Wednesday, September 9, 2026

Little Known Spaghetti Western Actors ~ Donna Duzit

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Nicknamed The Black Widow of Rancho Mirage

She was primarily active in adult films during the 1970s and 1980s.Notable Role: Under her pseudonym Donna Duzit, she appeared as the character Rachel Clark in the 1970 adult western film Nude Django (directed by Byron Mabe and produced by David F. Friedman).

While working on “Brand of Shame” (original title of “Nude Django”) Donna stated she broke her spine in a February 10, 1984, Palm Springs, Californa Desert Sun article. Also according to the article, she was she was a bride in a shotgun marriage to a wife beating sailor named Ishaq Mustafa Dajani from 1974 which resulted in her having two sons. She subsequently divorced Dajani in 1977 and with her two sons moved to Los Angeles to find her father.

In Los Angeles she worked as a waitress, cashier, bank escrow clerk and then as a Go-Go dancer at several clubs including the Boom-Boom Room in Gardena. She had breast implants returned her hair to its natural brunette, had her nose fixed and changed her name to Andrea Claire. Her dancing career led to modeling and acting. She appeared in several films “M*A*S*H”, “Beyond the Valley of the Dolls” and “Everything You Wanted to Know About Sex”, On TV she appeared on ‘Days of Our Lives’, ‘Bewitched’.

She then became a Las Vegas call girl, married six times and was tried for murdering husband number five in 1981 two days later marrying husband #6. Convicted of the murder of husband #5 Robert Sand, Andrea Claire, as she was going by, was sentenced to 26 years to life in prison on May 14, 1981. She was released from prison in 2013 and died of cancer in Palm Springs, California on June 12, 2015, at the age of 74.

Donna Duzit appeared in one Euro-western, “Django Nudo und die husternen Madchen von Porno Hill” (Nude Django) as Rachel Clark in 1968.

DUZIT, Donna (aka Andrea Claire, Phyllis Cornelis, Andrea Mims, Samantha Scott, Prudence Smythe, Sarah Stunning) (Phyllis Claire Corneliss) [5/31/1941, New Jersey, U.S.A. – 6/12/2015, (cancer)] – film actress, married Herbert Wesley Denike [1935-1995] (1956-    ) mother of Guy Westley Denike [1957-2012], Douglas Charles Denike 91959–2023], married to Phillip Green (1966-1970), married to Ishaq Mustafa Dajani [1953-    ] (1974-1977), married to Derek Conte (19??-19??), married to ? (19??-19??), married to ?lumber executive Robert Sand [1911-1981] (1980-1981), married to water pump consultant Joe Mack Mimms [1926-1986] (1982-1983).

Nude Django – 1968 (Rachel Clark)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Horst Krahe

Horst Krahe was a silent film director of unknown origin but most likely German. He only has two films to his credit and those are also his only known Euro-westerns.

Horst Krahe was a director on two Euro-westerns: “Bull Arizona – der Wüstenadler” (Bull Arizona – the Desert Eagle) with Piel Jutzi and “Bull Arizona – das Vermächtnis der Prärie” (Bull Arizona, the Legacy of the Prairie) with Piel Jutzi both in 1919.

KRAHE, Horst (aka Horst Krahè, Horst Krahé) [German] – director, film actor.

Bull Arizona – the Desert Eagle – 1919 (co)

Bull Arizona, the Legacy of the Prairie – 1919 (co)

 

Spaghetti Western Screenwriter ~ Alberto De Stefanis

Alberto De Stefanis is/was an Italian film producer, writer but mainly a production manager. He was a production manager on eight films between 1962 and 1978. He also produced three films between 1972 and 1980 and a screenwriter on three films two films in 1972 and 1974. One of those films was his only Spaghetti western, “La parola di un fuorilegge... è legge!” (Red Harvest) with Juan Bosch in 1976. He was a line producer on “Alberto De Stefanis” (Sabata) in 1969, a casting director on “È tornato Sabata... hai chiuso un'altra volta” (Return of Sabata) in 1971, line producer on “E poi lo chiamarono il Magnifico “(Man of the East) and “La caza del oro” (Too Much Gold for One Gringo) both in 1972.

De STEFANIS, Alberto – producer, production manager, casting director, writer.

Sabata – 1969 [line producer]

Return of Sabata – 1971 [casting director]

Man of the East – 1972 [line producer]

Too Much Gold for One Gringo – 1972 [line producer]

Red Harvest – 1976 (co)

 

Spaghetti Western Cinematographer ~ Riccardo Pallottini

Riccardo Pallottini was an Italian cinematographer known for his prolific contributions to genre cinema, particularly in Italian peplum, science fiction, poliziotteschi, and action films from the late 1950s through the early 1980s. Born in Rome on March 18, 1908, he began his career as a camera operator on productions in the 1950s before establishing himself as a director of photography, amassing credits on over 90 films. His work spanned diverse genres and included notable titles such as “Son of Samson”, “Atlas Against the Cyclops”, “War Between the Planets”, “Mission Stardust”, “Take a Hard Ride”, “The Last Hunter”, and “Tiger Joe”, often collaborating with directors like Antonio Margheriti and Stelvio Massi. Pallottini occasionally directed, including the short film “Domenica a Capri”, and used several pseudonyms in credits throughout his career. He died on January 11, 1982, in Luzon, Philippines, following a plane crash while working on location for “Tiger Joe”. He was 74.

