Friday, February 2, 2018

A look at Australian westerns



Australian ‘meat pie’ westerns have been around for more than a century

The Daily Telegraph
By Troy Lennon
January 21, 2018

WHEN you think of a western it conjures up images of sprawling American landscapes with action heroes such as John Wayne or Gary Cooper riding horses and rounding up bad guys.

But there were also westerns with kangaroos, bushrangers and stunning Australian vistas. Sometimes known as “kangaroo westerns” or “meat pie westerns” — inspired by the expression “spaghetti western” coined for Italian versions of the genre — these films have long been a part of our cinema history. Often an attempt to cash in on American westerns, they were a unique part of our own history bearing similarities with the American Wild West.

The latest “meat pie western” is Sweet Country, which opens on Thursday. Set in the Northern Territory Outback in 1929, it centres on an indigenous stockman on the run after killing a cattle station owner in self-defence. It has the familiar elements of a western — the cowboy on the run from the frontier lawman — but with a distinct Australian flavour.

[A still from The Story Of The Kelly Gang in 1906.]

The 1903 American film The Great Train Robbery established the western genre. It was about a group of outlaws who rob a mail train, but are chased by a posse and killed in a shootout. It introduced some western conventions, including good guys versus bad guys, chases on horseback, gunfights and tough cowboys.

Australian producers also had a rich vein of stories and characters they could mine for similar kinds of films. The Story Of The Kelly Gang premiered in 1906. Although not the first film about bushrangers, it kicked off the “meat pie western” genre. It had the good guys, bad guys, gunfights, horseback chases, but it also had bandits in metal armour. While based on a true story it embellished truth for dramatic effect.

[Scene from 1946 film The Overlanders.]

In 1911 and 1912 the NSW, Victorian and South Australian governments spoiled some of the fun by banning depictions of bushrangers in films, concerned that criminals were being turned into heroes. But there was plenty of other Aussie material for “meat pie westerns”, although some opted for American input.
                                                   
Australian celebrity boxer and swimmer Snowy Baker contracted with American filmmakers to make three outback westerns in 1920. They imported American directors Wilfred Lucas and Bess Meredyth to shoot The Man From Kangaroo and The Jackeroo Of Coolabong about life on an outback station, and The Shadow Of Lightning Ridge, about a bushranger. The films had gun and fist fights, trick riding and made Snowy a bigger star. He later went to the US and did some more films but taught other actors useful skills such as sword fighting.

 
[Shearers leave the hut and walk to the cookhouse during shooting of The Sundowners at Corunna sheep station, Iron Knob, South Australia in December 1959.]

Hollywood had a hand in 1936 film Rangle River, which was funded by Columbia Pictures. Based on a story written by great American western pulp writer Zane Grey, it had a blend of American elements (including a whip fighting scene that was censored in Britain) and Australian accents. It was released in the US as The Whip Fighters.

Captain Fury (1939), set in convict-era Australia, was filmed entirely in the US. Despite having Snowy Baker’s brother Frank as a technical adviser, it lacked authenticity. Apart from a smattering of gum trees, it looks like somewhere in the US.

Although 1946 film The Overlanders was a contemporary drama, it was about rugged stockmen (Aussie cowboys) driving cattle across the Australian outback and is generally considered an Australian western. Made by Britain’s Ealing Studios, it had Australian government funding so it could show Australia in a good light.

The Yanks once again thought we needed help and, in 1950, sent actor Jock Mahoney to star in The Kangaroo Kid. Based on a story by an Australian writer, it was about a detective from the US Remington agency sent here to track down a notorious robber.

 
[Actors John Hargreaves, David Gulpilli and Dennis Hopper (right) in a scene from the 1976 film Mad Dog Morgan.]

American actor Robert Mitchum starred in the British-made 1960 film The Sundowners, based on Jon Cleary’s novel. It lacks gunfights and bandits, but there is plenty of action and some tough shearers. Mitchum’s Australian accent wafts between cockney and American but he has undeniable star power and while the film flopped in the US it did well here and in the UK.

The ’70s saw a rediscovery of the bushranger western, with Englishman Mick Jagger cast in the title role of the 1970 film Ned Kelly, and American actor Dennis Hopper as Dan Morgan in the 1976 film Mad Dog Morgan. But neither did well at the box office.
 
