Thursday, October 2, 2014

New DVD Release

A Double Dose of Pecos
My Name is Pecos / Pecos Cleans Up
(1966 / 1967)
 
Director: Maurizio Lucidi
Starring: Robert Woods
 
Country: U.S.A.
Label: Wild East
The Spaghetti Western Collection Vol. 50
Blu-ray
Discs: 2
Region: 0
Aspect ratio: 16x9, Widescreen Anamorphic
Language: English
Extras: Trailers, Picture Gallery, Exclusive Robert Woods interview
Available: September 29, 2014

Hollywood Case to Watch: MGM May Lose Rights to Eastwood & Brando Classics

By Joseph Perry
September 22, 2014
 
PEA Films, Inc., (PEA) which owns the rights to Hollywood classics “The Good, the Bad and The Ugly,” “For a Few Dollars More,” and “Last Tango in Paris,” filed a lawsuit in late August against Metro-Goldwyn-Meyerm Inc. (MGM) to terminate MGM’s contracts with the three iconic western films. According to PEA’s complaint listed in The Hollywood Reporter, PEA claims that MGM did not give PEA “honest and accurate accounting statements, showing revenue and expenses, together with timely payment of the amounts due to PEA.” In addition to the accounting statements PEA seeks damages in excess of $5 million.
 
PEA and MGM have had their disagreements before. In the 1990s, PEA sued MGM twice for underpaying PEA, and the parties eventually settled in both lawsuits. The settlements, however, did not end the issue. The parties continued to fight over audit reports in the 2000s, in which MGM delayed its payments to PEA. The Hollywood Reporter states that “PEA suspects MGM’s method of accounting is no accident, asserting the defendant is engaged in a ‘Hollywood accounting catch me if you can’ process designed intentionally to keep for itself money rightfully due to PEA.” It seems that PEA has finally drawn the line and seeks to cancel MGM’s contracts.
 
Ronald S. Taft and Howard J. Schwartz of Wolff & Samson PC represents PEA.

Who Are Those Guys? - José Bódalo


José Bódalo Zuffoli was born in Córdoba, Argentina on March 24, 1916. The son of actress Eugenia Zúffoli [1900-1982] and actor and singer José Bódalo, Sr. His birth in Argentina coincided with an artistic tour of his family, but soon moved to Madrid, where he began studying medicine.
 
After the Spanish Civil War, he emigrated with his family to Venezuela, where he debuted on radio, working as an actor and broadcaster for Radio Caracas and also participating as a professional soccer player. He moved to Spain in 1947, where he made over 120 stage, film and TV appearances between 1930 and his death in 1985.
 
From the mid to late 1960s he prolifically appeared in Spaghetti westerns which were often Spanish and Italian co-produced. He played the role of General Hugo Rodriguez in 1966’s “Django” opposite Franco Nero; and also performed in “Begin the Beguine”, the film that won the 1982 Academy Award for Best Foreign Language Film.
 
He appeared in many comedy or drama films in Spain but also appeared in many television series particularly after 1970 such as ‘Novela’ from 1969–1977,Cañas y Barro’ (1978) and ‘Estudio’ 1 in the early 1980s.
 
José Bódalo died in Madrid, Madrid, Spain on July 24, 1985.
 
BÓDALO, José (aka Francisco Bódalo) (José Bódalo Zuffoli) [3/24/1916, Córdoba, Argentina - 7/24/1985, Madrid, Madrid, Spain] – professional soccer player, stage, radio, TV actor, son of actress Eugenia Zúffoli [1900-1982] and singer José Bódalo, Sr., married to Alicia Fernandez Tomas (19??-1985), father of Alicia Bodalo, Maria Teresa Bodalo.
Django - 1965 (General Hugo Rodriguez)
Dollars for a Fast Gun - 1965 (Martin)
Ringo’s Big Night – 1965 (Tombstone Sheriff Sam Murdock)
Thompson 1880 – 1966 (Judge Lennox)
Professionals for a Massacre – 1967 (El Primero)
Ringo’s Big Night – 1967 (sheriff)
A Train for Durango – 1967 (‘The Chief’)
One After the Other – 1968 (Colonel Jefferson)
Garringo - 1969 (Sheriff Klaus)
Companeros! - 1970 (General Mongo Alvarez) [as Francisco Bódalo]
Captain Apache – 1971 (General)