Riccardo Pallottini was a cinematographer on thirteen Spaghetti westerns: “Tempo di massacre” (The Brute and the Beast), “Django spara per primo” (Django Shoots First), “La più grande rapina del west” (The Greatest Robbery in the West), “Johnny Oro” (Ringo and His Golden Pistol) all in 1966, “Joe! Cercati un posto per morire” (Find a Place to Die) in 1968, “E Dio disse a Caino…” (And God Said to Cain) with Luciano Trasatti, “I quattro del Pater Noster” (In the Name of the Father) both in 1969, “L’oro dei bravados” (Chapaqua’s Gold) in 1970, “Il pistolero cieco” (Blindman) in 1971, “Così Sia” (They Call Me Amen) and “Oremus, Alleluia e Cosi Sia” with Riccardo Pallottini both in 1972 and “La parola di un fuorilegge... è legge!” (Take a Hard Ride) in 1975.

PALLOTTINI, Riccardo (Rafel de Usa) [3/18/1908, Rome, Lazio, Italy – 1/11/1982, Luzon, Philippines (helicopter crash)] – director, cinematographer, cameraman, SFX, brother of script supervisor Eleonora Pallotini.

The Brute and the Beast - 1966

Django Shoots First – 1966

The Greatest Robbery in the West - 1966

Ringo and His Golden Pistol – 1966

Vengeance - 1967

Find a Place to Die – 1968 

And God Said to Cain – 1969 (co)

In the Name of the Father - 1969

Chapaqua's Gold - 1970

Blindman – 1971

They Call Me Amen – 1972

They Still Call Me Amen – 1972 (co)

Take a Hard Ride – 1975

News French UltraHD Blu-ray release of “Pour une poignée de dollars”

 








“Pour une poignée de dollars”

(Fistful of Dollars)

(1964)

 

Director Sergio Leone

Starring: Clint Eastwood, Gian Maria Bolonte, Marianne Koch

 

Country: France

Label: ESC Films

PAL

Discs: 4

4K UltraHD BluRay, Bluray, 2 bonus-BluRay steelbook limited numbered collector's edition

Languages: Stereo, French, English

Subtitles: French

Running time: 100 minutes

Bonus: Sergio Leone - Une Amérique de Légende: Entretien avec le réalisateur Jean-François Giré; Quelques mots de Gianni Garko, Ernesto Gastaldi, Giancarlo Santi; Rencontre avec Pecos El Francès; Un guitariste à Rome joue du Morricone, 60 page book, poster, 10 lobby cards and press booklet

EAN: 3701432024745

 

(Available from FNC)

Who Are Those Gals ~ Ira Furstenberg

 

Virginia Carolina Theresa Pancrazia Galdina Prinzessin zu Fürstenberg was born in Rome on February 17, 1940. The daughter of Prince Tassilo von Fürstenberg, from the Austrian branch of the House of Fürstenberg, and Clara Agnelli, the FIAT Heiress, grew up in Switzerland, Italy and Austria, before being educated in England after her parents separated.  Princess Ira spoke several languages, including Italian, French, German, Spanish, and English, and has two younger brothers, film producer Prince Egon, who was married to Diane von Fürstenberg, and Prince Sebastian.

In 1955, Princess Ira married Prince Alfonso of Hohenlohe-Langenburg, from the Spanish branch of the House of Hohenlohe-Langenburg, in a lavish wedding in Venice at the age of 15, while the groom was 31. The couple had two sons, Prince Christoph and Prince Hubertus, before their scandalous divorce in 1960. The following year, Princess Ira remarried to Brazilian playboy and Industrialist Francisco “Baby” Pignatari, divorcing three years later in 1964.

Following her divorces, Princess Ira began a career in fashion, collaborating with Diana Vreeland and posing for Helmut Newton and Cecil Beaton, later serving as a general director of Valentino before she founded a fashion house, the ‘Ira von Fürstenberg Collection’ in 1992. From the late 1960s, she began an acting career, beginning with “Matchless” and eventually acted in 28 films. Princess Ira resided in Rome in an apartment overlooking the Qurinale, where she passed away at the age of 82 on February 19, 2024.

FURSTENBERG, Ira (aka Ira Fürstemberg, Ira Fürstenberg, Ira Fürstenburg, Ira de Furstemberg, Ira de Fürstenberg) (Virginia Carolina Theresa Pancrazia Galdina Prinzessin zu Fürstenberg) [4/17/1940, Rome, Lazio, Italy – 2/19/2024, Rome, Lazio, Italy] – film, TV actress, stepdaughter of Count Giovanni Nuvoletti Perdomini [1912-2008], sister of producer, actor Egon von Fürstenberg (Eduard Egon Peter Paul Giovanni Prinz zu Fürstenberg) [1946-2004], aunt of producer, director, actress Tatiana von Furstenberg (Tatiana Desirée Prinzessin von Fürstenberg) [1971-    ], married to Prince Alfonso von und zu Hohenlohe-Langenburg [1924-2003] (1955-1960) mother of  Prince Christopher Victorio Egon Humberto von Hohenlohe-Langenburg [1956-    ], Prince Hubertus von Hohenlohe-Langenburg [1959-    ], married to Francisco "Baby" Pignatari [1916-1977] (1961-1964), founded the fashion house “Ira von Fürstenberg Collection” [1992].

