George Wang spent nearly two decades in Europe portraying
mostly bad guys of various ethnicities before returning to Taiwan for the
latter half of his storied career
Taipei Times
March 22-28, 2021
By Han Cheung
George Wang (王玨) was bewildered when he was asked
to play the role of Machete, a Mexican villain in the 1967 Italian spaghetti
Western, Taste of Killing. The tall, dark-skinned Wang had portrayed Taiwanese
Aborigines, Mongolians, Japanese and Koreans, but this would be his first
non-Asian role.
He recalls in his memoir that the film studio agent
showed him pictures of various Mexicans and said, “They look more Chinese than
you do.”
[George Wang holds
his Golden Horse trophy for best supporting actor in 1981.]
Photo: Chen
Yi-chuan, Taipei Times
They shoved Wang into the audition room, where director
Tonino Valerii was more than pleased with his performance. Wang recalls
spending the afternoon watching two Mexican films to prepare, and then winging
it.
Wang says that he made history as the first Asian actor
to play a non-Asian role in a non-Asian country.
“Toshiro Mifune participated in foreign productions, but
he always portrayed Japanese characters. Bruce Lee (李小龍) and Jackie Chan (成龍)
also appeared in foreign productions, but they never portrayed foreigners. As
for me, I’ve portrayed Mexcians, Arabs … I’ve also played a Confederate general
in a Civil War film, and a chief from northern Africa.”
[George Wang plays
his first Mexican role as the bandit Machete in the 1967 spaghetti Western,
Taste of Killing.]
Photo: Chen
Yi-chuan, Taipei Times
Wang, who led a daring mission in 1949 to transport all
of China Motion Picture Studio’s (中國電影製作公司) equipment to Taiwan right
before Shanghai fell to the People’s Liberation Army (PLA), became one of
Taiwan’s top actors before making it big in Italy. He starred in more than 50
Italian productions before returning to Taiwan in 1978.
He won a Golden Horse for best supporting actor in the
1980 film The Coldest Winter in Peking (皇天后土), and was given the Special
Contribution Award in 2009. At the age of 95, Wang appeared in his final
production, Hong Kong director Wong Kar-wai’s (王家衛) The Grandmaster (一代宗師).
He died on March 27, 2015.
[George Wang plays
a Mexican outlaw in the 1967 spaghetti Western, Colt in the Hand of the Devil.]
Photo courtesy of
Wikimedia Commons
WARTIME THESPIAN
Born in 1918 in today’s Liaoning Province, Wang joined
the resistance against the Japanese invasion of China as a young man. He had
hoped to see combat, but in 1938 the studio recruited him to act in propaganda
films. Wang starred in seven patriotic, anti-Japanese productions over the
course of the war and also participated in a number of plays.
He came to Taiwan for the first time in July 1947 to
shoot Hualien Port (花蓮港), which was helmed by Taiwanese director Ho Fei-kuang (何非光).
Ho moved to China in 1930 and joined the studio after studying filmmaking in
Japan. He later enlisted in the PLA and remained in China for the rest of his
life.
Hualien Port was billed as the “first nationalistic
blockbuster featuring Taiwan’s [Aborigines]” and stressed that it included over
800 Aboriginal actors. However, the main cast was almost entirely Chinese. This
was just months after the 228 Incident, an anti-government uprising that was
violently suppressed by the Chinese Nationalist Party (KMT), and the movie
tried to deliver a message of ethnic harmony and “build Taiwan together.”
[George Wang, far
left, on set in 1957 for Renzo Merusi’s Dam on the Yellow River.]
Photo courtesy of
Taiwan Film Institute
Wang seems to have spoken to locals at length about the
228 Incident while in Taiwan and understood the causes. He also took the
opportunity to collect material on the Wushe Incident (霧社事件), a 1930
anti-Japanese uprising by the Aboriginal Seediq people, for a future project
that never came to fruition.
By early 1949, it was clear that the KMT was about to
lose the Chinese Civil War. The Shanghai studio’s top brass had all fled, and
Wang was left in charge. He noted during his time in Taiwan the lack of local
filmmaking resources and decided to move all of the studio’s equipment across
the Taiwan Strait. With the communists closing in, Wang’s team spent two days
packing everything up into 12 trucks — only to be told at the port’s gate that
the ships were full.
The slick-talking, well-connected Wang convinced the
port’s commander (who was of the same military rank) into letting two of the
trucks on, but once the gate opened, all 12 vehicles forced their way through.
According to Wang’s memoir, the commander yelled:
“Colonel Wang, you didn’t keep your word!” Wang hid in the first truck and kept
silent, thinking, “This is wartime and I’m trying to protect national property.
I don’t care if I keep my word or not.”
In May 1949, the equipment, along with the film crew,
safely arrived in Keelung. The communists overran Shanghai by the end of the
month.
HEADING WEST
Wang got to work immediately, staging a well-received,
four-hour-long play at Zhongshan Hall about the anti-Japanese effort in the
Golden Triangle just three months after arrival. The movie studio resumed
production the following year.
Their second film, Never Seperate (永不分離),
which was shot in Yilan, was shown in Australia, where the local press dubbed
Wang the “Clark Gable of the East.”
In 1959, Italian actor and director Renzo Merusi arrived
in Taiwan after being denied entry to China. Merusi had been unsuccessfully
looking for two months for someone to play the Chinese Communist villain in The
Dam on the Yellow River, and he knew he had his man when he saw Wang.
Merusi flew Wang to Italy to complete the project and
persuaded him to pursue his career there. Wang ended up spending nearly two
decades in Italy, where he portrayed all sorts of characters of various
ethnicities and won a national acting award in 1975. He recalls portraying a
Mexican character in at least 10 spaghetti Western productions.
In 1973, Wang facilitated a collaboration with Hong
Kong’s legendary Shaw Brothers studio, This Time I’ll Make You Rich. His one
stipulation was that it be partially shot in Taiwan; he had been away for so
long and he wanted to see his old friends and colleagues.
Wang opened his own studio in Hong Kong a few years
later, and eventually resettled in Taipei. He stayed busy for the next three
decades, appearing in numerous films, plays and television dramas. His second
son Wang Tao (王道)
also became an actor, starring in numerous kung fu flicks in the late 70s and
early 80s.
Now 72, the younger Wang remains active in local
television productions, most recently appearing in last year’s Here Comes
Fortune Star (廢財闖天關)
by Sanlih E-Television (三立).
[Submitted by Michael Ferguson]
