Geneviève Bujold was born on July 1, 1942 in Montréal,
Québec, Canada. She spent her first twelve school years in Montreal's
oppressive Hochelaga Convent where opportunities for self-expression were
limited to making welcoming speeches for visiting clerics. Caught reading a
forbidden novel, she was handed her ticket out of the convent and she then
enrolled in Montreal's free Conservatoire d'Art Dramatique. There she was
trained in classical French drama and shortly before graduation was offered a
part in a professional production of Beaumarchais' “The Barber of Seville”. In
1965 while on a theatrical tour of Paris with another Montreal company, Rideau
Vert, Bujold was recommended to director 'Alain Renais' who cast her opposite
Yves Montand in “The War Is Over” (1966). She then made two other French films
in quick succession, the Philippe de Broca cult classic “King of Hearts” (1966)
and Louis Malle's “The Thief of Paris” (1967). Bujold was also very active
during this time in Canadian television where she met and married director Paul
Almond [1931- ] in 1967. They had one child and divorced in 1973. Two
remarkable appearances - first as Shaw's “Saint Joan” on television in 1967,
then as Anne Boleyn in her Hollywood debut role “Anne of the Thousand Days”
(1969), introduced Bujold to American audiences and yielded Emmy and Oscar
nominations respectively. Immediately after “Anne of the Thousand Days”, while
under contract with Universal, she opted out of a planned “Mary, Queen of Scots”
(1971), prompting the studio to sue her for $750,000. Rather than pay, she went
to Greece to film “The Trojan Women” (1971) with Katharine Hepburn. Her
virtuoso performance as the mad seer Cassandra led critic Pauline Kael to
prophesy prodigies ahead but to assuage Universal, Bujold eventually returned
to Hollywood to make “Earthquake”, co-starring Charlton Heston. A host of other
films of varying quality followed but she managed nevertheless to transcend the
material and deliver performances with her trademark combination of ferocious
intensity and childlike vulnerability. In the 1980s she found her way to
director Alan Rudolphs nether world and joined his film family for three movies
including the memorable “Choose Me” (1984). Highlights of recent work are her
brave performance in the David Cronenberg film “Dead Ringers” (1988) and a
lovely turn in the autumnal romance “Les noces de papier” (1990) (TV). Geneviève
made one Euro-western Claude Lelouch’s “Another Man, Another Chance” (1977)
with James Caan. Today we celebrate Geneviève Bujold’s 70th
birthday.
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