Deaf Smith & Johnny Ears – 1972 (Hester McDonald Morton)

Special Birthday

José Antonio de la Loma (director, writer) would have been 115 today but died in 1991.







Didier Methivier (director, writer, composer, actor) is 60 today.



Tuesday, September 8, 2026

Little Known Spaghetti Western Actors ~ Jane Duverger

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Jane Duverger was a French silent film actress active during the early 1920s. Due to the era's poor film preservation, very little historical information survives about her personal life and full career, a common reality for many performers from the silent era. Most likely a theater actress.

Jane Duverger was in one silent Euro-western, “La fille du lion” as Maria Rossi in 1923.

DUVERGER, Jane [French] – film actress.

La fille du lion – 1923 (Maria Rossi)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Ted Kotcheff


Ted Kotcheff was a Canadian film and television director of Bulgarian descent, renowned for his versatile career spanning feature films, television dramas, and theater, with notable works including the action thriller “First Blood” (1982), the psychological drama “Wake in Fright” (1971), and the satirical comedy “The Apprenticeship of Duddy Kravitz” (1974).

Born (Velichko Todorov Tsochev (William Theodore Kotcheff) in Toronto on April 7, 1931, to Bulgarian immigrant parents from the Plovdiv region, Kotcheff grew up immersed in the Bulgarian-Macedonian diaspora community, learning Bulgarian before English and participating in left-wing Slavic theater as a child. After earning a degree in English literature from the University of Toronto, he began his professional career at the Canadian Broadcasting Corporation (CBC) as a stagehand, quickly rising to become the youngest director in Canadian television at age 20 under mentor Sydney Newman, directing episodes of anthology series like ‘General Motors Theatre’ (1952–1961).

Kotcheff transitioned to feature films in the early 1960s after moving to London, where he directed his debut “Tiara Tahiti” (1962), a social comedy starring John Mills and Herbert Lom, followed by “Life at the Top” (1965), a sequel to “Room at the Top” featuring Laurence Harvey. His international breakthrough came with “Wake in Fright” (1971), an Australian outback thriller starring Gary Bond that was nominated for the Palme d'Or at the Cannes Film Festival and later restored by the National Film and Sound Archive of Australia in 2009 for a Cannes Classics screening. Returning to Canada, he helmed “The Apprenticeship of Duddy Kravitz” (1974), an adaptation of Mordecai Richler's novel starring Richard Dreyfuss, which became the highest-grossing Canadian film at the time and won the Golden Bear at the Berlin International Film Festival.

In the 1970s and 1980s, Kotcheff explored American themes in films like the sports drama “North Dallas Forty” (1979), based on Peter Gent's novel and starring Nick Nolte, and the Vietnam War action film “Uncommon Valor” (1983) with Gene Hackman. His most commercially successful project was “First Blood” (1982), the first installment in the Rambo franchise, directed from David Morrell's novel and starring Sylvester Stallone, grossing over $125 million worldwide and establishing the character as a cultural icon. Later in the decade, he delivered the black comedy “Weekend at Bernie's” (1989), a surprise hit starring Andrew McCarthy and Jonathan Silverman that spawned a franchise.

Shifting to television in the 1990s, Kotcheff served as executive producer for ‘Law & Order: Special Victims Unit’ for its first 12 seasons (1999–2011). He also directed episodes of series such as ‘Columbo’ and ‘Law & Order’. In 2017, Kotcheff published his memoir Director's Cut: My Life in Film, reflecting on his journeyman career across genres and cultures. Kotcheff died at age 94 in Nuevo Vallarta, Nayarit, Mexico on April 10, 2025, survived by his wife, Laifun Chung, and their two children.

Ted Kotcheff directed one Spaghetti western, “Billy Two Hats” in 1973.

KOTCHEFF, Ted (aka William Theodore Kotchef)) [4/7/1931, Toronto, Ontario, Canada – 4/10/2025, Nuevo Vallarta, Nayarit, Mexico] – producer, director, writer, actor, married to actress Sylvia Kay (Sylvia M. Kay) [1936-2019] (1960-1972) father of assistant director, writer Joshua Kotcheff, banker Aaron Kotcheff, artist Katrina Kotcheff, married to producer Laifun Chung [1955-    ] (198?-2025) father of Alexandra Kotcheff [1986-    ], Thomas Kotcheff, [1988-    ] co-founded Panoptica Productions, Inc.

Billy Two Hats – 1973


Spaghetti Western Screenwriter ~ Gino de Santis

Gino De Santis was an Italian screenwriter and journalist known for his contributions to mid-20th-century Italian genre cinema, particularly in the peplum (sword-and-sandal), adventure, and horror films of the 1950s and 1960s.

Born on November 20, 1912, in Lecce, Italy, De Santis established a multifaceted career as a writer across journalism, literature, and screenwriting. He penned screenplays for numerous productions during the post-war boom in popular Italian filmmaking, collaborating on projects that capitalized on the era's fascination with mythological epics, historical spectacles, and science-fiction-tinged horror. Notable films bearing his writing credits include “Atom Age Vampire” (1960), “The Fury of Achilles” (1962), “Pontius Pilate” (1962), “Warriors Five” (1962), and “Sword in the Shadows” (1961).