Happy 70th Birthday Serena Michelotti

Serena Michelotti was born on October 2, 1944 in Merano, South Tyrol, Italy. Serena appeared in 13 films and TV series. She was also the Italian voice of several actresses in a half-dozen films. She appeared in only one Euro-western as the widow Warren in “It Can Be Done Amigo” (1972) with Bud Spencer and Jack Palance. Serena died on July 19, 2011 in Rome, Italy.
 
Today we remember Serena Michelotti on what would have been her 70th birthday.

Wednesday, October 1, 2014

MERCENARY screening at The Revue Cinema, Toronto, Canada

On Thursday, October 2nd the Revue Cinema in Toronto, Canada as part of the Trash Palace program is showing “The Mercenary” (PG)110 min at 9:30 p.m.
 
Revue Cinema
400 Roncesvalles Ave, Toronto, Ontario M6R 2M9, Canada
416-531-9950
 
Pricing:
Star: $8.00
General Admission: $11.00
Child (12 and under), Senior (65 and over) Student (present a valid student ID): $8.00
 
Star Cards save you $3 off your ticket price, 10% off concessions plus get you a free movie at expiration with a monthly attendance! Star cards are $10 annually and are available at the box office.
 
The Revue Cinema link: http://revuecinema.ca/home

WATCH OUT GRINGO... SABATA WILL RETURN

Judas... ¡toma tus monedas! – Spanish title
Attento gringo, è tornato Sabata – Italian title
Gare-toi Gringo… v’la Sabata – French title
Hrysafi gia pente – Greek title
Luck Morgan You Won’t Get That Gold – English title
Watch Out Gringo! Sabata Will Return – English title
 
A 1972 Spanish, Italian co-production [Balcázar Producciones Cinematográficas (Barcelona), Empire
Film (Rome)]
Producer: Alfonso Balcázar
Director: Al Bagran (Alfonso Balcázar), Stan Parker (Pedro Luis Ramirez), Giovanni Simonelli
Story: Alfonso Balcázar, José F. Larraz, Giovanni Simonelli
Screenplay: Alfonso Balcázar
Cinematography: Jaime Deu Casas [Eastmancolor, CinemaScope]
Music: Piero Piccioni (Gianpiero Piccioni)
Running time: 89 minutes
 
Cast:
Rayo – George Martin  (Francsico Celeiro)
Sabata/Texas – Victor E. Richelmy (Vittorio Richelmy)
Carrancho – Fernando Sancho (Fernando Les)
Luke/Luck Morgan – Daniel Martin (José Martínez)
Malcolm – Pajarito (Murriz Brandariz)
Saloon owner – Manuel Gas (Manuel Cabré)
Morgan henchmen – Luciano Rossi, César Ojinaga, Juan Fairen Farre
Kidnapped stage passenger - Rosalba Neri
Mormon leader - Osvaldo Genazzani
Gold guard - Manuel Bronchud
Store owner – José Paloma (José Jiménez)
 
A Mexican bandit hides a chest full of gold (the result of a robbery carried out together with his gang) in a location overlooking a Mormon church. Two gunslingers know that at the appropriate time the Mexican will recover the gold and save himself from the vengeance of the members of the gang. Finally, the gang is eliminated. The three reach the place where the gold was buried; but the precious metal has been taken by Mormons who plant to it give it back and receive the reward. The cunning gunslingers seize gold and leave the Mexican prisoner with the Mormons, who they believe that is solely responsible for the robbery.

