Between the years 1965 and 1972, two Catalan production companies made about seventy films of the spaghetti western genre in the West Bank. We’ll tell you about it.
Sapiens
Salvador Giné (text) / Àngel Comas (advice)
Grants and inflated budgets: a safe business
osep M. Forn, director of 'La piel quemada' or more recently 'Companys, procés a Catalunya', remembers very well how in 1962 Iquino defined the type of films to which they should be limited: "There are shoe factories and espadrille factories - I told him - and we make espadrilles." Àngel Comas, author of Ignacio F. Iquino. Hombre de cine', he points out further: "Neither Balcázar nor Iquino nor any other producer had the slightest interest in making a glamorous premiere of the film".
The artistic and technical pretensions got in the way.
Movies were to make money and that's it. They made sure of it on the one hand
by obtaining state subsidies and, on the other, by inflating the budget paid by
the co-producers, usually Italian (who at the same time received subsidies from
their country. With all the income they overpaid the production costs It was,
therefore, a safe business.
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