Tuesday, October 1, 2019

Once Upon a Time in Deadwood - Review



Robert Bronzi Returns in ‘Once Upon a Time in Deadwood’

By Corey Danna

In Once Upon a Time in Deadwood, The Colonel (Robert Bronzi) is a hardened former soldier who has taken to traveling the wild west on his own. He’s as tough as they come and marches to the beat of his own drummer. Ursula (Karin Brauns) is an heiress with money to spare and she needs help quick. Her sister and house servant have been kidnapped by the notorious Swearengen (Michael Pare) who has sinister plans for the two.

Ursula tracks down The Colonel to ask for help. He refuses to help but accepts the meal she has offered him. After he eats, she informs him that he’s ingested a poison that will kill him in a few days and the only person who has the antidote is her sister. He’s forced to take to the trails with Ursula and try to save the girls. It won’t be an easy trip, people with villainous intentions are lurking around every tree, waiting to rob them of their possessions and dignity. It will be a dangerous trip with time being of the essence, if he makes a single mistake and falls behind, it could cost him his life.

I’m absolutely fascinated with Robert Bronzi. Not since the 1970’s when there were countless Bruce Lee imitators has someone come along and has received so much attention. The main difference in Bronzi’s case is the fact the resemblance to Charles Bronson is so uncanny. It’s almost jarring at times when he speaks and Bronson’s voice isn’t coming out of his mouth. Also, at least to me, while he looks like Bronson, the more he appears on screen, the more he appears to be developing his own onscreen persona. That’s why I’m really excited to see the next pairing of Bronzi with filmmaker Rene Perez, Cry Havoc.

Once Upon a Time in Deadwood is the third project for the duo and is as equally fun as the previous two From Hell to the Wild West and Death Kiss (check out my review of this one here). Perez directs with confidence and has a flare for making things look much grander than they may be. I’m sure the film was made quickly and on a tight budget but he’s been doing it long enough now he knows how to squeeze every penny out of that budget and turn it into gold.

Bronzi’s co-star Karin Brauns is something special as well. She has worked with Perez and Bronzi before and the chemistry translates to the screen. There’s something really special about her and her performance. There are moments in the film where she delivers a couple of monologues and while I was concentrating on her words, I found myself drawn to her eyes and the sincerity in them. It was very odd for me but at the same time it made me realize just how committed she is to her craft. It was also a treat to see the legendary Michael Pare appear as the films villain. He’s one of my all-time favorites and every time he appears in a film it’s a treat to his fans.

OUATID is a traditional western in every sense of the word. While the story isn’t groundbreaking, it works and holds your attention. There’s plenty of action in between story beats and I was happy to see Perez didn’t go light on the red stuff. Perez also knows the importance of music in a low budget feature. The Darkest Machines (Perez) delivers a score that sounds like a traditional western score with hints of a modern rock sound. It has a huge sound and helps to give the film some extra value.

With each film he puts out, it becomes more and more apparent just how much he enjoys making low budget genre pictures. It’s almost like he’s challenging himself with each film and in doing so, he’s becoming a stronger filmmaker. Make no mistake, he’s making B-movies, but for people like myself, they’re what helped to mold my love for film. OUATID is nothing but a real good time and a perfect way to keep youself entertained.


Once Upon a Time in Deadwood

A 2019 U.S.A., Spanish co-production [Millman Productions, Ron Lee Productions ]
Producers: Jeff Miller, Ronnie D. Lee
Director: Rene Perez
Story: Rene Perez, Jeff Miller
Screenplay: Rene Perez, Jeff Miller
Cinematography: Rene Perez [color]
Music: Randy Miller
Running time: 85 minutes

Cast:
The Colonel - Robert Bronzi (Robert Kovacs)
Swearengen - Michael Paré
Ursula - Karin Brauns
Abigale - Lauren Compton
Lemuel - Chris Matteis (Christopher Matteis)
Crud - Justin Hawkins
Jacob - Tony Jackson
Sierra - Sierra Sherbundy
Deputy Sheriff - George j. Merino
Gunman robber - J.D. Angstadt
Villain with sash - José Varela
Daisy - Jadzia Perez
Mort - Woody Clendenen
Ms. Patty - Laura Pulone
Dead guy in stagecoach – Jeff Miller
Hanging woman - Veronica Lopez



A notorious gunslinger is slipped a slow-acting poison by an heiress and told he has three days to track down and rescue her sister, who has been kidnapped by a gang of hoodlums and holds the antidote.

