Spaghetti Western Director ~ Alex Burks
Alex Burks was an alias used by Camillo Bazzoni who was
born in Salsomaggiore Terme, Emilia-Romagna, Italy on December 29, 1934. He was
an Italian film director and cinematographer, the younger brother of director
Luigi Bazzoni, whose career spanned from the early 1960s to 2000, contributing
to numerous productions in Italian cinema through roles in direction,
photography, and camera operation.
Bazzoni began his professional journey as a camera
operator on films such as Bernardo Bertolucci's “Prima della rivoluzione”
(1964), “La bellezza d'Ippolita” (1962), and “Violenza segreta” (1962). Over
the subsequent decades, he established himself as a director of photography on
a wide array of projects, including Mario Monicelli's “Speriamo che sia femmina”
(1985), Mauro Bolognini's “Le due vite di Mattia Pascal” (1985), and the
television miniseries “La Certosa di Parma” (1982). His directorial efforts were
more limited, encompassing four feature films between 1967 and 1972: “Vivo per
la tua morte” (1967, also known as A Long Ride from Hell), “Commando suicida”
(1968), “E venne il giorno dei limoni neri” (aka Black Lemons) (1970), and “Abuso
di potere” (1972, (aka Shadows Unseen), often blending genres like Westerns,
thrillers, and dramas. Bazzoni's later works as cinematographer included
contributions to films such as “Rosa e Cornelia” (2000) and “L'ombra del
gigante” (2000), showcasing his enduring versatility in capturing the visual
essence of Italian storytelling across dramas, comedies, and historical
narratives. He passed away in Mori, Trentino, Italy on October 8, 2020, at the
age of 85.
As Alex Burks he directed on Spaghetti western “Vivo per
la tua morte” (A Long Ride from Hell) in 1968.
BURKS, Alex (aka Marc Meyer) (Camillo Bazzoni) [12/29/1934, Salsomaggiore Terme,
Emilia-Romagna, Italy – 10/8/2020, Mori, Trentino, Italy] – director, writer,
cinematographer, cameraman, brother of director, assistant director, writer
Luigi Bazzoni [1929-2012], cousin of cinematographer Vittorio Storaro
[1940- ].
A Long Ride from
Hell - 1968
Spaghetti Western
Screenwriter ~ William E. Bast
William E. Bast was
born in Wauwatosa, Wisconsin on April 3, 1931. He moved to Los Angeles to study
theater arts at UCLA. There he met and became a close friend of actor James
Dean. When Dean died, Bast wrote a highly regarded biography of his friend
entitled James Dean: A Biography In 2006, he wrote a second, more
candid, book about his relationship with Dean entitled Surviving James Dean.
Bast, wrote
extensively for both film and TV such as episodes of series including
“Combat!,” “Perry Mason,” “Ben Casey,” “The Outer Limits,” “Alfred Hitchcock
Presents,” “Honey West,” “Dr. Kildare,” “The Mod Squad” and “It Takes a Thief.”
He also wrote scripts for the BBC and British Independent Television, adapted
Jean Giradoux’s play “Tiger at the Gates” for Granada Television and wrote
episodes for classic series “The Prisoner.”
In 1976 he received
the Mystery Writers of America Edgar Allan Poe Award for his telepic “The
Legend of Lizzie Borden,” starring Elizabeth Montgomery. His 1977 adaptation of
Alexandre Dumas’ “The Man in the Iron Mask,” with Richard Chamberlain in the
dual role, was nominated for an Emmy, and in 1982 his script for “The Scarlet
Pimpernel,” with Anthony Andrews and Ian McKellen, was honored with a
Christopher Award. In 1984, his script for the miniseries “The First Modern
Olympics” won him the Writers Guild Award for outstanding script for TV
longform series.
From 1985-87 Bast
wrote and produced, with his partner Paul Huson, “The Colbys,” a spinoff from
the ABC series “Dynasty.”
Bast died from
complications of Alzheimer’s on May 4, 2015, in Los Angeles, California. He was
84.
Bast’s only Euro
western was the co-screenplay for “El valle Gwangi” (Valley of Geangi) in 1968
with Julian More/
BAST, William E. (William
Edwin Bast) [4/3/1931, Wauwatosa, Wisconsin, U.S.A. - 5/4/2015, Los Angeles, California, U.S.A. (Alzheimer’s)] - writer.
The Valley of Gwangi
- 1968 (co)
Spaghetti Western
Cinematographer ~ Mario Capriotti
Mario Capriotti is/was
an Italian cameraman and cinematographer who worked thirty films as a cameraman
between 1953 and 1972 and also worked on thirty films as a cinematographer
between 1956 and 1977.
Even with this
number of film credits there is no biographical information available for him.
Capriotti was the
cinematographer on eight Spaghetti westens: “Sfida a Rio Bravo” (Gunman of the Rio Grande) in 1964 with Guglielmo
Mancori, “Doc, manos de plata” (The Man Who Came to Kill) in 1965 with Stelvio
Massi, “Johnny Yuma” in 1966, “Lo straniero di silenzio” (The Silent Stranger)
in 1968, “Un uomo chiamato Dakota” (A Gunman Called Dakota” with Angelo
Baistrocchi and “Un dólar de recompense” (These Damned Pounds of Gold) both in
1971, “Lo chiamavano Verità” (They Call Hilm Veritas) in 1972 and “Prima ti
suono e poi ti sparo” (Trinity the Bell, the Guitar) in 1974.
CAPRIOTTI, Mario (aka M. Capriotti,
Mario A. Capriotti) [Italian] – cinematographer, cameraman.
Gunmen of Rio Grande
– 1964 (co)
The Man Who Came to
Kill – 1965 (co)
Johnny Yuma – 1966
The Silent Stranger
- 1968
A Gunman Called
Dakota – 1971 (co)
These Damned Pounds
of Gold - 1971
They Call Him
Veritas - 1972
Trinity, the Bell,
the Guitar - 1974