Buffalo Bill still fires Europeans’ imagination

Bozeman Daily Chronicle
By GAIL SCHONTZLER
September 24,2014
 
Long before American pop culture invaded Europe in the form of blue jeans and jazz, movies and rock ‘n’ roll, Buffalo Bill Cody conquered the Old World with his Wild West show.
 
Cody remains an “enduring icon” in Europe today, say two professors of American studies from the University of Utrecht in the Netherlands.
 
Montana State University history professor Robert Rydell brought Rob Kroes and Jaap Verheul, “two of Europe’s leading authorities on American history and culture,” to Bozeman this week to meet with graduate students and give a public talk Wednesday on the topic of Buffalo Bill in Europe.
 
Today there are Wild West theme parks from Spain to Scandinavia, and one near Munich attracts a million visitors a year, Kroes and Rydell wrote in their 2005 book “Buffalo Bill in Bologna.”
 
Germans in particular enjoy vacations where they dress up and reenact life as American Indians, often idealized as people living closer to nature. Disneyland Paris features a modern version of Buffalo Bill’s Wild West Show – which, as Caroline Running Wolf described at a recent Pecha Kucha lecture, creates an avenue for reverse colonization of Europe by Native Americans.
 
The original Wild West show, launched in 1883, was already a hit in America when Mark Twain suggested Cody take it to Europe. While most American exhibitions were dismissed as hand-me-downs of European culture, the Wild West show was, Twain wrote, “purely and distinctively American.”
 
Cody’s show toured Europe from 1887 to 1906, visiting Britain, Italy, Spain, France, Belgium, Austria, Germany and the Vatican, where the pope gave his blessing. Millions of Europeans saw the show as a living depiction of the America they had only read about before.
 
Part of the attraction was that the show wasn’t put on by actors but by real cowboys, sharpshooters and Indians. Cody brought 97 Indians, 180 horses, 18 bison, 10 elk and a couple of deer to the first shows in London.
 
The Wild West show, Kroes said, “told the story of conquest of the American West, battles with Indians, and the heroism of it all.”
 
Cody reinforced stereotypes about Indians, Rydell said, but he also let them keep their own cultural traditions and gave them an alternative to life on reservations.
 
The Prince of Wales, the future king of England, came to see the show, as did his mother, Queen Victoria, in her first public appearance since her husband’s death a quarter century before. One day the prince and the kings of Denmark, Greece, Belgium and Saxony boarded the Deadwood Stage as Buffalo Bill drove it around the arena and Indians staged a mock attack.
 
Daily Wild West shows depicted “civilization” conquering the Indian “savages.” Yet equally popular with Europeans were the tipi encampments put up by the show’s Indians, where visitors could meet exotic Native Americans and heroic chiefs, Kroes said.
 
A poster from that era depicts Rosa Bonheur, the famous French artist, ignoring the chance to paint Napoleon in favor of Cody – the “new man of the West, looking virile and manly,” Rydell said. She loved horses and was rumored to have had an affair with Cody. After his horse died, Cody sent her its head as a gift.
 
Even in Cody’s day, some Europeans criticized Americans for the treatment of Indians and for building a civilization on the gun and the bullet. The violence both “disturbed and secretly attracted” Europeans, Verheul said.
 
Cody’s popularity increased after his death, reaching its peak in the 1950s, Verheul said. It was the era when TV Westerns like “Bonanza” and “Gunsmoke” dominated American culture. Europeans watched the same TV shows, the professors said.
 
In the 1950s, Buffalo Bill appeared especially in children’s books as a hero to European children. Just like American kids, they grew up playing cowboys and Indians.
 
In his talk, Rydell planned to show a color lithograph from an Italian magazine of political satire that in 1906 depicted Cody riding a giant bullfrog – a play on Italian slang that aimed its critique at corrupt Italian politics.
 
The original bullfrog image today is in the Buffalo Bill Center of the West museum in Cody, Wyoming – having once resided with the Earl of Carnarvon, owner of Highclere Castel of “Downton Abbey” fame.
 
The visiting professors said they plan to visit the Cody museum.