De Santis remained active in creative fields until his later years and died on September 13, 2001, in Rome at the age of 88. His work reflects the prolific output of Italian screenwriters who shaped the distinctive style of 1960s genre cinema, influencing the international perception of Italian B-movies and cult classics

Gino de Santis co-wrote the screenplay for one Spaghetti western, “I sentieri dell’odio” (Bullets and Flesh) with Marino Girolami in 1964.

de SANTIS, Gino (aka Gino De Sanctis, Gino DeSanctis) [11/20/1912, Lecce, Apulia, Italy - 12/13/2001, Rome, Lazio, Italy] – writer.

Bullets and Flesh – 1964 (co)

 

Spaghetti Western Cinematographer ~ Carlos Pahissa López-Queralt

Carlos Pahissa López-Queralt was a cameraman and cinematographer born in San Sebastián in 1903. He began collaborating with other colleagues behind the camera “Pupin and His Friends”, with T. Duch in 1931, to become independent until he reached an internationally recognized technique with “Qué tío más grande” (1934); “Invasion” (1934); “Eugenia de Montijo” (1944); “The Centaur” (1946); “El alarido” (1947); “José María, el Tempranillo” (1949); “Bloody Water” (1952); “Tres eran tres” (1954, collaborating with Enrique Guerner), and “Salomón y la reina de Saba” (1962-King Vidor). Pahissa has been the most important film operator in the Basque Country.

Carlos Pahissa López-Queralt was the cinematographer on one Euro-western, “Tres eran tres” (Three Were Three) with Enrique Guerner in 1954.

PAHISSA, Carlos (Carlos Pahissa López-Queralt) [1903, San Sebastian, Gipuzkoa, Spain - deceased] – cinematographer, cameraman.

Three Were Three – 1954 (co)

Review: ‘Django Shoots First’ is an entertaining but middling Spaghetti Western

Entertainment FOCUS

By Pip Ellwood-Hughes

August 24, 2026

Django aka Glenn Garvin (Glenn Saxson) meets a bounty hunter who has killed his father, and is in possession of the body. After killing the bounty hunter, Django takes his father’s body into the nearby town to collect the bounty for himself. Upon arrival, Django befriends Gordon (Fernando Sancho) and learns that following his father’s murder, he now owns half of the town. Now with a target on his head, Django has to outwit his late father’s business partner Ken Kluster (Nando Gazzolo), who wants him dead.

‘Django Shoots First’ is an Italian Spaghetti Western from director Alberto De Martino, that was originally released in 1966. Arriving at a time when there were many films using the Django character, this film was a lighter, more comedic take on the Western that eschewed the brutality and darkness that existed in the genre at the time. Featuring a linear story that unravels at a quick pace, the film isn’t trying to be deep or profound – just thoroughly entertaining.

One of the strongest moments is the opening scene where Django confronts his father’s killer. It’s a surprise for the audience and it sets off an intriguing story about a son who is out to stake his claim on what he’s owed, and avenge his father. While we never get a real sense of the relationship Django had with his father, it’s enough plot to compel him into the same space as Ken Kluster, the villain of the peace. There’s double-crossing, fights and a bit of romance, ticking off the tropes of the Western genre along the way.

The film really does ride on the shoulders of Glenn Saxson who gives a very animated performance as Django. Saxson is as adept at the film’s comedy elements as he is the action-packed moments. He’s a strong leading man and he elevates this rather middling material to be more watchable. Audiences will be able to root for Saxson’s Django, even if they might not fully believe him as a no-nonsense and dangerous cowboy.

The 4K restoration looks superb and brings out the colours, as well as improving the sound quality. The extras on the release include a new 15-minute interview with Glenn Saxson, a new audio commentary by filmmaker Alex Cox, interviews with Erika Blanc and Evelyn Stewart, and a 12-page booklet with a new essay from Peter Raleigh.

‘Django Shoots First’ is nothing more than an average Western that whiles away 90 or so minutes. It’s not groundbreaking for the genre, but it is buoyed by lively performances and plenty of action. Fans of Westerns will likely find plenty to enjoy but anyone who isn’t a fan of the genre best steer clear. ‘Django Shoots First’ is by no means a classic but it’s a solid enough film that should prove entertaining if Westerns are your thing.

Cast: Glenn Saxson, Fernando Sancho, Evelyn Stewart, Guido Lollobrigida, Nando Gazzolo, Erika Blanc Director: Albert De Martino Writers: Sandro Continenza, Massimiliano Capriccioli, Tito Carpi, Vincenzo Mannino, Giovanni Simonelli, Alberto De Martino Certificate: 12 Duration: 96 mins Released by: STUDIOCANAL Release date: 24th August 2026 Buy ‘Django Shoots First’ now


Special Birthdays

Anton Dvořák (composer) would have been 185 today but died in 1904.








Lanfranco Ceccarelli (actor) would have been 95 today but died in 2005.








Christopher Connelly (actor) would have been 85 today but died in 1988.








Aleksandr Milokostyl (actor) is 70 today.






David Arquette (actor) is 55 today.


 

Monday, September 7, 2026

Little Known Spaghetti Western Actors ~ Vittorio Duse

 

Vittorio Duse was born on March 21, 1916, in Loreto, Ancone, Marche, Italy. After graduating from The Expiremental Cinema Centre he was given small roles in “Il cavaliere senza nome” by Ferrucio Cerio (1941) “The Lady of the West”, “Girarabub”, “The Lion of Damasacus” all in 1942. His first large role came as the commissioner in 1943's “Obsession” directed by Luchino Visconti. After this he was hired by such directors as Vergano, De Santis, Camerini and Lizzani. Duse also tried to become a director with 1954's “L’ultima illusione” and again 1955's “Il nostro campione” and finally with “A vent'anni è sempre festa” in 1957. In 1990 he had a small part in Copolla’s “The Godfather - Part III”.

