the camera, he contributed to the foundational phase of German silent cinema, working in an environment of rapid change and limited resources typical of the time.

Georg Schubert was a cinematographer on one silent Eur0-western, “Der Cowboy-Milliardär” (The Cowboy Millionaire) in 1920

SCHUBERT, Georg (aka Georg H. Schubert) (Georg Hermann Schubert) [6/14/1869, Berlin, Berlin, Germany – 1/2/1943, Anaheim, California, U.S.A.] – producer, director, writer, cinematographer, cameraman, actor, married to Dora  Katharina Cataharina Magdalena Carolina Vetter [1866-1948]  (1895-19??) father of union president Walter Schubert [1896-1980], associate professor at Hartford Theological Seminary Paulus Schubert, Dr. Felix Schubert, Dora Schubert Seng, Seventh-day Adventist evangelist, pastor, and church administrator.

The Cowboy Millionaire – 1920

Miguel Pedregosa Memoriam

The ecijano Miguel Pedregosa remembered in the "In Memoriam" of the Goya Awards

The master of arms Miguel Pedregosa, a native of Écija, died in August 2024 and has been remembered in the In Memoriam of the 39th edition of the Goya Awards held in Granada.

Ecija Web

9/2/2025

The In Memoriam of the Goya Awards, is the moment of the gala that is intended to remember people from different professions, linked to the world of cinema and who have died in the last year. Actors and actresses, directors, producers, makeup artists or chamber performers, are some of the professionals remembered in this edition and among them the Ecijano Miguel Pedregosa, master of weapons who died in 2024.

Miguel Pedregosa died on August 30, 2024. He was a renowned professional and throughout his career worked in over 500 films. It is considered one of the pioneers in Spain in working in major international productions, and proof of this are titles such as La Misión, Conan el Bárbaro, Rambo, Papillon, Marco Antonio and Cleopatra or The Bournen Ultimatum. Spanish productions such as Los Otros, La casa de los Espíritus, Mar in or Carmen -which was filmed in part in Écija-, are some of the degrees in which he demonstrated his mastery.

This Ecijan was more than a master of weapons, he was considered a master teacher, and this earned him several recognitions, among them the one offered by the Film Academy in November 2023, would be one of the last times he could be seen in public.

A master of weapons in the cinema is the head of the specialists, the people who are responsible for coordinating the work between the protagonists and the specialists, and this was the work of Miguel Pedregosa.

A life of cinema

On the occasion of the tribute of the academy, at ecijaweb.com there was a tour of the life of Miguel Pedregosa, a review that he himself carried out in an interview that same year in which he recognized that he arrived at the cinema thanks to the horses “I was born in Écija, where the horse dominates and everyone rides since childhood. We had the facility to ride because my father was a military cavalryman,” Pedregosa recalls. When moving to Madrid, opportunities arrived in the cinema, a sector that has changed a lot in these six decades. Local News Écija

Transiting through the falls of Iguazu – “no one else has done it before or after” – the departure of horse cars from a train, a house that had to take down on it, falls to the Red Sea where there were sharks ... are many risky anecdotes throughout its trajectory, where sometimes it came to work in up to three productions simultaneously, combined film and television. An example of this are the series The Commissioner and the Gran Prix program, with the heifer – “everything that the contestants did I tried it before so that nothing will happen to them”

About the profession today

“Today, specialists are better prepared and specialized. Before you did everything: high jump, horse fall, car drop... Now it is much safer, before it had to be done and already. You were hurt more because there were many more accidents”, compares Pedregosa who, when he started in this profession, did not even appear as specialists in the credits and accredited them as artistic distribution.

It was highlighted in this interview that Spanish specialists have always been very well considered, “especially in horse films, from El Cid. They have always been a point above foreign specialists because the mastery of horses in Spain is different from the whole world,” he boasted.

Miguel Pedrogosa was a reference until the end. When I was retired, I was still the teacher to consult doubts "It's weird the week that a master of arms doesn't call me to ask me how I would do such a thing and I tell you,”He said a few months before his passing.