 





My Fried the Vagabond


Mi amigo el vgabundo – Spanish title
My Friend the Vagabond – English title

A 1984 Spanish, Japanese film co-production [Acónito Films (Madrid) & Masurao Takeda Films (Tokyo)]
Producers: Masurao Takeda, Augusto Boué, Pedro Sopeña
Director: Jacinto Molina
Story: Jacinto Molina
Screenplay: Jacinto Molina
Cinematography: Julio Burgos [color]
Music: Fernando García Morcillo
Running time: 86  minutes

Cast:  
Nazario Valiente 'El Duque' - José Luis López Vázquez
Sergio - Sergio Molina
Esopo - José Bódalo
Irene - Julia Saly
Pija - Gracita Morales
Ana - Florinda Chico
Enrique - Paul Naschy (Jacinto Molina)
Fraulein - Yolanda Farr
Commissioner - Manuel Zarzo
Juanjo - Alberto Fernández
Charlie - José Segura
El Punk - Pep Corominas
Sole - Beatriz Elorrieta
El Flaco - David Rocha
El Rata – Paco Nieto (Francisco Nieto)
Rufino – Toni Valento (Tony Valento)
Mexicans - Ernesto Vañez (Ernesto Vañes), José Riesgo
Businessmen - Javier Lozano, José Luis Barceló
Inspector - Mauro Rivera
Pija – (Alejandro Grepi (Alejandra Grepi)
With: María Mareo      María Mareo               

My Friend the Vagabond film review
By Michael Ferguson

Just got to see Jacinto Molina's delightful family film "Mi amigo el vagabundo" aka 'My Friend The Vagabond'. 

In it his son Sergio (real life and on screen adopted son) has a number of dream sequences where he encounters different characters including assorted western types. Most interesting he doesn't meet Waldemar Daninski thou... 

But, there is a quick line of dialogue early on when Sergio Molina as the child says he has an appetite like a "Wolf Man". I'm
sure that was a "Andermonster" (& the co-sub-titler Turdis) touch that improved on the original subtitle reference to being hungry like a wolf...

In the first dream (three minutes) he is helped by a town sheriff and fast-shooting pistolero (José Luis López Vázquez) ...



Naschy as the Sheriff


The scene is shot in a Spanish hacienda in Madrid dressed up as a Mexican village. The Museum where they shot A Fistful of Dollars ?

Old time Spaghetti western actors Ernesto Vañes (of Mario Bianchi's Creeping Death) & José Riesgo (of Sergio Corbucci 's The Mercencary) are the two chatty Mexican peons that watch and provide the running commentary on arrival of the main characters. 

Later he meets The Musketeer D'Artagnan and Zorro...

Nice nod to John Wayne with López Vázquez's character being called "The Duke). Django's Jose Bodalo appears through-out the film playing the bearded friend of López Vázquez. 

All the dream sequences come across rushed, an afterthought after the main production was done?, as lead actor José Luis López Vázquez is clean shaven. Throughout the film proper he is totally unrecognizable as the bearded good-hearted Tramp. If he wasn't nominated for the best actor award he should have been, his performance is that good. His role in the last half hour of the film seems reduced.

Ex "Seven Guns for the MacGregors" brother Manolo Zarzo plays the Police Commissioner who personally takes over the case of the kidnapping of wealthy businessman Naschy' recently adopted urchin son, Sergio.

Beatriz Elorrieta Lacy, daughter of spaghetti director Jose Luis Elorrieta de Lacy (Fury of the Apaches), plays the gang's Moll who realizes the error of her life choices. 

The film is far more sophisticated than I thought it would be. Chilling look at the underbelly of being poor and lonely on the streets of Madrid. Even the hippy punk gang is believable and not too cartoonish. Their kidnapping sub-plot is unnecessary and changes the nature of the story. It also includes the usual sentimental Spanish kid scenes (all 'a "Good Evening Mr. Monster" , which exudes its own zany charm), and the inevitable "song" about friendship that can be forgiven. Even with these commercial touches Vagabond rises above and delivers an actual thought provoking script.

Quite a polished production. Well written and decently performed. A real insight into the Spanish (Spain) psyche. Naschy, even if it wasn't intentional and comically driven sticks it to the square headed Germans, who as a child he grew up under. He also shows a distain for the American air force base and its occupants outside Madrid. One of the characters blames the death of young Sergio's mother on her acquaintance with the Americans. Most Spanish actors and crews despised taking a second seat to the American, Italian and Germans that populated the spaghetti west. A second invasion of their homelands? ...Perhaps.

Thanks to "Turdis" & "Andermonster" (who cleaned up and improved on the subtitles) for sending me a copy of the film...