Duse passed away on June 2, 2005, in Rome at the age of 89.

Vittorio appeared in four Euro and Spaghetti westerns: “Una signora dell’ovest” (Lady of the West) in 1942, “Io sono il capataz” (The Return of Pancho Villa) as Puchero in 1950, “I due sergenti del generale Custer” (The Two Sergeants of General Custer) in 1965 and “Requiescant” (Kill and Pray) as ‘El Doblado’ in 1967.

DUSE, Vittorio (aka Victor Duncan, Victor Duse) [3/21/1916, Loreto, Marche, Italy – 6/2/2005, Rome, Lazio, Italy] – producer, production manager, director, writer, film actor.

Lady of the West – 1942

The Return of Pancho Villa – 1950 (Puchero)

The Two Sergeants of General Custer – 1965

Kill and Pray – 1967 'El Doblado' [as Victor Duse]

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Martin Koolhoven

Martinus Wouter "Martin" Koolhoven was born April 25, 1969 and is a Dutch film director, screenwriter, and producer recognized for his versatile work across genres, including drama, comedy, and Westerns, with films that have earned both domestic box-office success and international acclaim. Born in The Hague, Netherlands, Koolhoven graduated from the Nederlandse Filmacademie (Netherlands Film Academy) in 1996 with degrees in direction, screenplay, and feature film production.

His career breakthrough arrived with the television film “Suzy Q” (1999), which became the most awarded Dutch film of the year, followed by the commercial hit “Het Schnitzelparadijs” (2005), the highest-grossing Dutch production that year and sold to over 20 countries. Koolhoven achieved global recognition with “Brimstone” (2016), a gritty psychological Western starring Dakota Fanning and Guy Pearce, which premiered at the 73rd Venice International Film Festival and was distributed in more than 80 countries.

His debut, the low-budget television film “Duister Licht” (1997), received two nominations at the Netherlands Film Festival, marking the start of a trajectory that saw him become the first Dutch director to place two films, “Het Schnitzelparadijs and Knetter” (2005), in the annual top 20 box office.

Subsequent successes include 'n “Beetje Verliefd” (2006) and “Oorlogswinter” (Winter in Wartime, 2008), the latter a World War II drama that outperformed major Hollywood releases like “The Dark Knight” at the Dutch box office and was shortlisted among nine films for the Academy Award for Best Foreign Language Film.

In 2010, Koolhoven co-founded the production company N279 Entertainment with Els Vandervorst, which backed Brimstone, for which he won the Golden Calf for Best Director among the film's six awards at the 2017 Netherlands Film Festival.

Beyond filmmaking, he has hosted the VPRO television program ‘De Kijk van Koolhoven’, discussing cinema history, and presents live theater events like De Keuze van Koolhoven, focusing on film genres and directors.

In recent years, Koolhoven mentored emerging talent in the 2024 television mini-series ‘Koolhoven Presenteert’, guiding six young filmmakers in producing mid-length genre films.

Martin Koolhoven directed one Euro-western “Brimstone” in 2011.

KOOLHOVEN, Martin (Martinus Wouter Koolhoven) [4/25/1969, The Hague, Zuid-Holland, Netherlands -     ] – producer, director, assistant director, writer, actor, co-founded N279 Entertainment, awarded Rutger Hauer Award [2022].

Ugly – 2009 [film was never made]

Brimstone – 2011


Spaghetti Western Screenwriter ~ Claude DeSailly

Claude Desailly was a French screenwriter, dialoguist, and occasional actor whose career spanned over four decades, primarily focused on cinema and television productions. Born in Cambrai, Nord, France on April 14, 1922, he became notable for his scriptwriting contributions to adventure, crime, and historical genres, often adapting literary works for the screen. Desailly's work emphasized collaborative efforts in French filmmaking, particularly with director Robert Hossein, and he also made minor acting appearances in projects he helped develop.

Desailly's screenwriting credits include key films such as “Les yeux cernés” (1964), a psychological drama directed by Robert Hossein, and “Ce soir les jupons volent” (1956), a comedy. He extended his influence into television, writing scenarios, adaptations, and dialogues for long-running series like ‘Les brigades du Tigre’ (1974–1983), where he contributed to 36 episodes, and miniseries such as ‘Michel Strogoff’ (1975–1977) and ‘Mathias Sandorf’ (1979–1980). His television work often involved historical adventures and detective stories, reflecting a commitment to narrative depth in popular French media.

Beyond writing, Desailly appeared as an actor in select episodes of series he scripted, including roles in ‘Les cinq dernières minutes’ (1989–1991) and ‘Les brigades du Tigre’ (1978). He also contributed lyrics to soundtracks, such as for the song "L'Homme à la Casquette" in ‘Les brigades du Tigre’ (1976). Desailly passed away in Gordes, Vaucluse, France on April 26, 2009 at the age of 87, leaving a legacy of versatile contributions to mid-20th-century French entertainment

Claude DeSailly co-wrote screenplays for two Spaghetti westerns, “Le goût de la violence” (The Taste of Violence) with Robert Hossein, Louis Martin, Jules Roy, Hans Neubert and Dany Jacquet and “Une corde… un colt” (Cemetery Without Crosses) with Dario Argento and Robert Hossein in 1968.