In Memoriam

The last tribute and memory that has been had with Miguel Pedregosa has been during the 39 gala of the Goya Awards that have been held in Granada. In the section In Memoriam, in which he reminds the professionals who have died in the last year, the figure of the Ecijan Miguel Pedregosa has been highlighted.

Spaghetti Western Filmography:

The Savage Guns – 1961 (Ortega henchman) [stunts]

Billy the Kid – 1963 [stunts]

Gunfight at High Noon – 1963 [stunts]

Gunfight at Red Sands – 1963 [stunts]

Gunmen of the Rio Grande – 1964 [stunts]

The Last Tomahawk – 1964 [stunts]

Minnesota Clay – 1964 [stunts]

Seven from Texas – 1964 [stunts]

Dollars for a Fast Gun – 1965 [stunts]

A Pistol for Ringo – 1965 [Sancho henchman] [stunts]

The Relentless Four – 1965 (Anders’ ranch hand) [also stunts]

The Return of Ringo – 1965 [stunts]

7 Guns for the Mac Gregors – 1965 [stunts]

Vengeance Ranch - 1965

The Big Gundown – 1966 [stunts]

God Forgives... I Don’t! – 1966 [stunts]

The Hellbenders – 1966 [stunts]

Johnny Yuma – 1966 [stunts]

The Man from Nowhere – 1966 [stunts]

A Taste for Killing – 1966 [stunts]

The Ugly Ones – 1966 [stunts]

Any Gun Can Play – 1967 [stunts]

A Man, a Colt – 1967 [stunts]

Villa Rides! – 1967 (Villa guerilla) [stunts]

Dead Men Don’t Count! – 1968 [stunts]

Duel in the Eclipse – 1968 [stunts]

Guns of the Magnificent 7 – 1968 [stunts]

I Came, I Saw, I Shot – 1968 [stunts]

I Want Him Dead – 1968 [stunts]

Kill Them All and Come Back Alone – 1968 [stunts]

The Mercenary – 1968 [stunts]

Shalako – 1968 [stunts]

El Condor – 1969 [stunts]

Land Raiders – 1969 [stunts]

Sabata – 1969 [stunts]

Sundance Cassidy and Butch the Kid – 1969 [stunts]

Cannon for Cordoba – 1970 [stunts]

‘Doc’ – 1970 [stunts]

Hannie Caulder – 1970 [stunts]

Sabata the Killer – 1970 [stunts]

They Call Me Trinity – 1970 [stunts]

Catlow – 1971 [stunts]

Chato’s Land – 1971 [stunts]

The Deserter - 1971

Raise Your Hands Dead Man, You’re Under Arrest – 1971 [stunts]

What Am I Doing in the Middle of the Revolution? – 1971 [stunts]

Massacre at Fort Holman – 1972 [stunts]

The Sting of the West – 1972 (Branch)

Chino – 1973 [stunts]

The Man Called Noon – 1973 [stunts]

4 of the Apocalypse… - 1974 [stunts]

Zorro – 1975 [stunts]

The New Zorro (TV) – 1990-1993 [stunts]

Tomorrow I Could be Dead – 2012 [himself]


Special Birthdays

David Ashton (actor) is 85 today.








Josh Peck (actor) is 40 today.



Monday, November 9, 2026

Little Known Spaghetti Western Actors ~ Maria Andersen

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Maria Andersen is another enigma. She appeared in eleven films and television appearances from 1961 to 1966 sometimes being billed as Mary Andersen. But no biographical information is available. From her appearance and name she appears to be of Scandinavian decent. Did she try and make a career in Spain and after five years and gave up and went a different direction? Did she marry and leave the business or did she return to where she came from and fade into obscurity.

Maria Andersen appeared in two Spaghetti westerns: “La venganza del Zorro” (Zorro the Avenger) as Juana in 1962 and “Gli eroi del West” (Heroes of the West) as Barbara in 1964.

ANDERSEN, María (aka Mary Andersen) – film, TV actress

Zorro the Avenger – 1962 (Juana)

Heroes of the West – 1964 (Barbara) [as Mary Andersen]