[Actor Tom Selleck with Laura San Giacomo in a scene from TV program Quigley Down Under in 1990.]

The Man from Snowy River, adapted from Banjo Paterson’s poem about a young master horseman and the ride that made him a legend, was a big success in the ’80s and spawned a sequel. And Kirk Douglas was the token Hollywood star to help make it successful overseas. The US sent Tom Selleck to star in Quigley Down Under 1990, but it flopped.

Another “meat pie western” to make an impact was The Proposition in 2005, a bushranger film starring Guy Pearce, which also had a haunting soundtrack by Nick Cave.

Special Birthdays



Adriano Micantoni (actor, screenwriter) would have been 95 today, he died in 2009.

Thursday, February 1, 2018

RIP Reyes Abades



In Spain, special effects in the movies were made by Reyes Abades.  Yes, there have been other specialists in this special field, and now there are new generations who know how to work with new materials. But for decades, the Extremadura Reyes Abades, who has died today February 1, 2018 in Madrid, Spain at the age of 68, led his field. Born Reyes Abades Tejedor in Castilblanco, Badajoz, Extremadura, Spain on July 25, 1949,  he won 9 Goya’s and has been nominated for 2more  this year. In addition to his work in the Spanish cinema, he was also the most requested when a film crew arrived in Spain. Abades worked on four Euro-westerns: ‘The New Zorro’ TV series 1990-1993, “The Return of El Coyote” (1998), “Lucky Luke and the Daltons” and “Renegade” both 2004 

For All the Dollars ~ Part 3 The Big Gundown



By ANTHONY LUSARDI

The Big Gundown (1966), dir. Sergio Sollima

            What's the best part of a western? The final showdown! And this spaghetti western makes it a grand spectacle.

            The Big Gundown is only one of three spaghetti westerns directed by Sergio Sollima. Whereas most Italian directors stayed in the subgenre until it became outdated, Sollima seemed satisfied with only two more: Face to Face and Run, Man, Run. Often, critics have interpreted these three films as allegories to living under the fascist government of Mussolini during World War II, a commentary on U.S. policy in Latin America, and the role of environment and society in shaping the individual.

            The Big Gundown is also popular for its themes of the gun-loving rich versus the knife-wielding poor, corrupted authority, and the modernization of the West. In the lead role for the first time, Lee Van Cleef plays bounty hunter Jonathan Corbett, fresh off the Dollars scene. In the main supporting role is Cuban actor Tomas Milian, who, along with his co-star, became a popular face in more spaghetti westerns. Often times, Milian was known for overacting and played type-casted roles as a Mexican peasant or bandit. Here in Sollima’s film, he plays one of his signature characters, El Cuchillo, a Mexican vagabond that can draw a knife faster than the quickest gun.

And speaking of draws, The Big Gundown may have some of the best standoffs in the whole spaghetti western subgenre. These action sequences are supported by more outstanding music by Ennio Morricone, who was known for incorporating sounds like cracking whips, whistles, voices, and gunshots, mixed in with instruments like Jew's harp, trumpets, and a Fender electric guitar, all when he didn't have full access to a full orchestra. The latter of which was also reused eventually in Tarantino’s movies, like Inglourious Basterds.

            Over the years, as Sollima moved into new cinematic territory like crime thrillers, The Big Gundown continues to be praised for its story, acting, cinematography, Morricone’s score, and its climactic showdown. After all, with a title like that, a spaghetti western can't strive for anything less.

Trivia: The character of El Cuchillo makes another appearance in Sollima's final spaghetti western, Run, Man, Run. Tomas Milian reprises his role.

[To be continued next week]

Anthony Lusardi lives in Rockaway Borough, New Jersey. He’s a 2013 graduate of Centenary College (now Centenary University) in Hackettstown, New Jersey and is currently working as a freelance reporter in the Morris County region. Lusardi is an avid movie fan, reader, and lover of arts and entertainment. He’s attended and covered music concerts, art exhibits, festivals, parades, book readings, library lectures, and even a movie premiere in Parsippany and a movie shooting in Roxbury.



Special Birthdays



Piero Lulli (actor) would have been 95 today, he died in 1991.












Stuart  Whitman (actor) is 90 today.