DeSAILLY, Claude [4/14/1922, Cambrai, Nord, France – 4/26/2009, Gordes, Vaucluse, France] – writer, married to ? father of artist Kristian Desailly.

The Taste of Violence – 1960 (co)

Cemetery Without Crosses – 1968 (co)


Spaghetti Western Cinematographer ~ Rafael Pacheco

Rafael Pacheco de Usa was a Spanish cinematographer and cameraman the son of photographer Juan Pacheco Vandel. Born in Madrid, Spain on August 31, 1921 he was the brother of cameramen and cinematographers Mario and Godofredo Pacheco.

Little is known about his life but he was one of the most well-known and frequently called upon cinematographers and cameramen in all of Spain. He worked on American and British productions filmed in Spain starting as a still photographer on 1943's "Misterio en la marisma" and as cinematographer on such productions as "Anthony and Cleopatra" (1972) and "Curse of the Black Cat" (1977).

Rafael Pacheco was a cinematographer on eleven Spaghetti westerns: “Cabalgando hacia la Muerte” (Shadow of Zorro) with Enrico Betti Berutto in 1962, “El sabor de la venganza” (Gunfight at High Noon) and “Tres hombres buenos” (The Implacable Three) both in 1963, “Camino del sur” (Seven from Texas) with Fausto Zuccoli in 1964, “$100,000 par el Lassiter” (Dollars for a Fast Gun) with Fulvio Testi and “Aventuras del Oeste” (7 Hours of Gunfire) both in 1965, “Per pochi dollari ancora” (Fort Yuma Gold) in 1966, “Faccia a facia” (Face to Face) with Emilio Foriscot in 1967, “Cuatro cabalgaron” (Four Rode Out) in 1968, “Hai sbagliato… dovevi uccidermi subito!” (Kill the Poker Player) in 1972 and “Tutti per uno... botte per tutti” (The Three Musketeers of the West) in 1973.

PACHECHO, Rafael (aka Rafael Paceco, Raphael Pacheco, Raf Pacher) (Rafael Pacheco de Usa) [8/31/1921, Madrid, Madrid, Spain -     ] – cinematographer, cameraman, actor, son of photographer Juan Pacheco Vandel [1884-1935], brother of cinematographer, cameraman Mario Pachecho (Mario Pacheco de Usa) [1923 – 1971], cinematographer, cameraman Godofredo Pacheco (Godofredo Pachecho de Usa).

Shadow of Zorro – 1962 (co)

Gunfight at High Noon – 1963

The Implacable Three – 1963

Seven from Texas – 1964 (co)

Dollars for a Fast Gun – 1965 (co)

7 Hours of Gunfire – 1965 [as Raf Pacher]

Fort Yuma Gold – 1966

Face to Face – 1967 (co)

Four Rode Out - 1968

Kill the Poker Player – 1972

The Three Musketeers of the West – 1973

Spaghetti western locations Then & Now – “Navajo Joe”

Here is a screengrab of the railroad station used in 1966’s Navajo Joe”. The location remained a mystery until just a few years ago when it was rediscovered and located in Ontigola, Toledo, Spain.

Here is the same location as photographed in 2021. Only fragments of the station’s foundation remain to designate the site.

European Western Comics - Collana Metal

 








Metal Stories

The contents of this comic book were published in large format and monograph by French author. It was published by EPC in Rome in 1981. Issue #1 was released in January and it concluded with issue #16 in April of 1984. It was published under the direction of Arturo G. Bernacchi with each issue containing 48 black and white pages with color covers.

 

Titles

01 (00.00.81) - "Mississippi River" (Jim Cutlass)

02 (00.00.81) - "Champakou"

03 (00.00.81) - "I passeggeri del vento" (Le avventure di Isa) (The Passengers of the

                          Wind" (The Adventures of Isa)

04 (00.00.81) - "Il sigillo di Beselek" (The Seal of Beselek)

05 (00.12.81) - "La galera infernale" (Le avventure di Isa) (The Hellish Galley" (The Adventures of Isa)

06 (00.01.82) - "Fort Wheeling"

07 (00.03.82) - "I negrieri di Juda" (The Slavers of Juda" (The Adventures of Isa)

08 (00.00.82) - "Ortho-Mentas" (I naufraghi del tempo) ("Ortho-Mentas" (The

                          Shipwrecked of Time)

09 (06-07.82) - "Le strade di Bharata" (The Roads of Bharata)

10 (00.00.82) - "I Leviatani" (The Leviathans)

11 (00.00.82) - "Durango"

12 (00.00.82) - "Gli innocenti di El Oro" (The Innocents of El Oro)

13 (00.00.83) - "Gente di paese" (Village Folk)

14 (00.04.83) - "La grande traversata" (Jeronaton) (The Great Crossing" (Jeronaton))

15 (00.00.83) - "La maledizione di Surya" (The Curse of Surya)

16 (00.04.84) - "Il sortilegio del bosco delle nebbie" (The Spell of the Misty Forest)

Special Birthdays

Aaron Schroeder (composer) would have been 100 today but died in 2009.







Virgillio Gazzolo (actor) is 90 today.









Gia Sandri (actress) is 85 today. 


 







Yeung Pak-Chan (actor) is 70 today.


