Franco Delli
Colli was born on March 2, 1929 in Rome, Italy. He began working in the late
1940s with his cousin Tonino Delli Colli [1923-2005] as a camera operator and
assistant cinematographer, and worked with him to dozens of films, including
Dino Risi's “Poveri ma belli” (1957), Pier Paolo Pasolini's “Accattone” (1961) and
“Mamma Roma” (1962) and Luchino Visconti's “The Leopard” (1963). In the early 1960s
Delli Colli started his career as director of photography, working mainly in
genre films; his credits include Pupi Avati's “Balsamus l'uomo di Satana”
(1970) and “Zeder” (1983), one of his two Euro-westerns, Giulio Questi's “Django
Kill” (1966), Lamberto Bava's “Macabre” (1980) and Sidney Salkow's “The Last
Man on Earth” (1964). In the early nineties he retired from cinema to dedicate
himself to design a right kind of lighting to improve the appearance of the
most famous and frequented places in Italian art cities.
Delli Colli died on April 22, 2004 in Rome, Italy.
Today we remember Franco Delli Colli on what would have been his 85th birthday.
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