Tomás Milian (Tomás Quintin Rodriguez Milian) died at his
Miami, Florida home on March 22nd. He was born on the 3rd of March
1933 in Cutono, Cuba near Havana. His father was Tomas Rodriguez, a general
serving the dictatorship of Gerardo. After having problems in his childhood and
having been the eyewitness of his father’s suicide, he decided in 1955 to leave
Cuba to become an actor in America. Arriving in Miami, he began a score of
small jobs (dishwasher, valet attendant, etc),which might have proved good
inspiration for his latter working class heroes and ever-changing, on-screen
personas. After spending a few months in the Navy, to get his American
citizenship, he passed an audition at Elia Kazan's Actor's Studio, where he was
taught the seminal "Stanislavskij method" of acting. He acted in a
Broadway piece that had been written just for him, Maidens and Mistresses and At
Home at the Zoo by Meade Roberts. He then wanted to play bigger roles so he
left the U.S.A. to go to Italy. Soon he worked with Italian arthouse
film-directors and played in several Italian productions. His first big roles
in Spaghetti Westerns were in Sergio Sollima's “The Big Gundown” (1967) and in
Giulio Questi's infamous “Django Kill!” (1967). After the Spaghetti Western
era, his career slowed down. He moved back to America, where he pursued a
low-key career as a character actor. You can see him in Stephen Soderberghs's “Traffic”
(2001) and Oliver Stone's “JFK” (1991). Having an amazing, more than thirty
year-long acting career, there seemed to be no end to the talents of this Cuban
chameleon.
And Brazilian fans mourn his death too, since that he was very popular here in the glory days of the Spaghetti Westerns!Fly,Tomas,fly, and say hello in our names to all of the other greats who are now with you...
ReplyDeleteR.I.P
Stephan, from Brazil