 

Little Known Spaghetti Western Actors ~ Philippe Duval

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

While still a high school student, Philippe Duval was hired to play guitar in a standard ballroom orchestra at the Passage des Panoramas (a venue close to the famous Golf-Drouot in Paris). It was there, he met a teenage Johnny Hallyday, who asked Duval to accompany him on stage so they could perform American-style rock 'n' roll. In December 1959, Duval accompanied Hallyday on guitar during his historic live appearance on the radio show ‘Paris Cocktail.Vogue’

Duval played alongside Hallyday during his pivotal audition for Vogue Records, which ultimately launched Hallyday's professional career. The two separated in early 1960 when the record deal forced a change in backing musicians.

Duval later transitioned to working behind the scenes as a press attaché and songwriter. He co-wrote popular 1960s French tracks with Jean-Pierre Chichportich (the original drummer for Les Chaussettes Noires), contributing songs to Yé-yé icons and artists like Sheila, Frank Alamo, Annie Philippe, and Catherine Ribeiro.

The French actor and singer appeared as a "street singer" in the 1977 film “Another Man, Another Chance” and held various character roles in French television and cinema over several decades.

Philipe Duval appeared in one Euro-western, “Un autre homme, une autre chance” (Another Man, Another Chance” as a street singer in 1977/

DUVAL, Philippe [1941, France -     ] – musician, singer, film, TV actor.

Another Man, Another Chance – 1977 (street singer)

Spaghetti Western Directors, Screenwriters, Cinematographers

Spaghetti Western Director ~ Gottfried Kolditz


Gottfried Kolditz is a German film director and screenwriter known for his prolific career at the DEFA studios in East Germany, where he directed numerous feature films across various genres during the 1960s and 1970s. He specialized in fairy-tale adaptations, musicals, comedies, westerns (particularly the Indianerfilme featuring Gojko Mitić), and science fiction, making him one of the most productive DEFA directors of his era.

Born on December 14, 1922, in Saxony, Kolditz studied German philology and theater in Leipzig before working as an actor and theater director. He entered the film industry in 1955 and became a feature film director in 1958, producing notable works such as fairy-tale films like ''Schneewittchen'', the science-fiction film ''Signale – Ein Weltraumabenteuer'', and westerns including ''Spur des Falken'', ''Apachen'', and ''Ulzana''. His career also included screenplay writing, sometimes under a pseudonym, and he published science-fiction short stories. Kolditz died in 1982 while on location for a new project.

His son Stefan Kolditz later became a successful screenwriter.

Gottfried Kolditz died in Ljubljana, Slovenia on June 15, 1982, at the age of 59.

Gottfried Lolditz directed three Euro-westerns: “Spur des Falken” (The Falcon’s Trail) in 1967, “Apaches das Gesetz heisst Rache” (Apaches) and “Ulzana) both in 1973.

KOLDITZ, Gottfried (aka Dr. Gottfried Kolditz) [12/14/1922, Goldbach-Altenbach, Haut-Rhin, Germany – 6/15/1982, Ljubljana, Slovenia] – director, writer, actor, married to Erika Koch [1926-2004] (19??-1982) father of playwright Stefan Kolditz [1956-    ], Susanne Kolditz [1960-    ].

The Falcon’s Trail - 1967

Apaches – 1973 [as Dr. Gottfired Kolditz]

Ulzana – 1973


Spaghetti Western Screenwriter ~ Dino de Rugieriis

Dino de Rugieriis was and Italian screenwriter. According to the IMDb he wrote screenplays for only two films, both in 1969. No other biographical information is available on him.

Dino de Rugieriis wrote a screenplay for one Spaghetti western. “Quinto: non ammazzare” (Quinto: Fighting Proud) with Manuel Martínez Remís in 1969.

de RUGIERIIS, Dino (aka Dino De Rugeriis) [Italian] – writer.

Quinto: Fighting Proud – 1969 (co)

 

Spaghetti Western Cinematographer ~ Mario Pacheco

Mario Pacheco de Usa was born in Madrid, Spain in 1923 and was a Spanish cinematographer. Mario was the son of photographer and filmmaker Juan Pacheco "Vandel" and Amparo de Usa, also dedicated to film photography. He collaborated in the incipient Spanish film industry together with his brothers Godofredo Pacheco and Rafael Pacheco. He made his debut as a camera operator in 1948 with Mariano Pombo's “Mañana como hoy” and as a cinematographer in 1952 with Antonio de Obregón's “Hace cien años”. He made a name for himself in the profession by appearing as a camera operator in “Jeromín by Luis Lucia Mingarro” in 1952 and in “Calle mayor” by Juan Antonio Bardem in 1956. He died prematurely at the age of 48. His son, Mario Pacheco (1950-2010), has been a photographer and record director.

Mario Pacheco was a cinematographer on five Spaghetti westerns: “Per mille dollari al Giorno” (Renegade Gunfighter) in 1965, “Requiem per un Gringo” (Duel in the Eclipse), “Uno dopo l’altro” (One After the Other), “L’ira di Dio” (One After the Other) all in 1968 and “Kidnapping: paga o uccidiamo tuo Figlio” ($20,000 for Seven) in 1969.

PACHECO, Mario (Mario Pacheco de Usa) [1923, Madrid, Madrid, Spain – 1971, Madrid, Madrid, Spain] – cinematographer, cameraman, son of photographer Juan Pacheco Vandel [1884-1935], brother of cinematographer, cameraman, actor Rafael Pachecho (Rafael Pacheco de Usa) [1921-    ], cinematographer, cameraman Godofredo Pacheco (Godofredo Pachecho de Usa), uncle of photographer Mario Pacheco [1950-2010].

Renegade Gunfighter – 1965

Duel in the Eclipse – 1968

One After the Other - 1968

Wrath of God – 1968

$20,000 for Seven – 1969

Django Undisputed 2: Justice Is Done, Claudio Del Falco brings the Italian western back to the set

corriereNERD

August 30, 2026

Aprilia once again has the color of dust, the sound of boots on wood and that dirty light that Italian cinema transformed, many decades ago, into a language that is recognizable everywhere. Filming for Django Undisputed 2: Justice Is Done is underway in the Pontine territory, with Claudio Del Falco still engaged in the dual role of director and protagonist. Rather than announcing the "return" of the spaghetti western, a formula abused every time a wide-brimmed hat appears on an Italian set, it is worth talking about a new incursion into a genre that has never really ceased to haunt the pop imagination. From Sergio Corbucci onwards, Django has become almost a mask of the commedia dell'arte transferred to the mud of the frontier: a name passed from film to film, often without narrative continuity, capable of immediately evoking revenge, anarchy and justice administered far from the courts. Del Falco picks up this legacy with the physical attitude gained between action cinema and martial arts, after Iron Fighter, The Martial Avenger and Camille Delamarre's participation as an antagonist in Assassin Club. The first Django Undisputed, which arrived in 2025 with a duration of 84 minutes, saw him alongside Tomas Arana, Michael Segal and Fabio Romagnolo in an action western also indebted to the light-hearted irony made immortal by the Trinity films, a contamination that is anything but sacrilegious for a strand that grew up precisely by recycling archetypes, faces and suggestions. The film is still available in the international digital market, including through Apple TV.

The second chapter ups the ante by relying on an essential, almost archetypal story: Django must free a city subjugated by an unscrupulous boss and avenge his father, supported by his outlaw brother and the women of the town. A premise that might seem simple, but the western has always found its strength in clear structures, in conflicts that can already be read through a door that opens or a hand resting too close to the holster. What changes is what is built around it: the quality of the presences, the relationship between action and landscape, the ability to make the weight of a sunny road perceived even before the first shot is fired. The official profile of Filmitalia–Cinecittà records the project as an Italian production currently in production, dated 2027, directed by Del Falco and scripted by the director himself together with Sandro Arista. The production is being handled by Human Film International, supported by BRS Media and Terik Film Productions; after the passage of the Madison Cinema circuit in theaters, the announced plan provides for the digital distribution of United Digital Studios in over fifty countries and dubbing in ten languages. An interesting strategy especially for an independent work: the western genre has immediate international readability and, in the streaming ecosystem, can cross territories in which contemporary Italian cinema often struggles to reach.

The face destined to first attract the attention of the general public is that of Daniel McVicar, an American actor linked for many years to Beautiful, here very far from the sentimental geometries of Los Angeles in the role of El Chapo. The idea has an almost irresistible irony: one of the most familiar characters on afternoon television enters an Italian border where conflicts are not resolved over a glass in the office of Forrester Creations. His participation is confirmed both by the Filmitalia profile and by the information released by Sky TG24, together with the return of Fabio Romagnolo, an IFBB Pro athlete whose physicality had already left an evident imprint in the first film. The cast is completed by Martina Marotta, Annarita Del Piano, Clara Guggiari, Ciro Buono, Stefano Tricarico, Vanni De Simoni and Reyson Grumelli. Particularly curious is the entry of Vincenzo Galluzzo, interpreter of Jesus in Giulio Base's The Gospel of Judas, presented at the Locarno Film Festival and distributed in Italian cinemas in 2026: a leap from the spiritual rarefaction of a biblical tale to the rough material of the western, also confirmed by the National Film Evaluation Commission, which documents the role played by the actor in Base's work.

The main settings have been identified in Meatfield Town, a permanent western village in Aprilia designed by set designer Tiziano Carnevale, together with other locations in the area. A production choice that matters much more than it may seem, because a western lives in the tactile credibility of spaces: worn axes, facades, fences, dust and perspective depths do not function as a simple backdrop, but determine movements, shots and choreography. Carnevale also signs the set design and coordinates the stunts, while Matteo De Angelis returns to the direction of photography, consolidating a partnership now in its fourth consecutive film with Del Falco. The original music is entrusted to Tony Riggi, the costumes to Francesco Bureca and the production supervision to Giuseppe M. Andreani of Dreamline Pictures. After the conclusion of the set, the work will continue in the BackLight Digital studios for post-production, a step in which the classic image of the frontier and the more muscular rhythm of contemporary action will have to find the right balance.

The real challenge, after all, is not to rebuild a saloon or make a spur resonate over a wooden walkway. It means understanding why we continue to need Django, a dirty and imperfect knight who arrives where the law has stopped working. Django Undisputed 2: Justice Is Done was born within an independent Italian production, with international ambitions and a team that seems to want to work on concreteness even before nostalgia. We will only know in front of the screen if the shot will reach the target; meanwhile, seeing the border reopen in Aprilia retains that slightly crazy charm that belongs to obstinately built cinematographic enterprises. And the western community, on this, will certainly have a lot to discuss.